Image
Complete Citation:
Shultis, Christopher. Silencing the sounded self: John Cage and the American experimental tradition. Lebanon, NH: University Press of New England, 2013.
Bibliography
Genres
Shultis, Christopher
Year: 2013
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2014
Complete Citation:
Christopher Shultis. “Robert Morris and the Missing Middle.” Perspectives of New Music 52/2 (2014): 316-324.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Siegmeister, Elie
Year: 1961
Complete Citation:
Siegmeister, Elie. “The Case of Mr. Ives.” Music Today 4/1 (June--August 1961): 1-2.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1976
Complete Citation:
Siegmeister, Elie. “Charles Ives: American Expressionist and Populist.” In South Florida's Historic Ives Festival, 1974-1976, 39-43. Coral Gables, FL: University of Miami, 1976.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Simms, Bryan R.
Year: 2011
Complete Citation:
Simms, Bryan R. “The German Apprenticeship of Charles Ives.” American Music 29 (2011): 139-167.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Sinclair, James
Year: 1996
Complete Citation:
Sinclair, James. “An Ives Experience.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 38-39. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1998
Complete Citation:
Sinclair, James. “Performing Ives/Ives Performing.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Sinclair, James B.
Year: 2000
Complete Citation:
Sinclair, James B. Liner notes for The Orchestral Music of Charles Ives. Premieres and New Ives Society Critical Editions, Orchestra New England. Koch International Classics, 3-7025-2, 2000, CD.Source: CD Booklet
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Sinclair, James B. “Riordinare il genio.” Translated by Aloma Bardi. Il Giornale della Musica 20/204 (May 2004): 25-26.Notes:
Part of “Ives, un Padre del Novecento,” for the fiftieth anni-versary of Ives’s death.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Sinclair, James, James Tocco, and Kenneth Singleton
Year: 1993
Complete Citation:
Sinclair, James, James Tocco, and Kenneth Singleton. “Panel Discussions: Evolving Performance Practice in the Music of Ives and Copland.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Singleton, Kenneth
Year: 1974
Complete Citation:
Singleton, Kenneth. Liner notes for Old Songs Deranged, Charles Ives Music for Theater Orchestra. Yale Theater Orchestra; James Sinclair, conductor. Columbia M32969 (1974).Source: Jacket Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1986
Complete Citation:
Singleton, Kenneth. “The Wind Music of Charles Ives.” Paper-presentation, Music Teachers National Association meeting, Portland OR, April 5-11, 1986.Notes:
Recorded on audio cassette tape, labelled MTNA-312.
Source: Lecture
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Sites, Michael
Year: 1993
Complete Citation:
Sites, Michael. “Spatiality Revisited in the Music of Charles Ives.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Slominsky, Nicholas
Year: 1955
Complete Citation:
Nicolas Slonimsky. “Charles Ives—America’s Musical Prophet.” Musical America 74/4 (February 15, 1954): 18-19.Source: Journal
Reprints:
Slominsky, Nicholas. “Charles Ives—America’s Musical Prophet.” <i>Pan Pipes </i>47: 20 (January 1955).
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1994
Complete Citation:
Slominsky, Nicolas. “Charles Ives.” In Perfect Pitch, edited by Richard Kostelanetz. New York: Schirmer Books, 1994.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Slominsky, Nicolas
Year: 1953
Complete Citation:
Slominsky, Nicolas. “Charles Ives, Musical Rebel.” Américas, (September 1953): 41.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 2005
Complete Citation:
Slominsky, Nicolas. Nicolas Slonimsky: writings on music, Volume 3: Music of the modern era. New York, New York; London, England: Routledge, 2005.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Slonimsky, Nicolas
Year: 1948
Complete Citation:
Slonimsky, Nicolas. “A Thing or Two about Music.” In Prophet of Music to Come, 207-210. New York, NY: Allen, Towne & Heath.Source: Chapter in Book
Reprints:
Slonimsky, Nicolas. “A Thing or Two about Music.” In <i>Slonimsky's Book of Musical Anecdotes</i>, edited by Electra Slonimsky Yourke, 207-210. New York, NY: Routledge, 2002.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1952
Complete Citation:
Slonimsky, Nicolas. “Sur la musique Americaine.” In L'Oeuvre du XXe siecle, 29. Paris, France: Congress for Cultural Freedom, 1952.Source: Journal/Conference?
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1953
Complete Citation:
Slominsky, Nicolas. Lexicon of Musical Invective: Critical Assaults on Composers since Beethoven’s Time. New York, NY: Coleman-Ross Company, 1953.Source: Book
Reprints:
Slominsky, Nicolas. <i>Lexicon of Musical Invective: Critical Assaults on Composers since Beethoven's Time</i>, 165. Second Edition. Seattle, WA: University of Washington Press, 1965. * Slominsky, Nicolas. <i>Lexicon of Musical Invective: Critical Assaults on Composers since Beethoven's Time</i>. Expanded Edition, with foreword by Peter Schickle. New York, NY: W.W. Norton, 2000.
VI. Topical Studies
P. Ives Collaborators and Colleagues
P. Ives Collaborators and Colleagues