Image
Complete Citation:
Moldenhauer, Hans, and Rosaleen Moldenhauer. Anton von Webern: Chronik seines Lebens und Werkes. Zurich, Switzerland: Atlantis Verlag, 1979.
Bibliography
Genres
Moldenhauer, Hans, and Rosaleen Moldenhauer
Year: 1979
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Moomaw, Charles J.
Year: 1971
Complete Citation:
Moomaw, Charles J. “A PL/1 Program for the Harmonic Analysis of Music by the Theories of Paul Hindemith and Howard Hanson.” Master’s thesis, University of Cincinnati, 1971.Source: Master's Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Morgan, Robert P.
Year: 1973
Complete Citation:
Morgan, Robert P. “Rewriting Music History: Second Thoughts on Ives and Varèse.” Musical Newsletter 3, no. 1 (January 1973): 3-12, and 3, no. 2 (April 1973): 15-23, 28.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1990
Complete Citation:
Morgan, Robert P. “Charles Ives und die europäische Tradition.” In Bericht über das Internationale Symposion "Charles Ives und die amerikanische Musiktradition bis zur Gegenwart," Köln 1988, edited by Klaus Wolfgang Niemöller, Manuel Gervink, and Paul Terse, 17--36. Kölner Beiträge zur Musikforschung, 164. Regensburg, Germany: Gustav Bosse, 1990.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2015
Complete Citation:
Morgan, Robert P. ““The things our fathers loved”: Charles Ives and the European tradition.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.Source: Chapter in Book
Reprints:
Morgan, Robert P. ““The things our fathers loved”: Charles Ives and the European tradition.” In <i>Music theory, analysis, and society: selected essays</i>. Surrey, England: Ashgate, 2015.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Morris, Harold
Year: 1932
Complete Citation:
Morris, Harold. “Fourth of July.” Contemporary American Music [Rice Institute, Houston] (April 1932): 5.Source: Conference Publication
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Morton, Lawrence
Year: 1945
Complete Citation:
Morton, Lawrence. “Jerome Moross; Young Man Goes Native.” Mod-ern Music 22/2 (January-February 1945): 111--114.Notes:
A review of an all -Ives program with some songs (October 30, 1944: Los Angeles. “Evenings on the Roof”; Elizabeth Vermeulen, voice; Frances Mullen, piano).
Source: Journal (Concert Review)
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Mueller, John H.
Year: 1951
Complete Citation:
Mueller, John H. The American Symphony Orchestra: A Social History of Musical Taste. Bloomington, IN: Indiana University Press, 1951.Source: Book
Reprints:
Mueller, John H. <i>Orchestras: A History and Analysis of Their Repertoires, Seasons 1842-43 through 1969-70</i>, 183-184. Bloomington, IN: Indiana University Press, 1973.
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Müller, Hermann Christoph
Year: 2004
Complete Citation:
Müller, Hermann- Christoph. “Natur wozu? Zwei Anmerkungen zur nordamerikanischen Musik und zu Charles Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 106-115. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Mundy, Rachel
Year: 2013
Complete Citation:
Mundy, Rachel. “The ‘League of Jewish Composers’ and American Music.” The Musical Quarterly, vol. 96, no. 1 (2013): 50-99.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Musgrave, Thea
Year: 1973
Complete Citation:
Musgrave, Thea. “A New Viola Concerto.” The Musical Times 114/1566 (1973): 790-791.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Nagano, Kent
Year: 2019
Complete Citation:
Nagano, Kent et al. “Bernstein and Ives: Whither America?” In Classical Music: Expect the Unexpected, 217-232. Montreal, Canada: McGill-Queen's University Press, 2019.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Nelson, Mark Douglas
Year: 1984
Complete Citation:
Nelson, Mark D. “Beyond Mimesis: Transcendentalism and Processes of Analogy in Charles Ives’ ‘The Fourth of July.’” Perspectives of New Music 22, Nos. 1-2 (1984): 353.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Niemöller, Klaus Wolfgang
Year: 1990
Complete Citation:
Niemöller, Klaus Wolfgang. John Cage und das Zeitproblem in der Musik des 20. Jahrhunderts. Regensburg, Germany: Gustav Bosse Verlag, 1990.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Noble, David W.
Year: 1970
Complete Citation:
Noble, David W. “Freedom from Form: Progressivism in Architecture, Art. and Music.” In The Progressive Mind 1890-1917, 131-135. Chicago, IL: Rand McNally & Co., 1970.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Norman Holmes Pearson
Year: 1966
Complete Citation:
Pearson, Norman Holmes. “Revelation in Words.” The New York Times, March 20, 1966, 292.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
North, Cheryl
Year: 2010
Complete Citation:
North, Cheryl. “Classical Music: Russian Composer Files a Response to Charles Ives.” Oakland Tribune, February 22, 2010.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Notley, Margaret
Year: 2000
Complete Citation:
Notley, Margaret. ““With a Beethoven-Like Sublimity”: Beethoven in the Works of Other Composers.” In The Cambridge Companion to Beethoven, edited by Glenn Stanley. Cambridge, United Kingdom: Cambridge University Press, 2000.Source: Newsletter
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Nushi, Dafina Zeqiri
Year: 2011
Complete Citation:
Nushi, Dafina Zeqiri. “Charles Ives “Central Park in the Dark.”” Academia. February 2011. www.academia.edu/27447863/CHARLES_IVES_CENTRAL_PARK_IN_THE_DARK_.Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
O’Donnell, Shaugn
Year: 2010
Complete Citation:
O’Donnell, Shaugn. “American Chaos: Charles Ives and the Grateful Dead.” In The Grateful Dead in Concert: Essays on Live Improvisation, edited by Jim Tuedio and Stan Spector. Jefferson, NC: McFarland, 2010.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers