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Bibliography

Schuster, Claus-Christian

Year: Year unlisted
Complete Citation:
Schuster, Claus-Christian. “Charles Edward Ives: Trio.” Altenberg. Webpage no longer active.
Source: Online Resource
IV. Individual Studies by Genre
B. Chamber Works

Slominsky, Nicolas

Year: 1963
Complete Citation:
Slominsky, Nicolas. “Chamber Music in America.” In Nicolas Slominsky — Writings on Music. New York, NY: Routledge, 2005.
Notes:

Descriptions of String Quartet No. 2; Tone Roads No. 3; [Piano] Trio; Sonata No. 4 for violin and piano ("Children's Day at the Camp Meeting").

Source: Encyclopedia
IV. Individual Studies by Genre
B. Chamber Works

Smith, Catherine Parsons

Year: 1994
Complete Citation:
Smith, Catherine Parsons. “‘A Distinguishing Virility’: Feminism and Mod-ernism in American Art Music.” In Cecilia Reclaimed: Feminist Perspectives on Gender and Music, edited by Susan C. Cook and Judy S. Tsou, 90-106. Urbana, IL: University of Illinois, 1994.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Szigeti, Joseph

Year: 1967
Complete Citation:
Szigeti, Joseph. With Strings Attached, 104, 134, 333. New York, NY: Alfred A. Knopf, 1967.
Notes:

States that Ives expressed approval of Szigeti’s performance of Sonata No. 4.

Source: Book
IV. Individual Studies by Genre
B. Chamber Works

Thompson, William Curt

Year: 2004
Complete Citation:
Thompson, William Curt. “The Fourth Sonata for Violin and Piano (“Children’s Day at the Camp Meeting”) by Charles Ives: Contextual, Structural, and Stylistic Considerations." D.M.A. dissertation. Rice University, 2004.
Source: D.M.A. Dissertation
IV. Individual Studies by Genre
B. Chamber Works

Tick, Judith

Year: 1997
Complete Citation:
Tick, Judith. “Charles Ives and the Politics of Direct Democracy.” In Ives Studies, edited by Philip Lambert, 133-162. Cambridge, UK: Cambridge University Press, 1997.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Tucker, Mark

Complete Citation:
Tucker, Mark. “Of Men and Mountains: Ives in the Adirondacks.” In Ives and His World, edited by J. Peter Burkholder, 161-198. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Velten, Klaus

Year: 1981
Complete Citation:
Velten, Klaus. “Der Kunstler und die Natur-ein Interpretationsbeitrag zum Liebschaffen von Charles Ives.” Musik und Bildung: Zeitschrift 13 (September 1981): 544-546.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1981
Complete Citation:
Velten, Klaus. “Der Künstler und die Natur. Ein Interpretationsbeitrag zum Liebschaften von Charles Ives.” Musik und Bildung 13 (1981): 544-546.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Verrall, John

Year: 1953
Complete Citation:
Verrall, John. “American Chamber Music: 1900-1950.” In Proceedings of the Music Teachers National Association (1950), 21-26. Pittsburgh, PA: Music Teachers National Association, 1953.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Von Glahn [Cooney], Denise

Year: 1996
Complete Citation:
Von Glahn [Cooney], Denise. “Narration and Landscape.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 33-37. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Von Glahn, Denise

Year: 2001
Complete Citation:
Von Glahn, Denise. “Charles Ives, Cowboys, and Indians: Aspects of the ‘Other Side of Pioneering.’” American Music, vol. 19, no. 3 (2001): 291-314.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 2001
Complete Citation:
Von Glahn, Denise. “Charles Ives, Cowboys and Indians: Aspects of the Other Side of Pioneering.” American Music 19/3 (Fall 2001): 291-314.
Notes:

De-tailed discussion of two songs: The Indians and Charlie Rutlage.

Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Warburton, Thomas

Year: 1972
Complete Citation:
Warburton, Thomas. “Historical Perspective of the String Quartet in the United States.” American Music Teacher 21/3 (1972): 20-37.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Watkins, Glenn

Year: 2003
Complete Citation:
Watkins, Glenn. Proof through the night: music and the great war. Berkeley, CA: University of California Press, 2003.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Weaver, Michael Alan

Year: 2006
Complete Citation:
Weaver, Michael Alan. “Ives, Charles.” In Works for the viola by Pulitzer Prize winning composers: an annotated bibliography. Lewiston, NY: E. Mellen Press, 2006.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Weisberger, Bernard A.

Year: 1958
Complete Citation:
Weisberger, Bernard A. They Gathered at the River: The Story of the Great Revivalists and Their Impact Upon Religion in America, 19. Boston, MA: Little, Brown and Co., 1958.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Wilshire, Bruce W.

Year: 2016
Complete Citation:
Wilshire, Bruce W. “Music of Science, Thought, and the Body.” In The Much-at-Once: Music, Science, Ecstasy, the Body, 167-196. New York, NY: Fordham University, 2016.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

no author listed

Complete Citation:
“Exploring Ives’s Formal Vocabulary through His String Quartets.” Paper presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.
Notes:

Performers include Jennifer Sacher-Wiley and Denise Huizenga, violins; Renee Moore Skerik, viola; Jonathan Chenoweth, cello

IV. Individual Studies by Genre
B. Chamber Works
Year: 1933
Complete Citation:
“The Class Spirit in Modern Music.” The Modern Monthly VII, 10 (November 1933): 593-598.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions