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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

McCalla, James

Complete Citation:
McCalla, James. “Time Present and Time Past: Two Sonatas for Violin and Piano by Charles Ives.” In Twentieth-Century Chamber Music. New York, NY: Routledge, 2003.
IV. Individual Studies by Genre
B. Chamber Works

Milligan, Terry Gilbert

Year: 1982
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: A Survey of the Works for Chamber Ensemble Which Utilize Wind Instruments.” Journal of Band Research 18, no. 1 (Fall 1982): 60-68.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Mortenson, Gary Curtis and Robert Frederick Schmalz

Year: 1989
Complete Citation:
Mortenson, Gary Curtis and Robert Frederick Schmalz. “Perspectives on Charles Ives’s From the Steeples and the Mountains (1901).” Inter-national Trumpet Guild Journal 13/3 (1989): 25-27.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Mumelter, Martin

Year: 1993
Complete Citation:
Mumelter, Martin. “Zu den Violinsonaten von Charles Ives.” Osterreichische Musikzeitschrift 48/3-4 (March-April 1993): 147-151.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Murray, Lucy Miller

Year: 2015
Complete Citation:
Murray, Lucy Miller. “Charles Ives (1874-1954).” In Chamber music: an extensive guide for listeners. Lanham, MD: Rowman & Littlefield, 2015.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Nardolillo, Jo

Year: 2011
Complete Citation:
Nardolillo, Jo. “Sonata No. 2 for Violin and Piano.” In The canon of violin literature: a performer's resource. Lanham, MD: Scarecrow Press, 2011.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 2011
Complete Citation:
Nardolillo, Jo. “Sonata No. 4 “Children's Day at Camp.”” In The canon of violin literature: a performer's resource. Lanham, MD: Scarecrow Press, 2011.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Nicholls, David

Year: 1990
Complete Citation:
Nicholls, David. “In Re Con Moto Et Al: Experimentalism in the Works of Charles Ives (1874-1954).” In American Experimental Music: 1890-1940, 5-88. Cambridge, United Kingdom: Cambridge University Press, 1990.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Ober, William B.

Year: 1964
Complete Citation:
Ober, William B. Liner notes for Ives String Quartets. Kohon String Quartet. Vox STDL 501120, 1964, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works

Perkins, Lawrence

Year: 1961
Complete Citation:
Perkins, Lawrence. “The Sonatas for Violin and Piano by Charles Ives.” Master’s Essay, Eastman School of Music, University of Rochester, 1961.
Notes:

Unpublished

Source: Master’s Thesis
IV. Individual Studies by Genre
B. Chamber Works

Phelps, Thomas

Year: 2004
Complete Citation:
Phelps, Thomas. “Manner, Muskeln, Diskussionen. Zum 2. Streich-quartett.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 85-105. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Quinn, Ian

Year: 2006
Complete Citation:
Quinn, Ian. “Collections: “Microtonal Chamber Music.”” American Record Guide, Vol. 69, No. 2 (2006): 201-202.
Source: Magazine (recording review)
IV. Individual Studies by Genre
B. Chamber Works

Riis, Thomas L.

Year: 2004
Complete Citation:
Riis, Thomas L. “Memory, Form, and Invention in Charles Ives's Fourth Violin Sonata.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.
Source: Conference
IV. Individual Studies by Genre
B. Chamber Works

Romine, Thomas Howard

Year: 1984
Complete Citation:
Romine, Thomas Howard. “Double String Quartet: Musical Score and Analysis.” D.M.A. diss., Ohio State University, 1984.
Source: D.M.A. Dissertation
IV. Individual Studies by Genre
B. Chamber Works

Routh, Francis

Year: 1968
Complete Citation:
Routh, Francis. “Contemporary music: an introduction.” London, United Kingdom: English Universities Press, 1968.
VII. Entries in Larger Volumes
A. Textbook Accounts

Sadie, Stanley, and Alison Latham, ed.

Year: 1986
Complete Citation:
Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.
Notes:

The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Salzman, Eric

Year: 1967
Complete Citation:
Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.
Source: Chapter in Book
Reprints:

Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.

VII. Entries in Larger Volumes
A. Textbook Accounts
Year: 1967
Complete Citation:
Salzman, Eric. Twentieth -Century Music: An Introduction, 61, 64, 97, 143--148, 152, 164. Englewood Cliffs, NJ: Prentice- Hall, 1967.
Source: Book
Reprints:

Salzman, Eric. <i>Twentieth -Century Music: An Introduction</i>, 128--131.<i> </i>Second Edition. Englewood Cliffs, NJ: Prentice- Hall,. 1974. * Third Edition, 1988. * Fourth Edition, 2002: 136--139.

VII. Entries in Larger Volumes
A. Textbook Accounts

Saminsky, Lazare

Year: 1949
Complete Citation:
Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Schubert, Giselher

Year: 2005
Complete Citation:
Schubert, Giselher. “Komponieren als Musikmachen: Notizen zu den Violinsonaten von Charles Ives.” In Verflechtungen im 20. Jahrhundert : Komponisten im Spannungsfeld elitär - populär, 131-145. Mainz, Germany: Schott, 2005.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works