McCalla, James
Complete Citation:
McCalla, James. “Time Present and Time Past: Two Sonatas for Violin and Piano by Charles Ives.” In Twentieth-Century Chamber Music. New York, NY: Routledge, 2003.IV. Individual Studies by Genre
B. Chamber Works
Milligan, Terry Gilbert
Year: 1982
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: A Survey of the Works for Chamber Ensemble Which Utilize Wind Instruments.” Journal of Band Research 18, no. 1 (Fall 1982): 60-68.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Mortenson, Gary Curtis and Robert Frederick Schmalz
Year: 1989
Complete Citation:
Mortenson, Gary Curtis and Robert Frederick Schmalz. “Perspectives on Charles Ives’s From the Steeples and the Mountains (1901).” Inter-national Trumpet Guild Journal 13/3 (1989): 25-27.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Mumelter, Martin
Year: 1993
Complete Citation:
Mumelter, Martin. “Zu den Violinsonaten von Charles Ives.” Osterreichische Musikzeitschrift 48/3-4 (March-April 1993): 147-151.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Murray, Lucy Miller
Year: 2015
Complete Citation:
Murray, Lucy Miller. “Charles Ives (1874-1954).” In Chamber music: an extensive guide for listeners. Lanham, MD: Rowman & Littlefield, 2015.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Nardolillo, Jo
Year: 2011
Complete Citation:
Nardolillo, Jo. “Sonata No. 2 for Violin and Piano.” In The canon of violin literature: a performer's resource. Lanham, MD: Scarecrow Press, 2011.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 2011
Complete Citation:
Nardolillo, Jo. “Sonata No. 4 “Children's Day at Camp.”” In The canon of violin literature: a performer's resource. Lanham, MD: Scarecrow Press, 2011.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Nicholls, David
Year: 1990
Complete Citation:
Nicholls, David. “In Re Con Moto Et Al: Experimentalism in the Works of Charles Ives (1874-1954).” In American Experimental Music: 1890-1940, 5-88. Cambridge, United Kingdom: Cambridge University Press, 1990.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Ober, William B.
Year: 1964
Complete Citation:
Ober, William B. Liner notes for Ives String Quartets. Kohon String Quartet. Vox STDL 501120, 1964, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works
Oliphant, Dave
Year: 2004
Complete Citation:
Oliphant, Dave. “The Pilgrimage.” In Backtracking, 119--122. Austin, TX: Host Publi-cations, 2004.Source: Poem
XIII. Ives in Literature
A. Poetry
Ostriker, Alicia
Year: 2009
Complete Citation:
Ostriker, Alicia. “A theme for Charles Ives.” In The Book of Seventy. Pittsburgh, PA: University of Pittsburgh Press, 2009.Source: Poem
XIII. Ives in Literature
A. Poetry
Perkins, Lawrence
Year: 1961
Complete Citation:
Perkins, Lawrence. “The Sonatas for Violin and Piano by Charles Ives.” Master’s Essay, Eastman School of Music, University of Rochester, 1961.Source: Master’s Thesis
IV. Individual Studies by Genre
B. Chamber Works
Phelps, Thomas
Year: 2004
Complete Citation:
Phelps, Thomas. “Manner, Muskeln, Diskussionen. Zum 2. Streich-quartett.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 85-105. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Price, Jonathan
Year: 1968
Complete Citation:
Price, Jonathan. “The Rough Way Up the Mountain.” Yale Alumni Maga-zine (April 1968).Source: Poem in Magazine
Reprints: Price, Jonathan. “The Rough Way Up the Mountain.” <i>Music Educators Journal</i> 55/2 (October 1968): 38--45.
XIII. Ives in Literature
A. Poetry
Quinn, Ian
Year: 2006
Complete Citation:
Quinn, Ian. “Collections: “Microtonal Chamber Music.”” American Record Guide, Vol. 69, No. 2 (2006): 201-202.Source: Magazine (recording review)
IV. Individual Studies by Genre
B. Chamber Works
Revell, Donald
Year: 2002
Complete Citation:
Revell, Donald. “Arcady: ives.” Arcady: Poems, 44. Middleton, CT: Wesley-an University Press, 2002.Notes: Also notice the last line of his poem im- mediately prior on page 43: "Key to the music of Ives is confluence." The summary on the back cover states that this collection of poems "draw its influence from Charles Ives and Henry David Thoreau."
Source: Poem
XIII. Ives in Literature
A. Poetry
Year: 2016
Complete Citation:
Revell, Donald. “Charles Ives at the Spinet.” The Massachusetts Review, vol. 57 no. 4, (2016): 708-708.Source: Journal
XIII. Ives in Literature
A. Poetry
Ridgway, Rick
Year: 1994
Complete Citation:
Ridgway, Rick. Three Squirt Dog. New York, NY: St. Martin’s Press, 1994.Source: Book
XIII. Ives in Literature
B. Fiction
Riis, Thomas L.
Year: 2004
Complete Citation:
Riis, Thomas L. “Memory, Form, and Invention in Charles Ives's Fourth Violin Sonata.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.
Source: Conference
IV. Individual Studies by Genre
B. Chamber Works
Romine, Thomas Howard
Year: 1984
Complete Citation:
Romine, Thomas Howard. “Double String Quartet: Musical Score and Analysis.” D.M.A. diss., Ohio State University, 1984.Source: D.M.A. Dissertation
IV. Individual Studies by Genre
B. Chamber Works