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Bibliography

Croce, Arlene

Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: American Space.” The New Yorker 51/13 (May 19, 1975).
Notes:

Details the dances. “The piece is one of those on an American subject in which Balan- chine becomes completely an American choreographer —not the Stravinsky-Balanchine, or the Balanchine of ‘Western Symphony’ or ‘Stars and Stripes,’ who ex- presses America from a European point of view, but a Balanchine who sees us at the same distance from which we see Ourselves.”

Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: Free and More Than Equal.” The New Yorker 51/1 (February 24, 1975): 120--122.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Denby, Edwin

Year: 1954
Complete Citation:
Reviews: Edwin Denby. "Balanchine's American Ballet [Ivesiana]." Center 1 (October 1954): 14--18.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Dingle, Christopher

Year: 2013
Complete Citation:
Dingle, Christopher. “DVD and Blu-Ray Review: From the New World.” BBC Music Magazine, Vol. 22, No. 2 (2013): 104.
Source: Magazine
XV. Television Broadcasts, Films, and Videocassettes
D. Reviews

Dunning, Jennifer

Year: 1983
Complete Citation:
Dunning, Jennifer. “Dance: ‘Calcium Light’ Performed by City Ballet.” The New York Times, June 26, 1983, 45.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1992
Complete Citation:
Dunning, Jennifer. “Extracting the Essence of Charles Ives.” The New York Times, February 8, 1992, 16.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1998
Complete Citation:
Dunning, Jennifer. “Dance Review; Venturing out to the Limits of Partnering.” The New York Times. June 13, 1998, sec. B: 7.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2000
Complete Citation:
Dunning, Jennifer. “A Serving of Americana Gar-nished with Russian.” The New York Times (February 4, 2000) sec. E, 17.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Eberson, Sharon

Year: 2013
Complete Citation:
Eberson, Sharon. “Hoops and Harmony City's ‘Charles Ives Take Me Home’ Pits Musical Father Against Athletic Daughter.” Pittsburgh Post-Gazett, November 14, 2013.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Echols, Paul

Year: 1974
Complete Citation:
Echols, Paul. Liner notes for Sonatas for Violin and Piano. Paul Zukofsky and Gilbert Kalish. Nonesuch HB-73025, 1974, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works

Epstein, Paul

Year: 1996
Complete Citation:
Epstein, Paul. “A Performer’s Note on Ives's First Sonata for Violin and Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 27-28. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
B. Chamber Works

Farberman, Harold

Year: 1963
Complete Citation:
Farberman, Harold. Liner notes for Pieces for Chamber Orchestra and Songs. Cambridge CRS 1804, 1963, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works

Feder, Stuart

Year: 1989
Complete Citation:
Feder, Stuart. “‘Calcium Light Night’ and Other Early Memories of Charles Ives.” In Fathers and Their Families, 307-326, edited by Stanley H. Cath, Alan Gurwitt, et al. Hillsdale, NJ: Analytic Press, 1989.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 1999
Complete Citation:
Feder, Stuart. “This Scherzo is [not] a Joke.” In Humor and Psyche: Psy-choanalytic Perspectives, edited by James W. Barron, 203-217. Hillsdale, NJ: Ana-lytic Press, 1999.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Fenner, Lucie

Year: 2001
Complete Citation:
Fenner, Lucie. “Amerikanismen im Werk von Charles Ives: Studien zu Klaviertrio und 2. Klaviersonate.” Thesis, München, Hochschule für Musik und Theater, Zulassungsarbeit, 2001.
Source: Thesis
IV. Individual Studies by Genre
B. Chamber Works
Year: 2004
Complete Citation:
Fenner, Lucie. “Einnerung an die College--Jahre. Musikalische Entlehnung in Calcium Light Night und TSIAJ von Charles Ives.” Musik-Konzepte 123: Charles Ives (January 2004): 25-49.
Notes:

Title translates to “Memories of the College Years: Musical Borrowing in Calcium Light Night and TSIAJ by Charles Ives”

Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Ferguson, Donald N.

Year: 1964
Complete Citation:
Ferguson, Donald N. Image and Structure in Chamber Music, 323-324. Minne-apolis, MN: University of Minnesota Press, 1964.
Notes:

Provides listing of Ives’s major chamber works with extremely brief remarks.

Source: Book
IV. Individual Studies by Genre
B. Chamber Works

Fine, Elaine

Year: 2007
Complete Citation:
Fine, Elaine. “Collections: “American Violin.”” American Record Guide, Vol. 70, No. 2 (2007): 208.
Source: Magazine
D. Reviews

Friedheim, Philip

Year: 1953
Complete Citation:
Friedheim, Philip. “Review of [Ives’] First Violin Sonata.” Music Library Association Notes, Second Series, Vol. 11, No. 1 (December 1953).
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Goldner, Nancy

Year: 1975
Complete Citation:
Goldner, Nancy. “Dance.” The Nation 220/19 (May 17, 1975): 603--604.
Notes:

Scherzo: Over the Pavements and Hallowe’en “seem to be lost for good. ... [I]t virtually introduced the great composer to a wide public.”

Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews