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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Echols, Paul

Year: 1974
Complete Citation:
Echols, Paul. “The Music for Orchestra.” Music Educator's Journal 61/2 (October 1974): 29-41.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Echols, Paul C.

Year: 1954
Complete Citation:
Echols, Paul C. “Editorial Note: 1979.” In Charles E. Ives, Sonata No. 1 for Piano, iv. New York, NY: Peer International, 1954.
Reprints:

Echols, Paul C. “Editorial Note: 1979.” In <i>Charles E. Ives, Sonata No. 1 for Piano</i>, iv. New York, NY: Peer International, 1990.

IV. Individual Studies by Genre
C. Keyboard Works

Eger, Joseph

Year: 2005
Complete Citation:
Eger, Joseph. Einstein's Violin: A Conductor's Notes on Music, 45-46, 144, 223, 372, 374. New York, NY: Jeremy P. Tarcher/Penguin, 2005.
Notes:

Tells of being an assistant conductor to Stokowski for Symphony No. 4 in Carnegie Hall. Also tells about a script to The Unanswered Question by Nancy Shear for Eleanor Roosevelt's one- hundredth birthday program (New York; Avery Fischer Hall).

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Eidenbenz, Michael; Muggler, Fritz

Year: 2002
Complete Citation:
Eidenbenz, Michael and Fritz Muggler. ““Berichte: 88 Tasten Und Mehr: Piano,” Das 102. Tonkünstlerfest in Biel, 20-22.” Dissonanz (September 2002): 35-36.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Elkus, Jonathan

Year: 1974
Complete Citation:
Elkus, Jonathan. “Charles Ives and the American Band Tradition: A Centennial Tribute.” Vol. 4 of American Arts Pamphlet, American Arts Documentation Centre. Exeter, England: University of Exeter, 1974.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1991
Complete Citation:
Elkus, Jonathan. “Preface.” In Charles E. Ives, Thanksgiving and Forefathers’ Day, edited by Jonathan Elkus, iii-iv. New York, NY: Peer International, 1991.
Source: Chapter in Score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2005
Complete Citation:
Elkus, Jonathan. “Charles Ives's Manhattan.” In The wind band in and around New York ca. 1830-1950: essays presented at the 26th biennial conference of the College Band Directors National Association, New York, NY, Feb., 2005, edited by Frank J. Cipolla and Donald Hunsberger. Van Nuys, CA: Alfred Press, 2007.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Enke, Heinz

Year: 1967
Complete Citation:
Enke, Heinz. “Charles Ives' "The Unanswered Question.”” In Versuche musikalischer Analysen, edited by Peter Benary. Berlin, Germany: Merseburger Verlag, 1967.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Enke, Heinz. “Charles Ives’ ‘The Unanswered Question’.” In Zur musikalischen Analyse, edited by Gerhard Schumacher, 232-240. Darmstadt, Germany: Wissenschaftliche Buchgesellschaft, 1974.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Ericson, John Q.

Year: 1988
Complete Citation:
Ericson, John Q. “Ives and the Band March.” Unpublished typescript, 1988.
Source: Unpublished typescript.
IV. Individual Studies by Genre
A. Orchestral and Band Works

Escuder, Alejandro

Complete Citation:
Escuder, Alejandro. “Charles Ives - Sonata para piano no. 2 “Concord” (Investigación, Biografía y Análisis Musical).” Academia. 2013. https://www.academia.edu/12581837/Charles_IVES_Sonata_para_piano_no_2_Concord_Investigaci%C3%B3n_Biograf%C3%ADa_y_An%C3%A1lisis_musical_.
Source: Online article
IV. Individual Studies by Genre
C. Keyboard Works

Estrin, Marc

Year: 2003
Complete Citation:
Estrin, Marc. “Essay after a Sonata: Concerning the Sublimation of Charles Ives.” New England Review, vol. 24, no. 2 (2003): 85-112.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Etkin Mariano, German Cancian, Carlos Mastropietro, and Maria Cecilia Villanueva

Year: 2001
Complete Citation:
Etkin Mariano, German Cancian, Carlos Mastropietro, and Maria Cecilia Villanueva. Superposicion y Gradualidad en Hallowe’en de Charles Ives. Research Group on Musical Analysis at the University of La Plata, Argentina. La Plata, Argentina: Editorial de la Universidad de La Plata, 2001.
Notes:

Translates to Superposition and Gradualism in Hallowe’en by Charles Ives

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Feder, Stuart

Year: 1983
Complete Citation:
Feder, Stuart. "Charles Ives and the Unanswered Question.” In The Psychoanalytic Study of Society edited by Werner Munsterberger, L. Bryce Boyer, and Simon A. Grolnick, 321-351. Volume 10 of The Psychoanalytic Study of Society. Hillsdale, NJ: The Analytic Press, 1983.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Feder, Stuart. “Hanover Square ‘Accordion’ to Charles Ives.” Paper presented at A Century of Composing in America: 1820-1920. The City University of New York, The Graduate Center, New York, New York, October, 2004.
Source: Conference Paper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Feinberg, Alan

Year: 1999
Complete Citation:
Feinberg, Alan. “An Ives Premiere: The ‘Emerson Concerto’: An Ulti-mate Statement.” American Record Guide 61/6 (November- December 1999): 6--8.
Notes:

Gives personal background to performances of Concord Sonata [in London], Study No. 22, and The Celestial Railroad prior to his playing of the premiere of the concerto.

Source: Magazine
Reprints:

Feinberg, Alan. “Endless Quest: Ives’s Emerson Concerto Comes to Life.” <i>Symphony</i> 50/1 (January- February 1999): 9-11.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Feith, Michel

Complete Citation:
Feith, Michel. “La Commémoration: Traduction Ou Trahison? (Saint-Gaudens, Ives, Lowell).” Revue Française D'études Américaines, no. 80, (1999): 69-81.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Fellegi, Ádám

Year: 1979
Complete Citation:
Fellegi, Ádám. “Three-Page Sonata.” New Hungarian Quarterly 20: 215 ff.
Source: Journal
C. Keyboard Works

Fennell, Frederick

Year: 1976
Complete Citation:
Fennell, Frederick. “Charles Ives and the Conductor.” In South Florida's Historic Ives Festival, 1974-1976, 59. Coral Gables, FL: University of Miami, 1976.
Source: Festival Pamphlet
IV. Individual Studies by Genre
A. Orchestral and Band Works

Fernández, Anouska Antúnez

Year: 2005
Complete Citation:
Fernández, Anouska Antúnez. “Ives y Beethoven en Clave Postmoderna: Análisis e Interpretación en el Siglo XXI.” Revista De Musicología, vol. 28, no. 2 (2005): 1435-1447.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works