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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Wilshire, Bruce W.

Year: 2016
Complete Citation:
Wilshire, Bruce W. “Music of Science, Thought, and the Body.” In The Much-at-Once: Music, Science, Ecstasy, the Body, 167-196. New York, NY: Fordham University, 2016.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Wilson-Dickson, Andrew

Year: 2003
Complete Citation:
Wilson-Dickson, Andrew. “The United States and the European classical tradition: Charles Ives.” In The story of Christian music: an illustrated guide to all the major traditions of music in worship. Oxford, United Kingdom: Lion, 2003.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Wilson, Peter Niklas

Year: 2001
Complete Citation:
Wilson, Peter Niklas. “«Sound Come into Its Own»: Vond Der Selbstfindung Amerikanischer Musik.” Neue Zeitschrift Für Musik 162/5 (2001): 12-17.
Source: Magazine
VI. Topical Studies
L. Ives and America

Wilson, Richard

Year: 1996
Complete Citation:
Wilson, Richard. “Ives: American Experimentalism and Modernism.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 37-38. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Wintle, Christopher, and Kate Hopkins, eds.

Year: 2010
Complete Citation:
Black, Leo. “Harry Croft-Jackson with a Note on Charles Ives.” In BBC Music in the Glock Era and After: A Memoir, edited by Christopher Wintle and Kate Hopkins. Woodbridge, Suffolk; Rochester, NY: Boydell & Brewer, 2010.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Wise, Brian

Year: 2005
Complete Citation:
Wise, Brian. “The Flip Side of American Music.” The New York Times, November 13, 2005, 1.
Source: Newspaper
VI. Topical Studies
D. Other

Wolfgang Rathert, Hans G. Helms, Christian Wolff, Malcolm Goldstein, and Frederic Rzewski

Year: 2004
Complete Citation:
Wolfgang Rathert, Hans G. Helms, Christian Wolff, Malcolm Goldstein, and Frederic Rzewski. “Politics and Aesthetics.” Panel presented at Symposium at MarzMusik Festival: Festival fur aktuelle Musik. Berlin, Germany, March 18-28, 2004.
Source: Festival
VI. Topical Studies
A. Transcendentalism or Philosophy

Wood, James

Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.
Notes:

Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”

Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Woodson, Susan Carol

Year: 1991
Complete Citation:
Woodson, Susan Carol. “The Spirit of Charles Ives—Emersonian Thought Revisited.” In American Literature and the Arts, edited by Johan Callens, 23-40. Brussels, Belgium: VUB Press, 1991.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Wooldridge, David

Year: 1976
Complete Citation:
Wooldridge, David. “Charles Ives and the American National Character: ‘Musical Spirit of ’76.’” In South Florida's Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 27--29. Coral Gables, FL: University of Miami at Coral Gables, 1976.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Wright, James K. And Allyson Wright

Year: 2019
Complete Citation:
Wright, James K. and Allyson Wright. “‘Name Dropping’: Encounters with Schoenberg, Varèse, Ives, Thomson, Sorabji, and Havergal Brian.” In They Shot, He Scored: The Life and Music of Eldon Rathburn, 127-149. Montreal, Canada: McGill-Queen’s University Press, 2019.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Wuorinen, Charles

Year: 1967
Complete Citation:
Charles Wuorinen. “An Interview with Barney Childs, 1962” (368--375). In Contemporary Composers on Contemporary Music, edited by Elliott Schwartz and Barney Childs, 221-242. New York, NY: Holt, Rinehart and Winston, 1967.
Notes:

Includes several acerbic remarks about Ives and his music.

Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Yates, Peter

Year: 1954
Complete Citation:
Yates, Peter. “Music.” Arts and Architecture 71/10 (October 1954): 6-8, 10, 32-34.
Source: Journal
VI. Topical Studies
W. Obituaries
Year: 1960
Complete Citation:
Yates, Peter. “Lou Harrison.” American Composers Alliance Bulletin 9/2: 2-6.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1961
Complete Citation:
Yates, Peter. 1961. “Charles Ives: The Transcendental American Venture.” Parts 1--3. Arts and Architecture 78, no.2 (February): 6-8; no.3 (March): 4, 8, 10--1; no.5 (May): 6--8, 30-31.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Young, Douglas

Year: 1972
Complete Citation:
Young, Douglas. “Copland’s Dickinson Songs.” Tempo 103 (1972): 33-37.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Zaher, Noel

Year: 1990
Complete Citation:
Zaher, Noel. “Letter to the editor.” Perspectives of New Music 28, no.2 (Summer 1990): 331--332.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Zahler, Noel

Year: 1990
Complete Citation:
Zahler, Noel. “Correspondence.” Perspectives of New Music 28/2 (Summer 1990): 331-332.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Zierolf, Robert

Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element in
Ives’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.
Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses

Zijlstra, Miep

Year: 1969
Complete Citation:
Zijlstra, Miep. “Besprekingen en Berichter.” Mens en Melodie 24, no. 11, November 1969, 349.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship