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Bibliography

Kerner, Leighton

Year: 1991
Complete Citation:
Kerner, Leighton. “National Moods.” Village Voice 36, December 24, 1991, 116.
Notes:

Discusses Robert Browning Overture.

Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1995
Complete Citation:
Kerner, Leighton. “Brave New World.” Village Voice 40. June 6, 1995: 72.
Notes:

Regarding The Unanswered Question.

Source: Newspaper
V. General Music Studies
C. Other

Khittl, Christoph

Kinscella, Hazel Gertrude

Year: 1940
Complete Citation:
Kinscella, Hazel Gertrude. History Sings: Background of American Music, 499. Lincoln, NE: University Publishing Company, 1940.
Notes:

Footnote only.

Source: Book
Reprints:

Second Edition, 1948. Third Edition, 1957: 505. Fourth Edition, 1970: 384-385.

V. General Music Studies

Kirkland, Anthony B.

Year: 2012
Complete Citation:
Kirkland, Anthony B. “Performance Suggestions for Two Classic Wind Band Excerpts for Trumpet and Cornet Part II.” ITG Journal: The International Trumpet Guild, Vol. 36, No. 4 (2012): 77-80, 100-101.
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kirkpatrick, John

Year: 1963
Complete Citation:
Kirkpatrick, John. “What Music Meant to Charles Ives,” Cornell University Music Review, Vol. 6 (1963).
Notes:

Given as a talk at Ithaca College on May 22, 1963 (for the chapter of Pi Kappa Lambda).

Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1965
Complete Citation:
Kirkpatrick, John. Preface to Symphony No. 4, by Charles Ives. New York, New York: Associated Music Publishers, Inc., 1965.
Source: Preface to Score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1967
Complete Citation:
Kirkpatrick, John. Liner notes for Morton Gould Conducting the Chicago Symphony Orchestra — Charles Ives — Orchestral Set No. 2 (First Recording). RCA LSC-2959, 1967, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
A. Orchestral and Band Works

Knapp, David

Year: 2013
Complete Citation:
Knapp, David. “Music Received.” Notes 69/4 (2013): 817-827.
Source: Journal
V. General Music Studies
C. Other

Knight, John Wesley

Year: 1979
Complete Citation:
Knight, John Wesley. “Graphic Analyses of the Conducting Techniques for Irregular Meters and Nonmetrical Organizations Found in Selected 20th- century Band Literature.” Ph.D. diss., Louisiana State University, 1979. 
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kolleritsch, Otto

Year: 1987
Complete Citation:
Kolleritsch, Otto. Entgrenzungen in der Musik. Studien zur Wertungsforschung, Vol. 18. Vienna, Austria: Universal Edition, 1987.
Source: Book
V. General Music Studies

Konold, Wulf

Year: 1974
Complete Citation:
Konold, Wulf. “Arkadien in Neuengland: Zum hundersten Geburtstag von Charles Edward Ives.” Musica 28/5 (1974): 468-469.
Source: Journal
V. General Music Studies

Kopetz, Barry E.

Year: 1991
Complete Citation:
Kopetz, Barry E. “Charles Ives's Variations on ‘America’: An Interpretive Analysis.” Instrumentalist 45/9 (April 1991): 20-28, 75-79. 
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kostelanetz, André and Gloria Hammond

Year: 1981
Complete Citation:
Kostelanetz, André and Gloria Hammond. Echoes- Memoirs of Andre Kostelanetz, 181. New York, NY: Harcourt Brace Jovanovich, 1981.
Notes:

Credits Leopold Stokowski as being “the first to play Gustav Mahler in the U. S., to give the American composer Charles Ives a hearing, and to introduce Le sacre du printemps here.”

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kramer, Jonathan D.

Year: 1988
Complete Citation:
Notes:

Includes Charles Ives Symphony No. 2, Symphony No. 4, and Three Places in New England

Source: Book
Reprints:

Kramer, Jonathan D. <i>Listen to the music: a self-guided tour through the orchestral repertoire</i>. New York, NY: Schirmer Books.

IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1988
Complete Citation:
Kramer, Jonathan D. “Charles Ives.” In The time of music: new meanings, new temporalities, new listening strategies. New York, NY: Schirmer Books, 1988.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1991
Complete Citation:
Kramer, Jonathan D. “Charles Ives.” In Listening to music: the essential guide to the classical repertoire. London, United Kingdom: Lime Tree, 1991.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Kramer, Lawrence

Year: 2008
Complete Citation:
Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives’s A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2008
Complete Citation:
Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives's A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2013
Complete Citation:
Kramer, Lawrence. “Musique et politique de la mémoire: a symphony: New England holidays de Charles Ives.” In Du politique en analyse musicale, edited by Estaban Buch, Nicolas Donin, and Laurent Feneyrou. Paris, France: VRIN, 2013.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works