Image
Complete Citation:
Malloch, William. “More Stravinsky by Stravinsky—And Ivesian Explorations.” High Fidelity 10, no. 8 (August 1966): 12, 15, and 18.
Bibliography
Genres
O’Malloch, William
Year: 1966
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Oestreich, James
Year: 2007
Complete Citation:
Oestreich, James. “Beethoven to Brahms to Ives: Tribute to a Tortured Legacy.” The New York Times, June 9, 2007, B15.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Offergeld, Robert
Year: 1986
Complete Citation:
Offergeld, Robert. “More on the Gottschalk-Ives connection.” Institute for Studies in American Music Newsletter 15/2 (May 1986): 1-2, 13.Source: Journal/Newsletter
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Oja, Carol J.
Year: 1988
Complete Citation:
Oja, Carol J. “Cos Cob Press and the American Composer.” Notes 45, no. 2 (December 1988): 227.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Oliver, Michael, Vivian Perlis, Wilfrid Mellers, and David Nicholls
Year: 1996
Complete Citation:
Oliver, Michael, Vivian Perlis, Wilfrid Mellers, and David Nicholls. “Panel Discussion: Charles Ives: The Unanswered Question.” The Unanswered Question [Festival]. Barbican Centre; Leadenhall Market; St. Giles Church, Cripplegate; London, United Kingdom, January 19 to 21, 1996.Source: Panel Discussion
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Olson, Kenneth E.
Year: 1981
Complete Citation:
Olson, Kenneth E. Music and Muskets: Bands and Bandsmen of the American Civil War, 83. Contributions to the Study of Music and Dance, 1. Westport, CT: Greenwood Press, 1981.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Olson, Mark
Year: 2006
Complete Citation:
Olson, Mark. “Parallel Lives: Charles Ives and Aaron Copland: A Listener’s Guide.” Music Educators Journal 92, no. 4, (March 2006): 20.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Orr, N. Lee
Year: 2008
Complete Citation:
Orr, N. Lee. Dudley Buck, 51-52. Urbana, IL: University of Illinois Press, 2008.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Overbeeke, Emanuel
Year: 2002
Complete Citation:
Overbeeke, Emanuel. “Boeken: “American Mavericks,” bij Susan Key and Larry Rothe (ed.).” Mens en Melodie, Vol. 57, No. 6 (2002): 232-233.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Owens, Thomas
Year: 2005
Complete Citation:
Owens, Thomas. “Chord and Dissonance: The Relationship of Peter Yates and Charles Ives and the Role of Los Angeles in the Reception of Ives’s Music.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Owens, Tom
Year: 2006
Complete Citation:
Owens, Tom. “Concord and Dissonance: The Relationship of Peter Yates and Charles Ives and the Role of Los Angeles in the Reception of Ives's Music.” Paper presented at Joint Meeting of Amer-ican Musicological Society and Society for Music Theory. November 3, 2006.Source: Paper at Conference
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Page, Tim
Year: 1987
Complete Citation:
Page, Tim. “Judging Composers: High Notes, and Low.” The New York Times, March 22, 1987.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Pannain, Guido
Year: 1932
Complete Citation:
Pannain, Guido. Modern Composers. Translated from Italian by Michael R. Bonavia. London, United Kingdom: J.M. Dent.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Patterson, Frank
Year: 1927
Complete Citation:
Patterson, Frank. “The Circus.” Musical Courier. February 10, 1927, 28.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Paul, David C.
Year: 2005
Complete Citation:
Paul, David C. “Conversing Paths to Canonicity: Charles Ives, Gustav Mahler, and American Culture.” Ph.D. diss., University of Cali-fornia at Berkeley, 2005.Notes:
Awarded the Alvin H. Johnson A.M.S. 50 Fellow-ship.
Source: Ph.D. Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Paul, David C. “From American Ethnographer to Cold War Icon: Charles Ives through the Eyes of Henry and Sidney Cowell.” Journal of the American Musicological Society 59/2 (Summer 2006): 399--457.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Paul, David C. 2006. “From American Ethnographer to Cold War Icon: Charles Ives through the Eyes of Henry and Sidney Cowell.” Journal of the American Musicological Society 59, no. 2 (Summer 2006): 399--458.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Perlis, Vivian
Year: 1993
Complete Citation:
Perlis, Vivian. “Ives and Copland as Subjects of Oral History.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Pergament, Moses
Year: 1933
Complete Citation:
Pergament, Moses. “Fourth of July.” Svenska Dogbladet [Stockholm], November 1933, 35.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Pestalozza, Luigi
Year: 2000
Complete Citation:
Pestalozza, Luigi. “Busoni e Ives.” Musica/Realtar 21/61 (March 2000): 133-151.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers