Hall, David
Year: 1965
Complete Citation:
Hall, David. “Premiere and Cultural Turning Point: Charles Ives’ Fourth Symphony: An Account of the History and Preparation of the Score, the Problematic Rehearsals, and the First Performance of an Almost Legendary Work.” HiFi/Stereo Review Review, July 1965), 55-58.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Harbaum, Darrell
Year: 1991
Complete Citation:
Harbaum, Darrell. “Style Traits and Compositional Techniques as Found in the Symphonies.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Hawes, Peter
Year: 1998
Complete Citation:
Hawes, Peter. “Learning to Love a Cranky Composer.” Yale Alumni Magazine (March 1998).Notes: A report of a pre-concert talk prior to a performance by the National Symphony Orchestra at the University of Arizona’s Centennial Hall in Tucson by Leonard Slatkin, the orchestra’s conductor. The Unanswered Question was on the program that evening. Slatkin’s remarks about Ives and Symphony No. 4 are somewhat negative. A general article prompted by the awarding of the first Charles Ives Living to Martin Bresnick.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Hermann, Bernard
Year: 1945
Complete Citation:
Hermann, Bernard. “Four Symphonies by Charles Ives.” Modern Music, vol. 22, no. 6 (November-December 1945).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Herrmann, Bernard
Year: 1945
Complete Citation:
Herrmann, Bernard. “Four Symphonies of Charles Ives.” Modern Music 22 (1945): 215-222.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Hewett, Ivan
Year: 2013
Complete Citation:
Hewett, Ivan. “The Latest in our Series on Short Works by the World’s Greatest Composers; Ivan Hewett’s Classic 50; no 21 Charles Ives - the Housatonic at Stockbridge.” Daily Telegraph, May 9, 2013, 27.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Hines, Robert Stephen, ed.
Year: 1970
Complete Citation:
Hines, Robert Stephen, ed. The Orchestral Composer's Point of View: Essays on Twentieth -Cen-tury Music by Those Who Wrote It, 39-60. Norman, OK: The University of Oklahoma Press, 1970.Notes: An untitled essay by Elliott Carter mentions Ives several times (40, 58), indicating the difficulties of performing Ives’s orchestral works as well as the expan-siveness of Ives's orchestral scores. Several passing remarks about Ives in the articles by Ross Lee Finney and Gunther Schuller [Remarks that Ives’s music was not being performed by orchestral musicians in the 1940s.]
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Hitchcock, H. Wiley, and Noel Zahler
Year: 1988
Complete Citation:
Hitchcock, H. Wiley, and Noel Zahler. “Just What Is Ives’s Unanswered Question?” Notes 44, No. 3 (March 1988).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Hitchock, H. Wiley, and Vivian Perlis, eds.
Year: 1977
Complete Citation:
“Three Realizations of Chromâtimelôdtune.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 87-109. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Hüsken, Renata
Year: 1980
Complete Citation:
Hüsken, Renata. “Charles Ives' ‘Robert Browning Overture.’” Neuland 1 (1980): 16-24.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Ives, Charles
Year: 1942
Complete Citation:
Ives, Charles. “‘Children’s Day at the Camp Meeting’ by Charles Ives.” Modern Music 19, no. 2 (January-February 1942): 115-117.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1992
Complete Citation:
Ives, Charles. “Ives’s Program Note.” In The Fourth of July: Third Movement of A Symphony: New England Holidays, edited by Wayne D. Shirley, vii. Charles Ives Society Critical Edition. Milwaukee, WI: Associated Music Publishers, 1992.Source: Commentary in score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Ives, Charles E.
Year: 1929
Complete Citation:
Ives, Charles E. “The Fourth Symphony for Large Orchestra.” New Music, Vol. 2, No. 2 (January, 1929).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1973
Complete Citation:
Charles E. Ives. “Note.” In Central Park in the Dark, edited by Jacques-Louis Monod, 31. Hillsdale, NY: Boelke-Bomart, 1973.Source: Score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Iverson, Jennifer
Year: 2006
Complete Citation:
Iverson, Jennifer. “Spatial Structures of the Collage: the Case of Charles Ives’s Putnam's Camp.” Paper presented at Joint Meeting of Amer-ican Musicological Society and Society for Music Theory. November 3, 2006.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
James Drew
Year: 1970
Complete Citation:
“Modern Music and the Debt to Charles Ives.” Yale Reports Series. Hartford, CT: WTIC, 2 parts: 30 minutes each. Part 1 on December 27, 1970; Part 2 on January 3, 1971.Source: Telecast
Reprints: Discussion of Ives as a composer, of his father, of his musical background, of the traditions that influenced him, of the structure of his compositions, and of his influence on other composers by James Drew, Assistant Professor of Music Theory at Yale University. Recorded musical examples for illustration chosen from works by Ives, George Rochberg, Luciano Berio, and James Drew.
XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts
James Ripley, Philip Lambert, Jonathan Elkus, and James Sinclair
Year: 2001
Complete Citation:
James Ripley, Philip Lambert, Jonathan Elkus, and James Sinclair. “Ives and His Use of Theater Transformation.” Lecture, Fiftieth anniversary of the East-man Wind Ensemble, Eastman School of Music, Rochester, New York, February 7, 2001.Notes: Musical selections performed in Kilborn Hall: Over the Pavements, Calcium Light Night, edited by Kenneth Singleton (chamber ensemble, Brad Lubman, con-ductor); and Overture and March “1776” and Country Band March (Eastman Dryden Orchestra, James Sinclair, conductor). Parts of this seminar were recorded and are available from the Eastman School.
Source: Lecture
IV. Individual Studies by Genre
A. Orchestral and Band Works
Janicka-Slysz, M.
Year: 1988
Complete Citation:
Janicka-Slysz, Małgorzata. “IV Symfonia Charlesa Edwarda Ivesa.” Zeszyty naukowe: Akademia Muzyczna im. Stastawa moniuszki w Gdansku 27: 75-94.Notes: Regarding Symphony No. 4
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Jenkins, David and Mark Visocchi
Year: 1979
Complete Citation:
Jenkins, David and Mark Visocchi. “Washington's birthday / by Charles Ives.” In Portraits in music. London, United Kingdom: Oxford University Press, 1979.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
John Heiss, Jona-than Elkas, Charles Peltz, Gunther Schuller, and James Sinclair
Year: 2005
Complete Citation:
John Heiss, Jona-than Elkas, Charles Peltz, Gunther Schuller, and James Sinclair. “Conducting Ives [Panel]. Panel at at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
