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Bibliography

Kramer, Lawrence

Year: 1984
Complete Citation:
Kramer, Lawrence. “A Completely New Set of Objects.” In Music and Poetry: The Nineteenth Century and After, 171-202. Berkeley, CA: University of California Press. 1984.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
Kramer, Lawrence. “The American Scene.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 46-48. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Kramer, Lawrence. ““S one strane enformelske muzike”: nostalgija, zastarevanje i avangarda.” Muzikologija, No. 6 (2006): 43-62.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2008
Complete Citation:
Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives’s A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2008
Complete Citation:
Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives's A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2013
Complete Citation:
Kramer, Lawrence. “Musique et politique de la mémoire: a symphony: New England holidays de Charles Ives.” In Du politique en analyse musicale, edited by Estaban Buch, Nicolas Donin, and Laurent Feneyrou. Paris, France: VRIN, 2013.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kramer, Leighton

Year: 1981
Complete Citation:
Kerner, Leighton. “Lilacs in Bloom.” The Village Voice 26, January 28, 1981, 66.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Krider, Dale

Year: 2012
Complete Citation:
Krider, Dale. “Musicians in Part-Time Employment: Do Only Organists Play the Organ?” The American Organist, Vol. 46, No. 6 (2012): 50.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

La Motte-Haber, Helga de

Year: 1986
Complete Citation:
La Motte-Haber, Helga de. “Zum Raum wird hier die Zeit.” Osterreichische Musikzeitschrift 41/6 (June 1986): 282-288.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Lambert, J. Philip

Year: 1991
Complete Citation:
Lambert, J. Philip. Journal of Musicological Research 1, no. 4 (1991): 237-262.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1996
Complete Citation:
Lambert, J. Philip. “Ives and Berg: “Normative” Procedures and Post-Tonal Alternatives.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Lambert, Philip

Year: 1997
Complete Citation:
Lambert, Philip. “Ives's Universe.” In Ives Studies, edited by Philip Lambert, 233-259. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lambourn, David

Year: 1986
Complete Citation:
Lambourn, David. “Grainger and Ives.” Studies in Music 20 (1986): 46-61.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Larson, Thomas

Year: 1981-1982
Complete Citation:
Larson, Thomas. “Unanswering the Question.” Perspectives of New Music 20/1-2 (1981-1982): 363-405.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Lash, Dominic

Year: 2018
Complete Citation:
Lash, Dominic. “Druids fielding questions: Eva-Maria Houben, Emily Dickinson and Charles Ives.” In Writing the field recording: sound, word, environment. Edinburgh, Scotland: Edinburgh University Press, 2018.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Lea, Henry

Year: 1985
Complete Citation:
Lea, Henry. Gustav Mahler: Man on the Margin, 75-78. Modern German Studies, Vol. 15. Bonn, Germany: Bouvier, 1985.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Lederman, Minna

Year: 1947
Complete Citation:
Lederman, Minna, “Some American Composers.” Vogue. February 1, 1947.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Lee, Douglas A.

Year: 2002
Complete Citation:
Lee, Douglas A. “Charles Ives.” In Masterworks of 20th-century music: the modern repertory of the symphony orchestra. New York, New York: Routledge, 2002.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lehman, Mark L.

Year: 2007
Complete Citation:
Lehman, Mark L. “Overview: American Symphonies.” American Record Guide, Vol. 70, No. 4 (2007): 40-55.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Leichtentritt, Hugo

Year: 1946
Complete Citation:
Leichtentritt, Hugo. Serge Koussevitsky, the Boston Symphony Orches-tra and the New American Music. Cambridge, MA: Harvard University Press, 1946.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works