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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Briggs, John

Year: 1965
Complete Citation:
Briggs, John. “Notes on the Program.” New York Philharmonic Program (1965): 17.
Source: Concert Program
IV. Individual Studies by Genre
A. Orchestral and Band Works

Brion, Keith, James Sinclair, and Jonathan Elkus

Year: 1974
Complete Citation:
Brion, Keith, James Sinclair, and Jonathan Elkus. “Ives for Band.” Instrument 29 (October 1974): 60-62.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Brodhead, Thomas M.

Complete Citation:
Brodhead, Thomas M. “Ives 4th Symphony 2nd Movement: Color-Coded Quotation Analysis.” Unpublished manuscript.
Source: Unpublished manuscript.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1994
Complete Citation:
Brodhead, Thomas M. “Ives’s Celestial Railroad and his Fourth Symphony.” American Music 12, No. 4 (1994): 389-424.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Brooks, William

Year: 1974
Complete Citation:
Brooks, William. “Unity and Diversity in Charles Ives’s Fourth Symphony.” Yearbook for inter-American Musical Research 10 (1974): 5-49.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Brooks, William. “Unity and Diversity in Charles Ives’s Fourth Symphony.” Anuario interamericano de investigacion musical/Yearbook for Inter-American Musical Research 10 (1974): 5-49.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1984
Complete Citation:
Brooks, William. “A Drummer-Boy Looks Back: Percussion in Ives’s Fourth Symphony.” Percussionist 22, no. 6 (1984), p. 4-45.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1984
Complete Citation:
Brooks, William. “A Drummer Boy Looks Back: Percussion in Ives’ ‘Fourth Symphony’.” Percussive Notes 22 (1984): 4-45.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Bruzaud, Radosveta

Year: 2004
Complete Citation:
Bruzaud, Radosveta. “La Notion de Musique à Programme dans les Poèmes Symphoniques de Charles Ives.” L’éducation Musicale (2004): 21-29.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Bryan, Paul

Year: 1975
Complete Citation:
Bryan, Paul. “Orchestra and Band Music by K. M. Snoek, Charles Ives.” Notes 31, no. 3 (March 1, 1975): 654.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Burk, James

Year: 1969
Complete Citation:
Burk, James. “The Wind Music of Charles Ives.” The Instrumentalist, October 1969.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1969
Complete Citation:
Burk, James (1969) The Wind Music of Charles Ives. The Instrumentalist, Vol. 24, No. 3, pp. 36.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Burk, James M.

Year: 1969
Complete Citation:
James M. Burk. “Charles Ives’ ‘Variations on “America”’ for Band.” In Letters to the Editor. Instrumentalist 23/10 (May 1969): 18.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Burkholder, J. Peter

Year: 1985
Complete Citation:
Burkholder, J. Peter. “‘Quotation’ and Emulation: Charles Ives’s Uses of His Models.” The Musical Quarterly Vol. 71, No. 1 (January 1985): 1-26.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1987
Complete Citation:
Burkholder, J. Peter. “Quotation and Paraphrase in Ives’s Second Symphony.” 19th-Century Music XI (1987): 3-25.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1994
Complete Citation:
Burkholder, J. Peter. “The Uses of Existing Music: Musical Borrowing as a Field.” Notes 50 (March 1994): 852--859.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1995
Complete Citation:
Burkholder, J. Peter. All Made of Tunes. New Haven, CT: Yale University Press, 1995.
Source: Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Burkholder, Peter

Year: 1985
Complete Citation:
Burkholder, Peter. “Quotation and Emulation: Charles Ives's Use of His Models.” Musical Quarterly 71, no. 1 (1985): 1--26.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Butterworth, Neil

Year: 1999
Complete Citation:
Neil Butterworth. “Charles Ives.” In The American Symphony, 36-44. Brookfield, VT: Ashgate Publishing, 1999.
Notes:

Discusses the four numbered sym-phonies and the Universe Symphony. States that the four movements of the Holidays Symphony “form separate patriotic pieces” that can “in no way...collectively constitute a symphony.”

Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Charles, Sydney Robinson

Year: 1967
Complete Citation:
Charles, Sydney Robinson. “The Use of Borrowed Materials in Ives’ Second Symphony.” The Music Review, 28/2 (May, 1967): 102-111.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works