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Complete Citation:
Slominsky, Nicolas. “Chamber Music in America.” In Nicolas Slominsky — Writings on Music. New York, NY: Routledge, 2005.
Bibliography
Genres
Slominsky, Nicolas
Year: 1963
Notes:
Descriptions of String Quartet No. 2; Tone Roads No. 3; [Piano] Trio; Sonata No. 4 for violin and piano ("Children's Day at the Camp Meeting").
Source: Encyclopedia
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Sokolow, Anna, choreographer
Year: 1988
Complete Citation:
Anna Sokolow, choreographer. Scenes from the Music of Charles Ives (1988); ballet; Anna Sokolow Company. Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Steele, Mike
Year: 1990
Complete Citation:
Steele, Mike. “Paul Taylor Proves again He's among the Best Choreographers: METRO Edition.” Star Tribune, February 5, 1990.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Supree, B.
Year: 1988
Complete Citation:
Supree, Burt. “Dance: Blah Blah Blah Suffering (Scenes from the Music of Charles Ives).” Village Voice 30. De-cember 31, 1988: 79.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Szersnovicz, Patrick
Year: 2013
Complete Citation:
Szersnovicz, Patrick. “Les DVD: Andris Nelsons.” Diapason: le magazine du disque et de la musique vivante (2013): 118.Source: Magazine
D. Reviews
Szigeti, Joseph
Year: 1967
Complete Citation:
Szigeti, Joseph. With Strings Attached, 104, 134, 333. New York, NY: Alfred A. Knopf, 1967.Notes:
States that Ives expressed approval of Szigeti’s performance of Sonata No. 4.
Source: Book
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Terry, Walter
Year: 1955
Complete Citation:
Walter Terry. “Dance: New York City Ballet.” The New York Times, March 7, 1955, 8.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Thompson, William Curt
Year: 2004
Complete Citation:
Thompson, William Curt. “The Fourth Sonata for Violin and Piano (“Children’s Day at the Camp Meeting”) by Charles Ives: Contextual, Structural, and Stylistic Considerations." D.M.A. dissertation. Rice University, 2004.Source: D.M.A. Dissertation
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Verrall, John
Year: 1953
Complete Citation:
Verrall, John. “American Chamber Music: 1900-1950.” In Proceedings of the Music Teachers National Association (1950), 21-26. Pittsburgh, PA: Music Teachers National Association, 1953.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Warburton, Thomas
Year: 1972
Complete Citation:
Warburton, Thomas. “Historical Perspective of the String Quartet in the United States.” American Music Teacher 21/3 (1972): 20-37.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Weaver, Michael Alan
Year: 2006
Complete Citation:
Weaver, Michael Alan. “Ives, Charles.” In Works for the viola by Pulitzer Prize winning composers: an annotated bibliography. Lewiston, NY: E. Mellen Press, 2006.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Wechsler, Bert
Year: 1993
Complete Citation:
Volume 1 and 2, Performance: 1993 October 7--10: New York; St. Mark's Church; Dance Studio. Review: Bert Wechsler. (1993 October 71).Source: Pamphlet
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
no author listed
Complete Citation:
Review: Robert. Cue (1914). The piece is "marked by turbulence...and commands respect."XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Complete Citation:
Mandel, Howard.“Review: Mark Tucker. “Behind the Beat.”” Institute for Studies in American Music Newsletter (Fall 1995) 25/1: 13.
Source: Newsletter
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Complete Citation:
“Exploring Ives’s Formal Vocabulary through His String Quartets.” Paper presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.Notes:
Performers include Jennifer Sacher-Wiley and Denise Huizenga, violins; Renee Moore Skerik, viola; Jonathan Chenoweth, cello
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Year: 1965
Complete Citation:
“San Francisco Ballet Sets Dances to Hindemith, Ives.” The Atlanta Journal and the Atlanta Constitution, March 14, 1965, 11D.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1968
Complete Citation:
“Hartford Ballet Co. to Dance New Works.” The Hartford Courant, March 24, 1968, 23E.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1976
Complete Citation:
Steinberg, Michael. “Arts & Films: Foster and Ives Blended at Dartmouth Review/Music.” Boston Globe, 1976, 29.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1979
Complete Citation:
“The Music Machine.” The Observer. June 24, 1979: 14.Source: Magazine
D. Reviews
Year: 1988
Complete Citation:
“Stages of Life, from Ives and the City Ballet: Nassau and Suffolk Edition.” Newsday, February 6, 1988.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews