Ahlstrom, David
    Year: 1991
Complete Citation: 
Ahlstrom, David. “The Problem of the Unfinished: A Cart, a Deity, and Ives's Universe Symphony.” Sonus 11/2 (Spring 1991): 65-76.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Albrecht, Philipp
    Year: 2010
Complete Citation: 
Albrecht, Philipp. “Besprechungen: Dorothea Gail “Charles Ives’ Fourth Symphony: Quellen-Analyse-Deutung.”” Musiktheorie, Vol. 25, No. 3 (2010): 272-274.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Alexander, Michael John
    Year: 1986
Complete Citation: 
Alexander, Michael John. “Bad Resolutions or Good? Ives’s Piano ‘Take-Offs.’” Tempo, New Series 158 (1986): 8-14.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1989
Complete Citation: 
Alexander, Michael J. The Evolving Keyboard Style of Charles Ives. Outstanding Dissertations in Music From British Universities. New York, NY: Garland, 1989.IV. Individual Studies by Genre
C. Keyboard Works
Alms, Anthony
    Year: 2005
Complete Citation: 
Alms, Anthony. “The Inner World of Charles Ives: A Hermeneutic Approach to Central Park in the Dark.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Arlton, Dean Luther
    Complete Citation: 
Arlton, Dean Luther. “American piano sonatas of the twentieth century:  selective analyses and annotated index.” Thesis, Columbia University,  1968.IV. Individual Studies by Genre
C. Keyboard Works
Arnold, Jermie S.
    Year: 2016
Complete Citation: 
Arnold, Jermie S. ““Country Band” March - Pioneering the Ivesian Sound.” Journal of Band Research 52, no. 1 (Fall 2016): 44-67.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Auner, Joseph Henry
    Year: 2013
Complete Citation: 
Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In Musicology: A Book Series, 15. Basel, Switzerland: Gordon and Breach 
Publishing Group, 1994: 37-50.Source: Chapter in Book
Reprints: Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In <i>Anthology for music in the twentieth and twenty-first centuries</i>. New York: W.W. Norton & Company, 2013.
 IV. Individual Studies by Genre
A. Orchestral and Band Works
Austin, Larry
    Year: 1985
Complete Citation: 
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modern Performance from Sketches from his ‘Universe’-Symphony.” Perc Notes 23 (1985): 58-84.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1997
Complete Citation: 
Austin, Larry. “The Realization and First Complete Performances of Ives's Universe Symphony.” In Ives Studies, edited by Philip Lambert, 179-232. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Babcock, Michael J.
    Year: 1974-1975
Complete Citation: 
Babcock, Michael J. “Ives’ ‘Thoreau’: A Point of Order.” American Society of University Composers (Proceedings) IX/X (1974/75): 91-102.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Babko, Jeff
    Year: 2014
Complete Citation: 
Babko, Jeff. “5 Ways to Play Like Bruce Hornsby.” Keyboard, Vol. 40, No. 10 (2014): 30-32.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Baldwin, Linda, producer-director
    Year: 1979
Complete Citation: 
Baldwin, Linda, producer--director. “12th Street Rag.” Nebraska  Educational Television Network for the Mid--America Arts Alliance.  November 22, 23, 24, 1979.Source: Telecast
Reprints: Telecast on stations in Missouri, Oklahoma, Kansas, and Nebraska.
 XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts
Bardi, Aloma
    Year: 2004
Complete Citation: 
Bardi, Aloma. “Transformazione e identita nella Concord Sonata.” Musica 160 (October 2004): 36--38.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Baron, Carol K.
    Year: 1996
Complete Citation: 
Baron, Carol K. “Analysis and Manuscript Study of Ives's Symphony No. 1 as Biographical Tools: Parker's Lessons.” Paper presented at Sonneck Society for American Music Meeting, Washington, D.C., March, 1996.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2002
Complete Citation: 
Baron, Carol K. “Tonal Systems in Crisis: Composition and Autog-raphy in Charles Ives's First Symphony.” Paper presented at Fifth Eu-ropean Music Analysis Conference. University of Bristol, Bristol, England, April 2002.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2002
Complete Citation: 
Baron, Carol K. “Biography and Compositional Process in Charles Ives's First Symphony: Lessons Learned; Mastery Gained.” Paper presented at the meeting of the Greater New York Chapter of the American Musi-cological Society. Rutgers University, Brunswick, New Jersey, February 2002.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Baron, Carol Kitzes
    Year: 1987
Complete Citation: 
Baron, Carol Kitzes. “Ives on His Own Terms: An Explanation, a Theory  of Pitch Organization, and a New Critical Edition for the Three Page  Sonata.” Ph.D. diss., City University of New York, 1987.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
C. Keyboard Works
Bärtschi, Werner
    Year: 1986
Complete Citation: 
Bärtschi, Werner. “‘Concord, Massachusetts, 1840-1860’: Ives’ zweite Klaviersonate.” Neue Zürcher Zeitung 207/112 (May 17-18, 1986): 89-102.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Bäßler, Hans
    Year: 1992
Complete Citation: 
Bäßler, Hans. “Die manipulierte Hymne: Didaktische anmerkung zu Charles Ives Variations on ’America.’” Deutsche Tonkünstler-Zeitung 24/5 (September-October 1992): 47-52.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works