Ives, Charles E.
Year: 1929
Complete Citation:
Ives, Charles E. “The Fourth Symphony for Large Orchestra.” New Music, Vol. 2, No. 2 (January, 1929).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1935
Complete Citation:
Ives, Charles E. New music: a quarterly of modern compositions, nineteen songs. New York, New York: New Music, 1935.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1973
Complete Citation:
Charles E. Ives. “Note.” In Central Park in the Dark, edited by Jacques-Louis Monod, 31. Hillsdale, NY: Boelke-Bomart, 1973.Source: Score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Ives, Charles; J. Bernlef, trans.
Year: 1969
Complete Citation:
Ives, Charles. “Text to ten songs with Dutch translations.” In Charles Ives, 115--119, 260--264. Amsterdam, Netherlands: De Bezige Bij, 1969.IV. Individual Studies by Genre
E. Songs
Year: 1969
Complete Citation:
Ives, Charles. “Foreword to 114 Songs [l’Nawoord bij 114 Songs].” Translated to Dutch by J. Bernlef. In Charles Ives, 93--103. In Charles Ives, 52-92. Amsterdam, Netherlands: De Bezige Bij, 1969.IV. Individual Studies by Genre
E. Songs
Iverson, Jennifer
Year: 2006
Complete Citation:
Iverson, Jennifer. “Spatial Structures of the Collage: the Case of Charles Ives’s Putnam's Camp.” Paper presented at Joint Meeting of Amer-ican Musicological Society and Society for Music Theory. November 3, 2006.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Ivey, Donald
Year: 1970
Complete Citation:
Ivey, Donald. Song: Anatomy, Imagery, and Styles. New York, NY: Free Press, 1970.Notes: Numerous passing references; eleven songs mentioned, some with examples: At the River, Charlie Rutlage, The Children's Hour, A Christmas Carol, An Election, from “Lincoln, the Great Commoner.” General William Booth Enters into Heaven, His Exaltation, Majority, On the Counter, Serenity, and Tom Sails Away.
Source: Book
IV. Individual Studies by Genre
E. Songs
James Ripley, Philip Lambert, Jonathan Elkus, and James Sinclair
Year: 2001
Complete Citation:
James Ripley, Philip Lambert, Jonathan Elkus, and James Sinclair. “Ives and His Use of Theater Transformation.” Lecture, Fiftieth anniversary of the East-man Wind Ensemble, Eastman School of Music, Rochester, New York, February 7, 2001.Notes: Musical selections performed in Kilborn Hall: Over the Pavements, Calcium Light Night, edited by Kenneth Singleton (chamber ensemble, Brad Lubman, con-ductor); and Overture and March “1776” and Country Band March (Eastman Dryden Orchestra, James Sinclair, conductor). Parts of this seminar were recorded and are available from the Eastman School.
Source: Lecture
IV. Individual Studies by Genre
A. Orchestral and Band Works
James Sinclair, commentor
Year: 1999
Complete Citation:
James Sinclair, commentor. “Song Recital with Slides and Comments.” Lecture-recital presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.Notes: Performers include Theodore Huffman, bari-tone; Brenda Patterson, mezzo-soprano; Lydia Brown, piano
IV. Individual Studies by Genre
E. Songs
Janicka-Slysz, M.
Year: 1988
Complete Citation:
Janicka-Slysz, Małgorzata. “IV Symfonia Charlesa Edwarda Ivesa.” Zeszyty naukowe: Akademia Muzyczna im. Stastawa moniuszki w Gdansku 27: 75-94.Notes: Regarding Symphony No. 4
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Jay, Maurice
Year: 1964
Complete Citation:
Jay, Maurice. “Original Sin, Existential Absurdity, and a Song by Charles Ives.” Prairie Schooner, vol. 38, no. 3 (1964): 265-266.Source: Journal
E. Songs
Jenkins, David and Mark Visocchi
Year: 1979
Complete Citation:
Jenkins, David and Mark Visocchi. “Washington's birthday / by Charles Ives.” In Portraits in music. London, United Kingdom: Oxford University Press, 1979.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
John Heiss, Jona-than Elkas, Charles Peltz, Gunther Schuller, and James Sinclair
Year: 2005
Complete Citation:
John Heiss, Jona-than Elkas, Charles Peltz, Gunther Schuller, and James Sinclair. “Conducting Ives [Panel]. Panel at at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Johnson (Swafford), Jan
Year: 1968
Complete Citation:
Johnson (Swafford), Jan. “The Second Phase: Compositional Techniques and Form in Ives’ Fourth Symphony.” Senior Thesis, Harvard College, 1968.Source: Senior Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works
Johnson [Swafford], Jan L.
Year: 1968
Complete Citation:
Johnson [Swafford], Jan L. “The Second Phase Compositional Tech-niques and Form in Ives’ Fourth Symphony.” B.A. senior honors essay, Harvard College, Harvard University, 1968.Source: B.A. senior honors essay
IV. Individual Studies by Genre
A. Orchestral and Band Works
Johnson, Timothy A.
Year: 1996
Complete Citation:
Johnson, Timothy A. “Chromatic Quotations of Diatonic Tunes in Songs of Charles Ives.” Music Theory Spectrum 18 (1996): 236-2-61.Source: Journal
IV. Individual Studies by Genre
E. Songs
Jolas, Betsy
Year: 1970
Complete Citation:
Jolas, Betsy. “Sur Ives: ‘The Unanswered Question,’” Musique en Jeu, No. 1 (1970).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1970
Complete Citation:
Jolas, Betsy. “Introduction a la Musique Americaine: Sur The Unanswered Question.” Musique en Jeu 1 (November 1970): 13-16.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Josephson, Nors S.
Year: 1974
Complete Citation:
Josephson, Nors S. “Zur Formalen Struktur Einiger Später Orchesterwerke Von Charles Ives (1874-1954).” Die Musikforschung, vol. 27, no. 1 (1974): 57-64.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Josephson, Nors S. “Zur Formalen Struktur einiger später Orchester-werke von Charles Ives (1874-1954).” Die Musikforschung 27 (1974): 57-64.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works