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Bibliography

Josephson, Nors S.

Year: 1984-1985
Complete Citation:
Josephson, Nors S. “The Initial Sketches for Ives’s ‘St. Gaudens in Boston Common’.” Soundings: A Music Journal 12 (1984-1985): 46-63.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kagen, Sergius

Year: 1949
Complete Citation:
Kargen, Sergius. Music for the Voice: A Descriptive List of Concert and Teaching Material, 330. New York, NY: Rinehart & Company, 1949.
Notes:

Reprint adds brief annotations for August, Autumn, Charlie Rutlage, Evening, From "Lincoln, the Great Commoner," The Greatest Man, and Walking.

Source: Book
Reprints:

Kargen, Sergius. <i>Music for the Voice: A Descriptive List of Concert and Teaching Material</i>.<i> </i>Bloomington, IN: Indiana University Press, 1968: 506- 507.

IV. Individual Studies by Genre
E. Songs

Kämper, Dietrich

Year: 1987
Complete Citation:
Kämper, Dietrich. “Die ‘114 Songs’ von Charles E. Ives.” In Amerikanische Musik seit Charles Ives: Interpretationen, Quellentexte, Komponistenmonographien, edited by Herbert Danuser, Dietrich Kämper, and Paul Terse. Laaber, Germany: Lauber-Verlag (1987): 135-148.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 1987
Complete Citation:
Kämper, Dietrich. “Die ‘114 Songs’ von Charles E. Ives.” In Amerikanische Musik seit Charles Ives: Interpretation, Quellentexte, Komponistenmonographien, 135-145. Laaber, Germany: Laaber Verlag, 1987.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Karp, T.

Complete Citation:
Karp, T. “Charles Ives’s Book of 114 songs.” In A Musical offering: essays in honor of Martin Bernstein, edited by Edward H. Clinkscale and Claire Brook. New York: Pendragon Press, 1977.
IV. Individual Studies by Genre
E. Songs

Kerner, Leighton

Year: 1991
Complete Citation:
Kerner, Leighton. “National Moods.” Village Voice 36, December 24, 1991, 116.
Notes:

Discusses Robert Browning Overture.

Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Khittl, Christoph

Kimball, Carol

Year: 2006
Complete Citation:
Kimball, Carol. “Charles Ives (1874-1954).” In A guide to art song style and literature. Milwaukee, WI: Hal Leonard, 2006.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs

Kirkland, Anthony B.

Year: 2012
Complete Citation:
Kirkland, Anthony B. “Performance Suggestions for Two Classic Wind Band Excerpts for Trumpet and Cornet Part II.” ITG Journal: The International Trumpet Guild, Vol. 36, No. 4 (2012): 77-80, 100-101.
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kirkpatrick, John

Year: 1965
Complete Citation:
Kirkpatrick, John. Preface to Symphony No. 4, by Charles Ives. New York, New York: Associated Music Publishers, Inc., 1965.
Source: Preface to Score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1967
Complete Citation:
Kirkpatrick, John. Liner notes for Morton Gould Conducting the Chicago Symphony Orchestra — Charles Ives — Orchestral Set No. 2 (First Recording). RCA LSC-2959, 1967, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1968
Complete Citation:
Kirkpatrick, John, ed. “Preface.” In Eleven Songs and Two Harmonizations. New York, NY: Associated Music, 1968.
Source: Score
IV. Individual Studies by Genre
E. Songs
Year: 1970
Complete Citation:
Kirkpatrick, John. “Words and Music: Ives.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 8, 1970.
Notes:

Tape version in the Ives Collection (Yale University, New Haven, CT). Kirkpatrick also spoke at Helen Boatwright’s recital.

Source: Lecture
IV. Individual Studies by Genre
E. Songs

Knight, John Wesley

Year: 1979
Complete Citation:
Knight, John Wesley. “Graphic Analyses of the Conducting Techniques for Irregular Meters and Nonmetrical Organizations Found in Selected 20th- century Band Literature.” Ph.D. diss., Louisiana State University, 1979. 
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kopetz, Barry E.

Year: 1991
Complete Citation:
Kopetz, Barry E. “Charles Ives's Variations on ‘America’: An Interpretive Analysis.” Instrumentalist 45/9 (April 1991): 20-28, 75-79. 
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kostelanetz, André and Gloria Hammond

Year: 1981
Complete Citation:
Kostelanetz, André and Gloria Hammond. Echoes- Memoirs of Andre Kostelanetz, 181. New York, NY: Harcourt Brace Jovanovich, 1981.
Notes:

Credits Leopold Stokowski as being “the first to play Gustav Mahler in the U. S., to give the American composer Charles Ives a hearing, and to introduce Le sacre du printemps here.”

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kraft, Leo

Year: 1990
Complete Citation:
Kraft, Leo. “Afterglow / Charles Ives.” In Gradus: the second year and after: an integrated approach to harmony, counterpoint, and analysis. New York, NY: W.W. Norton, 1990.
Source: Book
IV. Individual Studies by Genre
E. Songs

Kramer, Jonathan D.

Year: 1988
Complete Citation:
Notes:

Includes Charles Ives Symphony No. 2, Symphony No. 4, and Three Places in New England

Source: Book
Reprints:

Kramer, Jonathan D. <i>Listen to the music: a self-guided tour through the orchestral repertoire</i>. New York, NY: Schirmer Books.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Kramer, Lawrence

Year: 2008
Complete Citation:
Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives's A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2008
Complete Citation:
Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives’s A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works