Lopate, Phillip
    Year: 1999
Complete Citation: 
Lopate, Phillip. “Above the Battle, Musing on the Profundities.” The New York Times. January 17, 1999, sec. 2, 11.Source: Newspaper
XV. Television Broadcasts, Films, and Videocassettes
B. Films
Luck, Hartmut
    Year: 2004
Complete Citation: 
Luck, Hartmut. “Visionen einer andern Wirklichkeit: Die symphonischen Werke von Charles Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 123-137.  Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Lyman, Zachary
    Year: 2010
Complete Citation: 
Lyman, Zachary. “Realizing Ives's Universe Symphony: An Interview with Johnny Reinhard.” American Music, vol. 28, no. 4, (2010): 459-480.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Lyman, Zachary and Larry Austin
    Year: 2008
Complete Citation: 
Lyman, Zachary, and Larry Austin. “Completing Ives's Universe Symphony: An Interview with Larry Austin.” American Music, vol. 26, no. 4 (2008): 442-473.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Magers, Roy V.
    Year: 1977
Complete Citation: 
Magers, Roy V. “Charles Ives’s Optimism: or, The Program’s Progress.” In Music in American Society, 1776-1976: from Puritan Hymn to Synthesizer, edited by George McCue, 73-86. New Brunswick, NJ: Transaction Books, 1977.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Maisel, Arthur
    Year: 1981
Complete Citation: 
Maisel, Arthur. “The ‘Fourth of July’ by Charles Ives. Mixed Harmonic Criteria in a 20th-Century Classic.” Theory and Practice VI (1981): 3-32.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Marsh, Robert C.
    Year: 1967
Complete Citation: 
Marsh, Robert C. The Cleveland Orchestra. Cleveland, OH: World Pub-lishing, 1967.Notes: Cites performances of From the Steeples and the Mountains, Scherzo:  Over the Pavements,Symphony No. 2, The Unanswered Question, and  Variations on “America” (orchestrated by William Schuman). Numerous  passing remarks about Ives, especially the re-pertoire performed by  the Cleveland Orchestra.
 Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
McDonald, Matthew
    Year: 2004
Complete Citation: 
McDonald, Matthew. “Silent Narration? Elements of Narrative in Ives's The Un-answered Question.” 19th-Century Music 27/3 (2004): 263-286.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Melick, Jennifer
    Year: 2013
Complete Citation: 
Melick, Jennifer. “To Market, To Market.” Symphony, Vol. 64, No. 1 (2013): 53.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Mercado, Mario
    Year: 2004
Complete Citation: 
Mercado, Mario. “Ives: The View from the Podium.” In Charles Ives: An American Original in Context, 28, 30. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.Source: Program Booklet
IV. Individual Studies by Genre
A. Orchestral and Band Works
Meredith, Austin
    Year: 1997
Complete Citation: 
Meredith, Austin. “Brant’s Adaptation of Ives's ‘Concord, Mass., 1840-1860.’” The Thoreau Society Bulletin, no. 220 (1997): 3.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Mihura, Brian L.
    Year: 1982
Complete Citation: 
Mihura, Brian L. “The Great Jew's Harp Hunt of 1954.” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 44-48.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Moomaw, Charles J.
    Year: 1971
Complete Citation: 
Moomaw, Charles J. “A PL/1 Program for the Harmonic Analysis of Music  by the Theories of Paul Hindemith and Howard Hanson.” Master’s thesis,  University of Cincinnati, 1971.Source: Master's Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works
Morris, Harold
    Year: 1932
Complete Citation: 
Morris, Harold. “Fourth of July.” Contemporary American Music [Rice Institute, Houston] (April 1932): 5.Source: Conference Publication
IV. Individual Studies by Genre
A. Orchestral and Band Works
Mueller, John H.
    Year: 1951
Complete Citation: 
Mueller, John H. The American Symphony Orchestra: A Social History of Musical Taste. Bloomington, IN: Indiana University Press, 1951.Source: Book
Reprints: Mueller, John H. <i>Orchestras: A History and Analysis of Their Repertoires, Seasons 1842-43 through 1969-70</i>, 183-184. Bloomington, IN: Indiana University Press, 1973.
 IV. Individual Studies by Genre
A. Orchestral and Band Works
Nelson, Mark Douglas
    Year: 1984
Complete Citation: 
Nelson, Mark D. “Beyond Mimesis: Transcendentalism and Processes of Analogy in Charles Ives’ ‘The Fourth of July.’” Perspectives of New Music 22, Nos. 1-2 (1984): 353.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Nushi, Dafina Zeqiri
    Year: 2011
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Oliver, Michael, Vivian Perlis, Wilfrid Mellers, and David Nicholls
    Year: 1996
Complete Citation: 
Oliver, Michael, Vivian Perlis, Wilfrid Mellers, and David Nicholls. “Panel Discussion: Charles Ives: The Unanswered Question.” The Unanswered Question [Festival]. Barbican Centre; Leadenhall Market; St. Giles Church, Cripplegate; London, United Kingdom, January 19 to 21, 1996.Source: Panel Discussion
IV. Individual Studies by Genre
A. Orchestral and Band Works
Olson, Kenneth E.
    Year: 1981
Complete Citation: 
Olson, Kenneth E. Music and Muskets: Bands and Bandsmen of the American Civil War, 83. Contributions to the Study of Music and Dance, 1. Westport, CT: Greenwood Press, 1981.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Patterson, Frank
    Year: 1927
Complete Citation: 
Patterson, Frank. “The Circus.” Musical Courier. February 10, 1927, 28.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works