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Bibliography

Genres

Ahn, Eun G. [안은지]

Complete Citation:
Ahn, Eun G. “논문 : 아이브스의 바이올린 소나타 2번과 4번에 나타난 음악적 특징.” 음악과 민족, vol. 49 (2015): 201.
Notes:

Translates to “Thesis: Musical Characteristics of Ives’ Violin Sonata Nos. 2 and 4”<br>

IV. Individual Studies by Genre
B. Chamber Works

Ahn, Eunji

Year: 2015
Complete Citation:
Ahn, Eunji. “아이브스의 바이올린 소나타 2번과 4번에 나타난 음악적 특징.” 음악과 민족, no. 49 (2015): 201-225.
Notes:

Translates to “Distinctive Features in the Second and Fourth Violin Sonatas of Charles Ives”

Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Albèra, Philippe

Year: 2001
Complete Citation:
Albèra, Philippe. “Mensch und Maschine.” Dissonanz (2001): 46-47.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Almen, Byron, and Robert Hatten

Year: 2012
Complete Citation:
Almen, Byron, and Robert Hatten. 2012. “Narrative Engagement with Twentieth -Century Music: Possibilities and Limits.” In Music and Narrative since 1900, edited by Michael Klein and Nicholas Reyland, 59--85. Bloomington, IN: Indiana University Press, 2012.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Anderson, William

Year: 1975
Complete Citation:
Anderson, William. “Editorially Speaking: Composer Charles Ives Enters History.” Stereo Review 34/3 (March 1975): 4.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Archibald, Bruce

Year: 1966
Complete Citation:
Archibald, Bruce. “Reviewed Works: The Orchestra Song by William Schuman; Variations on “America” (Charles Ives, for organ, 1891; William Schuman, for orch., 1963) by Charles Ives.” Notes, vol. 23, no. 1 (September 1966): 157.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Ascough, Richard

Year: 1992
Complete Citation:
Ascough, Richard. “Letter: Challenging Centipede.” The Guardian, October 29, 1992.
Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Austin, Larry

Year: 1976
Complete Citation:
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Bader, Yvette

Year: 1972
Complete Citation:
Bader, Yvette. The Music Review 33, Vol. 1, No. 4. (November 1972): 292-299.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Baldwin, Philip

Year: 1996
Complete Citation:
Baldwin, Philip. “An Analysis of three violin sonatas by William Bolcom.” Ph.D. diss., Ohio State University, 1996.
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
B. Chamber Works

Bales, Richard

Year: 1948
Complete Citation:
Bales, Richard. “Charles Ives: Third Symphony. [Review of Symphony No. 3 by Charles Ives.]” Notes 5/3 (June 1948): 413.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Bales, Richard and Charles Seeger

Year: 1950
Complete Citation:
Bales, Richard and Charles Seeger. “Tone Roads No. 1 for Chamber Orchestra (performable also as chamber music).” New York: Peer International Corp., 1949. Notes 7/3 (June 1950): 432-433.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Baron, Carol

Year: 1994
Complete Citation:
Baron, Carol. “Meaning in the Music of Charles Ives.” In Metaphor: A Musi-cal Dimension. Australian studies in the history, philosophy, and social studies of music, 37-50. Sydney, Australia: Currency Press, 1991.
Source: Chapter in Book
Reprints:

Baron, Carol. “Meaning in the Music of Charles Ives.” In <i>Musicology: A Book Series</i>, 15. Basel: Gor-don and Breach, 1994.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Baron, Carol K.

Year: 1992
Complete Citation:
Baron, Carol K. “Review of Symphony No. 3 (The Camp Meeting) by Charles Ives.” Notes 48/4 (June 1992): 1436-1438.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2004
Complete Citation:
Baron, Carol K. “Efforts on Behalf of Democracy by Charles Ives and His Family: Their Religious Contexts.” Musical Quarterly 87.1 (April 2004): 6-43.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Bellamann, Henry

Year: 1921
Complete Citation:
Bellamann, Henry. “Reviews: ‘Concord, Mass., 1840-1860’ (A Piano Sonata by Charles E. Ives.).” Double Dealer 2 (October 1921): 166-169.
Source: Journal
Reprints:

Reprinted in <i>Charles Ives and His World</i>, 280-284.

X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Berger, Arthur V.

Year: 1949
Complete Citation:
Berger, Arthur V. “The Musical Scene: Ives is Prominent on Current Lists of Publishers After Long Neglect.” New York Herald Tribune, 1949, C5.
Source: Newspaper
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Berger, Melvin

Year: 1991
Complete Citation:
Berger, Melvin. Ives, Charles: Piano sonatas; violin sonatas. In Guide to sonatas: music for one or two instruments. New York, NY: Anchor Books, 1991.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 2001
Complete Citation:
Berger, Melvin. “Ives, Charles.” In Guide to chamber music. Mineola, New York: Dover Publications, 2001.
Source: Book
IV. Individual Studies by Genre
B. Chamber Works