Wright, James K. And Allyson Wright
Year: 2019
Complete Citation:
Wright, James K. and Allyson Wright. “‘Name Dropping’: Encounters with Schoenberg, Varèse, Ives, Thomson, Sorabji, and Havergal Brian.” In They Shot, He Scored: The Life and Music of Eldon Rathburn, 127-149. Montreal, Canada: McGill-Queen’s University Press, 2019.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Wuorinen, Charles
Year: 1967
Complete Citation:
Charles Wuorinen. “An Interview with Barney Childs, 1962” (368--375). In Contemporary Composers on Contemporary Music, edited by Elliott Schwartz and Barney Childs, 221-242. New York, NY: Holt, Rinehart and Winston, 1967.Notes: Includes several acerbic remarks about Ives and his music.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Yates, Peter
Year: 1960
Complete Citation:
Yates, Peter. “Lou Harrison.” American Composers Alliance Bulletin 9/2: 2-6.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Young, Douglas
Year: 1972
Complete Citation:
Young, Douglas. “Copland’s Dickinson Songs.” Tempo 103 (1972): 33-37.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Zimmermann, Walter and Larry Austin
Year: 1981
Complete Citation:
Austin, Larry and Walter Zimmermann. “Gespräch fiber die Rekonstruktion von Ives’ «Universe Symphony.»” Insel Music, edited by Walter Zimmermann. Cologne, Germany: Beginners Press, 1981.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Zobel, Mark
Year: 2006
Complete Citation:
Zobel, Mark. “Musical Borrowing and Religious Symbolism in Charles Ives’s Third Symphony.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Zobel, Mark. The Third Symphony of Charles Ives. Hillsdale, NY: Pendragon Press, 2009.Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
no author listed
Year: 1928
Complete Citation:
“Associacion Panamericana de Compositores." Musicalia [Havana] 1/1 (May--June): 29-30.Notes: A notice of this newly- formed organization; indicates that the group performs works by Ives and others. Henry Cowell is the director; Nicolas Slonimsky, the conductor.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1932
Complete Citation:
“New York Artists Reshape America over the Week End.” New York Herald Tribune, July 10, 1932, sec. 1, 14.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1932
Complete Citation:
“Contemporary American Music Heard.” New York Herald Tribune. May 2, 1932: 8.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1933
Complete Citation:
“4th Symphony.” Trend 2 (September-October 1933): 20.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1933
Complete Citation:
“Ives und Ruggles.” Hamburger Freudblatt. September 12, 1933: 2.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1935
Complete Citation:
“Cowell’s New Music Society.” San Francisco Chronicle. March 31, 1935, 39.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1936
Complete Citation:
Musiciens Americains à la ‘Spirale.’” La Revue Musicale, no. 165 (April 1936): 293.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1941
Complete Citation:
Copland, Aaron. “The Ives Case.” In Our New Music, 149-161. New York, New York: Whittlesey House, McGraw--Hill, 1941.Source: Chapter in Book
Reprints: Copland, Aaron. “The Ives Case.” <i>The New Music 1900--1960</i>, 109-117<i>. </i>New York: W.W. Norton, 1968. * Copland, Aaron. <i>The New Music 1900--1960 </i>[Unsere neue Musik]. Translated by Reinhardt, Minna and Adalbert Brunner. Munich, Germany: Edition Kasparek, 1947.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
“Barber Concerto Gets Critics Prize.” The New York Times. June 28, 1946: 16.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1954
Complete Citation:
“Musical Whitman.” Newsweek 43, May 31, 1954, 78.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1966
Complete Citation:
“Essays Before a Sonata: Prologue.” Boston Symphony Orchestra Programs. Eighth Program (November 25 and 26, 1966): 495-496, 498, 500-501, 503, 505.Source: Concert Program
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Galkin, Elliot W. “Two Prophets of Music Recognized at Last.” The Sun, October 13, 1974, D3.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1977
Complete Citation:
“On conducting and performing Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives, edited by H. Wiley Hitchcock and Vivian Perlis. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
