Image
Complete Citation:
Rosenfeld, Paul. “‘Americanism’ in American Music.” Modern Music 17/4 (May-June 1940): 226-232.
Bibliography
Genres
Rosenfeld, Paul
Year: 1940
Notes:
“Others, saturated with folklore—Ives, for example—seemed to have sought for a music confirmative to folklore and for a national or regional expressivity.”
Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1948
Complete Citation:
Rosenfeld, Paul. “Spokesman for an American Tradition.” Paul Rosenfeld, Voyager in the Arts, edited by Jerome Melquist and Lucie Weise, 165-166. New York, NY: Creative Age Press.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Rossiter, Frank R.
Year: 1981
Complete Citation:
Rossiter, Frank R. “The ‘Genteel Tradition’ in American Music.” Journal of American Culture 4 (1981): 107-115.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Rufener, Rudolf
Year: 1969
Complete Citation:
Rufener, Rudolf. “Charles Ives, ein amerikanischer Komponist.” Du- Kulturelle Monatsschrift 29 (November 1969): 360, 364, 366.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Ryan, Norris
Year: 1949
Complete Citation:
Ryan, Norris. “A Connecticut Yankee.” News [La Crosse, WI]. May 5, 1949.Source: Newspaper
VI. Topical Studies
L. Ives and America
L. Ives and America
Saal, Hubert
Year: 1974
Complete Citation:
Saal, Hubert. “Connecticut Yankee.” Newsweek 84, November 4, 1974: 71.Source: Magazine
VI. Topical Studies
L. Ives and America
L. Ives and America
Scherer, Barrymore Laurence
Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. “New England Iconoclast: Charles Ives.” In A history of American classical music. Naxos Books, 2012.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. “New England Icono-clast: Charles Ives.” In A History of American Classical Music, 66-69. Naperville, IL: Sourcebooks, 2007.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Schonberg, Harold C.
Year: 1958
Complete Citation:
Schonberg, Harold C. “America’s Great Composer.” Esquire (December 1958).Source: Magazine
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1961
Complete Citation:
Schonberg, Harold C. “Stubborn Yankee: Ives Iconoclasm and His Individuality Are Always American in Accent.” The New York Times, March 5, 1961, sec. 2, 9.Source: Newspaper
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1974
Complete Citation:
Schonberg, Harold C. “Natural American, Natural Rebel, Natural Avant- Gardist.” New York Times Magazine, April 21, 1974, 12-14, 71-73, 78, 82-83.Source: Newspaper
VI. Topical Studies
L. Ives and America
L. Ives and America
Schubert, Giselher
Year: 1982
Complete Citation:
Schubert, Giselher. “Über einen amerikanischen Komponisten.” In Grenzgänge. Programmbuch der “Frankurter Feste” 1982. Frankfurt, Germany: 1982.Source: Program Book for Festival
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 2005
Complete Citation:
Schubert, Giselher. “Komponieren als Musikmachen: Notizen zu den Violinsonaten von Charles Ives.” In Verflechtungen im 20. Jahrhundert : Komponisten im Spannungsfeld elitär - populär, 131-145. Mainz, Germany: Schott, 2005.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Schuster, Claus-Christian
Year: Year unlisted
Complete Citation:
Schuster, Claus-Christian. “Charles Edward Ives: Trio.” Altenberg. Webpage no longer active.Source: Online Resource
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Seaton, Douglass
Year: 1991
Complete Citation:
Seaton, Douglass. “An American Original: Charles Ives.” In Ideas and styles in the Western musical tradition. Mountain View, CA: Mayfield Publishing Company, 1991.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Selch, Frederick R.
Year: 1989
Complete Citation:
Selch, Frederick R. “An American Sampler: The American Composers of the 20th Century, Part I: The Native New England School and the Beginnings of an American Style.” Ovation 10/1 (February 1989): 8-19.Notes:
In this very brief description of music in America at the turn of the cen-tury and shortly thereafter, Ives is emphasized.
Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Sessions, Roger
Year: 1956
Complete Citation:
Sessions, Roger. Reflections on the Music Life in the United States. New York, NY: Merlin Press, 1956.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Siegmeister, Elie
Year: 1976
Complete Citation:
Siegmeister, Elie. “Charles Ives: American Expressionist and Populist.” In South Florida's Historic Ives Festival, 1974-1976, 39-43. Coral Gables, FL: University of Miami, 1976.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Slominsky, Nicholas
Year: 1955
Complete Citation:
Nicolas Slonimsky. “Charles Ives—America’s Musical Prophet.” Musical America 74/4 (February 15, 1954): 18-19.Source: Journal
Reprints:
Slominsky, Nicholas. “Charles Ives—America’s Musical Prophet.” <i>Pan Pipes </i>47: 20 (January 1955).
VI. Topical Studies
L. Ives and America
L. Ives and America
Slominsky, Nicolas
Year: 1963
Complete Citation:
Slominsky, Nicolas. “Chamber Music in America.” In Nicolas Slominsky — Writings on Music. New York, NY: Routledge, 2005.Notes:
Descriptions of String Quartet No. 2; Tone Roads No. 3; [Piano] Trio; Sonata No. 4 for violin and piano ("Children's Day at the Camp Meeting").
Source: Encyclopedia
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works