Farberman, Harold
Year: 1963
Complete Citation:
Farberman, Harold. Liner notes for Pieces for Chamber Orchestra and Songs. Cambridge CRS 1804, 1963, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works
Feder, Stuart
Complete Citation:
Feder, Stuart. “The Nostalgia of Charles Ives: An Essay in Affects and Music.” The Annual of Psychoanalysis Vol. 10 (1982), pp. 301-332.Source: Journal
Reprints: Feder, Stuart. “The Nostalgia of Charles Ives: An Essay in Affects and Music.” In <i>Psychoanalytic Explorations in Music</i>, edited by Stuart Feder, Richard L. Karmel, and George H. Pollock, 233-266. Volume 3 of <i>Applied Psychoanalysis Series</i>. Madison, CT: International Universities Press, 1990.
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1980
Complete Citation:
Feder, Stuart. “Decoration Day: A Boyhood Memory of Charles Ives.” The Musical Quarterly Vol. 66, No. 2 (April 1980): 234-261.Source: Journal
Reprints: Feder, Stuart. “Decoration Day: A Boyhood Memory of Charles Ives.” <i>Annual of Psychoanalysis</i> (1981) 9: 265-316.
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1989
Complete Citation:
Feder, Stuart. “‘Calcium Light Night’ and Other Early Memories of Charles Ives.” In Fathers and Their Families, 307-326, edited by Stanley H. Cath, Alan Gurwitt, et al. Hillsdale, NJ: Analytic Press, 1989.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 1999
Complete Citation:
Feder, Stuart. “This Scherzo is [not] a Joke.” In Humor and Psyche: Psy-choanalytic Perspectives, edited by James W. Barron, 203-217. Hillsdale, NJ: Ana-lytic Press, 1999.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 2004
Complete Citation:
Feder, Stuart. “Charles Ives’s Simulacrum of Mental Life in Music.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.Source: Conference
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Feldman, Jay
Year: 1991
Complete Citation:
Feldman, Jay. “Sports Were Music to His Ears.” Sports Illustrated 75/15 (October 7, 1991): 106-108.Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Fenner, Lucie
Year: 2001
Complete Citation:
Fenner, Lucie. “Amerikanismen im Werk von Charles Ives: Studien zu Klaviertrio und 2. Klaviersonate.” Thesis, München, Hochschule für Musik und Theater, Zulassungsarbeit, 2001.Source: Thesis
IV. Individual Studies by Genre
B. Chamber Works
Year: 2004
Complete Citation:
Fenner, Lucie. “Einnerung an die College--Jahre. Musikalische Entlehnung in Calcium Light Night und TSIAJ von Charles Ives.” Musik-Konzepte 123: Charles Ives (January 2004): 25-49.Notes: Title translates to “Memories of the College Years: Musical Borrowing in Calcium Light Night and TSIAJ by Charles Ives”
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Ferguson, Donald N.
Year: 1960
Complete Citation:
Ferguson, Donald N. Music as Metaphor. Minneapolis, Minnesota: University of Minnesota Press, 1960.Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1964
Complete Citation:
Ferguson, Donald N. Image and Structure in Chamber Music, 323-324. Minne-apolis, MN: University of Minnesota Press, 1964.Notes: Provides listing of Ives’s major chamber works with extremely brief remarks.
Source: Book
IV. Individual Studies by Genre
B. Chamber Works
Fisher, Fred
Year: 1976
Complete Citation:
Fisher, Fred. “What’s the Music of Charles Ives All About?” Cimarron Review 37 (October 1976): 58-63.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Friedheim, Philip
Year: 1953
Complete Citation:
Friedheim, Philip. “Review of [Ives’] First Violin Sonata.” Music Library Association Notes, Second Series, Vol. 11, No. 1 (December 1953).Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Gligo, Niksa
Year: 1971
Complete Citation:
Gligo, Niksa. “Prostornost i pokret u imanenciji glazbe.” [Space and Movement in the Immanence of Music.] Zvuk — Jugoslovenska Ruzicka Revija 111-112 (1971): 1-20.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Gratovich, Eugene
Year: 1974
Complete Citation:
Gratovich, Eugene. “The Violin Sonatas.” Music Educator’s Journal 61, no. 2 (October 1974): 58-63.Source: Journal
Reprints: Gratovich, Eugene. “The Violin Sonatas of Charles E. Ives.” <i>The Strad</i> 85 (December 1974): 471.
IV. Individual Studies by Genre
B. Chamber Works
Year: 1975
Complete Citation:
Gratovich, Eugene. “Performing the Violin Sonatas of Charles Ives.” American String Teacher, Vol. 25, Issue 1 (February 1975): 24-25.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Year: 1979
Complete Citation:
Gratovich, Eugene. “Ives Second Violin Sonata: Performance Alternatives.” American String Teacher 29/2 (Spring 1979): 46-49. Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Gruhn, Wilfried
Year: 1989
Complete Citation:
Gruhn, Wilfried. “Die Bedeutungskonstitution in textgebundener Musik: Ansatze zu einer strukturellen Hermeneutik präsentativer Symbole.” In Wort und Ton im Europaischen Raum: Gedenkschrift fur Robert Scholium, 23-40. Edited by Hartmut Krones. Wien, Austria: Böhlau Verlag, 1989.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Haefeli, Toni
Year: 1998
Complete Citation:
Haefeli, Toni. “Berichte: Opernbetrieb versus Absolute Musik.” Dissonanz (1998): 30-31.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Hahn, Hilary
Year: 2011
Complete Citation:
Hahn, Hilary. “Masterclass: Ives’ Violin Sonata No. 4, second movement.” The Strad, Vol. 122 (2011): 86-89.Source: Magazine
IV. Individual Studies by Genre
B. Chamber Works