Henry, Derrick
Year: 1997
Complete Citation:
Henry, Derrick. “Atlanta Ballet Performing ‘Carmina Burana’ and ‘Prisma.’” Atlanta Constitution, May 8, 1997, sec. G, 2.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Hughes, Allen
Year: 2001
Complete Citation:
Hughes, Allen. “Cover to Cover: Modern Thinking.” Chamber Music, Vol. 18, No. 3 (2001): 42-43.Source: Magazine
IV. Individual Studies by Genre
B. Chamber Works
Jacobson, Robert
Year: 1973
Complete Citation:
Prf: 1973 January 17: New York; City Center; Alexander Horvath, violin; Howard Baer, piano.
Lar Lubovitch, choreographer. Three Essays (1974); ballet; American Ballet Theater.
Music: Orchestral Set No. 2.
Prf: 1974 January 15: New York; City Center.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Josephson, Nors S.
Year: 1974
Complete Citation:
Josephson, Nors S. “Besprechungen: Ulrich Maske: Charles Ives in seiner Kammermusik für drei bis sechs Instrumente.” Die Musikforschung, Vol. 27, No. 4 (1974): 490.Source: Journal (book review)
IV. Individual Studies by Genre
B. Chamber Works
Keller, James M.
Year: 2011
Complete Citation:
Keller, James M. Chamber Music: A Listener’s Guide. New York, NY: Oxford University Press, 2011.Source: Book
IV. Individual Studies by Genre
B. Chamber Works
Kerwin, Bud, choreographer
Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta,
Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Kirkpatrick, John
Year: 1982
Complete Citation:
Kirkpatrick, John. Liner notes for Charles Ives’ Five Violin Sonatas. MusicMasters 20056/57, 1982, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works
Kisselgoff, Anna
Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2000
Complete Citation:
Kisselgoff, Anna. “On Pulling Teeth, and ‘Degenerate Art’ Brought to Life.” The New York Times. January 8, 2000, sec. B, 17.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Largess, John
Year: 2009
Complete Citation:
Largess, John. “Personal Bests: Charles Ives - String Quartet No. 1 (1896).” Chamber Music, Vol. 26, No. 5 (2009): 98-99.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Mabry, Sharon
Year: 1989
Complete Citation:
Mabry, Sharon. “New Directions: Contemporary Chamber Works.” NATS Journal 45/3 (January-February 1989): 44.Notes: Discussion of Sunrise.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Mackrell, Judith
Year: 2000
Complete Citation:
Mackrell, Judith. “Witching Hour: Black Magic and Slapstick Are an Unlikely Mix for a Night of American-Themed Ballet.” The Guardian, April 15, 2000, 5.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Martins, Peter, choreographer
Year: 1978
Complete Citation:
Peter Martins, choreographer. Calcium Light Night (1977); ballet; New York City Ballet.
Music: The See'r, The New River, Incantation-, At Sea, Ann Street; Gyp the Blood or Hearst! Which is Worst?-, Hallowe'en-, Calcium Light Night. Prf: 1977 November 15: Spokane, WA. 1978 January 19: New York.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Maske, Ulrich
Year: 1971
Complete Citation:
Maske, Ulrich. “Charles Ives in seiner Kammermusik für drei bis sechs Instrumente.” In Kölner Beiträge zur Musikforschung, Vol. 64. Regensburg, Germany: G. Bosse, 1971.Source: Book
IV. Individual Studies by Genre
B. Chamber Works
McCalla, James
Complete Citation:
McCalla, James. “Time Present and Time Past: Two Sonatas for Violin and Piano by Charles Ives.” In Twentieth-Century Chamber Music. New York, NY: Routledge, 2003.IV. Individual Studies by Genre
B. Chamber Works
Milligan, Terry Gilbert
Year: 1982
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: A Survey of the Works for Chamber Ensemble Which Utilize Wind Instruments.” Journal of Band Research 18, no. 1 (Fall 1982): 60-68.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Mortenson, Gary Curtis and Robert Frederick Schmalz
Year: 1989
Complete Citation:
Mortenson, Gary Curtis and Robert Frederick Schmalz. “Perspectives on Charles Ives’s From the Steeples and the Mountains (1901).” Inter-national Trumpet Guild Journal 13/3 (1989): 25-27.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Mumelter, Martin
Year: 1993
Complete Citation:
Mumelter, Martin. “Zu den Violinsonaten von Charles Ives.” Osterreichische Musikzeitschrift 48/3-4 (March-April 1993): 147-151.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works