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Bibliography

Goldner, Nancy

Year: 1988
Complete Citation:
Goldner, Nancy. “A Robbins Ballet Debuts in New York.” The Philadelphia Inquirer, February 6, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Gratovich, Eugene

Year: 1974
Complete Citation:
Gratovich, Eugene. “The Violin Sonatas.” Music Educator’s Journal 61, no. 2 (October 1974): 58-63.
Source: Journal
Reprints:

Gratovich, Eugene. “The Violin Sonatas of Charles E. Ives.” <i>The Strad</i> 85 (December 1974): 471.

IV. Individual Studies by Genre
B. Chamber Works
Year: 1975
Complete Citation:
Gratovich, Eugene. “Performing the Violin Sonatas of Charles Ives.” American String Teacher, Vol. 25, Issue 1 (February 1975): 24-25.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Year: 1979
Complete Citation:
Gratovich, Eugene. “Ives Second Violin Sonata: Performance Alternatives.” American String Teacher 29/2 (Spring 1979): 46-49. 
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

H, J. S.

Year: 1954
Complete Citation:
H, J. S. “Music of the Ballet.” New York Herald Tribune, September 15, 1954, 26.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Hahn, Hilary

Year: 2011
Complete Citation:
Hahn, Hilary. “Masterclass: Ives’ Violin Sonata No. 4, second movement.” The Strad, Vol. 122 (2011): 86-89.
Source: Magazine
IV. Individual Studies by Genre
B. Chamber Works

Hayford, Justin

Year: 2014
Complete Citation:
Hayford, Justin. “Charles Ives Take Me Home.” Reader, May 29, 2014.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Henry, Derrick

Year: 1989
Complete Citation:
Henry, Derrick. “Baritone's Dramatic Portrayal Brings Music of Composer Charles Ives to Life.” Atlanta Constitution, October 2, 1989, sec. B, 3.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
Year: 1997
Complete Citation:
Henry, Derrick. “Atlanta Ballet Performing ‘Carmina Burana’ and ‘Prisma.’” Atlanta Constitution, May 8, 1997, sec. G, 2.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Hoeschler, Linda

Year: 1970
Complete Citation:
Hoeschler, Linda. “‘Ives Liturgy’ Performed; Modern Musical Compositions Mixed with Old- Time Hymns.” Minneapolis Star (May 18, 1970): 10A.
Notes:

Review of The Ives Liturgy: A Mass of the Common Man (1970)

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Hornsby, Bruce R.

Year: 1986
Complete Citation:
Hornsby, Bruce R. Every Little Kiss (1986); rock composition. Recording: RCA PCDI 5904 (CD 1986; cassette 1986; no notes) The Way It Is.
Notes:

Bruce Hornsby, lead vocals, piano, accordian, synthe-sizer, hammered dulcimer; and the Range (David Mansfield, gui-tar, mandolin, violin; George Marinelli, electric and acoustic gui-tars, vocals; Joe Puerta, bass, vocals; John Molo, drums, percus-sion). Begins with excerpt from beginning of "The Alcotts" move- ment of the Concord Sonata. Neither Concord nor Ives is identi-fied on the recording.

Source: Rock Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Hughes, Allen

Year: 2001
Complete Citation:
Hughes, Allen. “Cover to Cover: Modern Thinking.” Chamber Music, Vol. 18, No. 3 (2001): 42-43.
Source: Magazine
IV. Individual Studies by Genre
B. Chamber Works

Jacobson, Robert

Year: 1973
Complete Citation:
Prf: 1973 January 17: New York; City Center; Alexander Horvath, violin; Howard Baer, piano.

Lar Lubovitch, choreographer. Three Essays (1974); ballet; American Ballet Theater.

Music: Orchestral Set No. 2.
Prf: 1974 January 15: New York; City Center.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Jones, Chris

Year: 2014
Complete Citation:
Jones, Chris. “An Effective Twist on Following Your Dreams.” Chicago Tribune, May 21, 2014.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Josephson, Nors S.

Year: 1974
Complete Citation:
Josephson, Nors S. “Besprechungen: Ulrich Maske: Charles Ives in seiner Kammermusik für drei bis sechs Instrumente.” Die Musikforschung, Vol. 27, No. 4 (1974): 490.
Source: Journal (book review)
IV. Individual Studies by Genre
B. Chamber Works

Karlovits, Bob

Year: 2013
Complete Citation:
Karlovits, Bob. “‘Charles Ives’ Showcases Strife, Music, Basketball.” McClatchy - Tribune Business News, November 14, 2013.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Keller, James M.

Year: 2011
Complete Citation:
Keller, James M. Chamber Music: A Listener’s Guide. New York, NY: Oxford University Press, 2011.
Source: Book
IV. Individual Studies by Genre
B. Chamber Works

Kerwin, Bud, choreographer

Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta,
Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Kirkpatrick, John

Year: 1982
Complete Citation:
Kirkpatrick, John. Liner notes for Charles Ives’ Five Violin Sonatas. MusicMasters 20056/57, 1982, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works

Kisselgoff, Anna

Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance