Ahlstrom, David
    Year: 1991
Complete Citation: 
Ahlstrom, David. “The Problem of the Unfinished: A Cart, a Deity, and Ives's Universe Symphony.” Sonus 11/2 (Spring 1991): 65-76.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Albrecht, Philipp
    Year: 2010
Complete Citation: 
Albrecht, Philipp. “Besprechungen: Dorothea Gail “Charles Ives’ Fourth Symphony: Quellen-Analyse-Deutung.”” Musiktheorie, Vol. 25, No. 3 (2010): 272-274.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Alms, Anthony
    Year: 2005
Complete Citation: 
Alms, Anthony. “The Inner World of Charles Ives: A Hermeneutic Approach to Central Park in the Dark.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Andriessen, Louis
    Year: 1977
Complete Citation: 
Andriessen, Louis, “Anachrony and Charles Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 227. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Arnold, Jermie S.
    Year: 2016
Complete Citation: 
Arnold, Jermie S. ““Country Band” March - Pioneering the Ivesian Sound.” Journal of Band Research 52, no. 1 (Fall 2016): 44-67.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Auner, Joseph Henry
    Year: 2013
Complete Citation: 
Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In Musicology: A Book Series, 15. Basel, Switzerland: Gordon and Breach 
Publishing Group, 1994: 37-50.Source: Chapter in Book
Reprints: Auner, Joseph Henry. “Symphony no. 1. Movement 1 / Charles Ives.” In <i>Anthology for music in the twentieth and twenty-first centuries</i>. New York: W.W. Norton & Company, 2013.
 IV. Individual Studies by Genre
A. Orchestral and Band Works
Austin, Larry
    Year: 1985
Complete Citation: 
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modern Performance from Sketches from his ‘Universe’-Symphony.” Perc Notes 23 (1985): 58-84.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1997
Complete Citation: 
Austin, Larry. “The Realization and First Complete Performances of Ives's Universe Symphony.” In Ives Studies, edited by Philip Lambert, 179-232. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Ballantine, Christopher
    Year: 1979
Complete Citation: 
Ballantine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” Musical Quarterly 65, Vol. 2 (April 1979): 167.VI. Topical Studies
B. Musical Quotation or Borrowing
Ballentine, Christopher
    Year: 1979
Complete Citation: 
Ballentine, Christopher. “Charles Ives and the Meaning of Quotation in Music.” The Musical Quarterly 65 (1979): 167-184.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Baron, Carol K.
    Year: 1996
Complete Citation: 
Baron, Carol K. “Analysis and Manuscript Study of Ives's Symphony No. 1 as Biographical Tools: Parker's Lessons.” Paper presented at Sonneck Society for American Music Meeting, Washington, D.C., March, 1996.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2002
Complete Citation: 
Baron, Carol K. “Biography and Compositional Process in Charles Ives's First Symphony: Lessons Learned; Mastery Gained.” Paper presented at the meeting of the Greater New York Chapter of the American Musi-cological Society. Rutgers University, Brunswick, New Jersey, February 2002.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2002
Complete Citation: 
Baron, Carol K. “Tonal Systems in Crisis: Composition and Autog-raphy in Charles Ives's First Symphony.” Paper presented at Fifth Eu-ropean Music Analysis Conference. University of Bristol, Bristol, England, April 2002.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Bassen, Denise
    Year: 2013
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Battisti, Frank, and Donald Hunsberger
    Year: 1973
Complete Citation: 
Battisti, Frank, and Donald Hunsberger. “The Wind Music of Charles Ives.” The Instrumentalist Vol. 28, No. 1 (August 1973): 32-34.Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Bellamann, Henry
    Year: 1927
Complete Citation: 
Bellamann, Henry. Program Notes to Ives's Fourth Symphony. Pro Musica Concert, January 29, 1927.Source: Program Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works
Berger, Melvin
    Year: 1995
Complete Citation: 
Berger, Melvin. “Charles Ives.” In The Anchor guide to orchestral masterpieces. New York, NY: Anchor Books, 1995.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Berlin, Edward
    Year: 2002
Complete Citation: 
Edward Berlin. “Maple Leaf Rag and Its Origins.” Paper read at a  Sym-posium during the Scott Joplin Ragtime Festival (June 7: Sedalia,  MO; First United Methodist Church).Notes: Includes references to Ives’s ragtime pieces.
 Source: Festival
VI. Topical Studies
B. Musical Quotation or Borrowing
Berlin, Edward A.
    Year: 1980
Complete Citation: 
Berlin, Edward A.. Ragtime: A Musical and Cultural History. Berkeley, CA: University of California Press, 1980.Notes: References are taken primarily from the Memos (23) and Essays Before a  Sonata (49).
 Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Bernstein, Leonard
    Year: 1960
Complete Citation: 
Bernstein, Leonard. Liner notes for Charles Ives — Symphony No. 2.  Leonard Bernstein, New York Philharmonic. Columbia Masterworks, KS  6155, 1960, 33.3 RPM.Source: Jacket Notes
IV. Individual Studies by Genre
A. Orchestral and Band Works