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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
(-) V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Machlis, Joseph

Year: 1963
Complete Citation:
Machlis, Joseph. “Charles Ives.” In The enjoyment of music: an introduction to perceptive listening. New York, NY: W.W. Norton, 1963.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1963
Complete Citation:
Machlis, Joseph. “Charles Ives.” In American Composers of Our Time. New York, NY: Thomas Y. Crowell Company, 1963.
Source: Chapter in Book
Reprints:

Machlis, Joseph. “Charles Ives.” In <i>American Composers of Our Time</i>. Westport, CT: Greenwood Press, 1990.

V. General Music Studies
A. Short Biographies and Profiles

Magers, Roy V.

Year: 1977
Complete Citation:
Magers, Roy V. “Charles Ives’s Optimism: or, The Program’s Progress.” In Music in American Society, 1776-1976: from Puritan Hymn to Synthesizer, edited by George McCue, 73-86. New Brunswick, NJ: Transaction Books, 1977.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Magill, Frank N.

Year: 1987
Complete Citation:
Magill, Frank N. “Charles Ives.” In Great lives from history: American series. Pasadena, CA: Salem Press, 1987.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Maisel, Arthur

Year: 1981
Complete Citation:
Maisel, Arthur. “The ‘Fourth of July’ by Charles Ives. Mixed Harmonic Criteria in a 20th-Century Classic.” Theory and Practice VI (1981): 3-32.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Marcotte, Gilles

Year: 1997
Complete Citation:
Marcotte, Gilles. “L’amateur de musique: Des musiques qui parlent.” Lib-erie 39/231 (June 1997): 180-186.
Source: Journal
V. General Music Studies
C. Other

Marsh, Robert C.

Year: 1967
Complete Citation:
Marsh, Robert C. The Cleveland Orchestra. Cleveland, OH: World Pub-lishing, 1967.
Notes:

Cites performances of From the Steeples and the Mountains, Scherzo: Over the Pavements,Symphony No. 2, The Unanswered Question, and Variations on “America” (orchestrated by William Schuman). Numerous passing remarks about Ives, especially the re-pertoire performed by the Cleveland Orchestra.

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Mason, Daniel Gregory

Complete Citation:
Mason, Daniel Gregory. Contemporary Composers. New York, New York: The Macmillan Company, 1918.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles

McClure, John

Year: 1967
Complete Citation:
McClure, John. “Charles Ives—Lonely Giant.” Gramophone 44/527 (April 1967): 516-517.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

McDonald, Matthew

Year: 2004
Complete Citation:
McDonald, Matthew. “Silent Narration? Elements of Narrative in Ives's The Un-answered Question.” 19th-Century Music 27/3 (2004): 263-286.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

McMillan, Thomas

Year: 1968
Complete Citation:
McMillan, Thomas. “Rhythms of Charles Ives.” In 20th century orchestral snare drum studies. Glenview, IL: Creative Music, 1968.
Source: Book
V. General Music Studies

Melick, Jennifer

Year: 2013
Complete Citation:
Melick, Jennifer. “To Market, To Market.” Symphony, Vol. 64, No. 1 (2013): 53.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Mercado, Mario

Year: 2004
Complete Citation:
Mercado, Mario. “Ives: The View from the Podium.” In Charles Ives: An American Original in Context, 28, 30. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.
Source: Program Booklet
IV. Individual Studies by Genre
A. Orchestral and Band Works

Meredith, Austin

Year: 1997
Complete Citation:
Meredith, Austin. “Brant’s Adaptation of Ives's ‘Concord, Mass., 1840-1860.’” The Thoreau Society Bulletin, no. 220 (1997): 3.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Metzmacher, Ingo

Year: 2005
Complete Citation:
Ingo Metzmacher. “Charles Edward Ives.” In Keine Angst vor neuen Tonen: Eine Reise in die Welt die Musik, 36-42. Berlin, Germany: Rowohlt Verlag, 2005.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Mihura, Brian L.

Year: 1982
Complete Citation:
Mihura, Brian L. “The Great Jew's Harp Hunt of 1954.” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 44-48.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Molinari, Leticia

Year: 2017
Complete Citation:
Molinari, Leticia. “Ives no daba muchas respuestas.” Academia. 2017. www.academia.edu/36310594/IVES_NO_DABA_MUCHAS_RESPUESTAS_docx.
Source: Online article
V. General Music Studies
A. Short Biographies and Profiles

Monkman, Martin H.

Year: Year unlisted
Complete Citation:
Monkman, Martin H. “Charles Ives (1874-1954).” Coastnet. Webpage no longer active.
Source: Online Resource
V. General Music Studies
A. Short Biographies and Profiles

Moomaw, Charles J.

Year: 1971
Complete Citation:
Moomaw, Charles J. “A PL/1 Program for the Harmonic Analysis of Music by the Theories of Paul Hindemith and Howard Hanson.” Master’s thesis, University of Cincinnati, 1971.
Source: Master's Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works

Moor, Paul

Year: 1948
Complete Citation:
Moor, Paul. “On Horseback to Heaven: Charles Ives.” Harper’s Magazine, Vol. 197, No. 1180, September, 1948.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles