Meine, Sabine
Year: 1992
Complete Citation:
Meine, Sabine. “Scenes from My Childhood Are with Me...Biographische Momente in den 114 Songs von Charles E. Ives.” Musik und Bildung: Praxis Musikerzeitung 24/3 (May-June 1992): 9-13.Source: Journal
IV. Individual Studies by Genre
E. Songs
Meister, Barbara
Year: 1980
Complete Citation:
Meister, Barbara. An Introduction to the Art Song, 189-191. New York, NY: Taplinger Publishing Company, 1980.Notes: Discusses When General William Booth Enters into Heaven, “probably the most representative of the lot” (i.e., the songs], 190 (considers The Chil-dren's Hour, The Circus Band, The Greatest Man, The Housatonic at Stockbridge (“One of Ives's most evocative songs...an atmospheric, moody piece of simple serenity. One senses reverie, time suspended, peace.”), In Flanders Fields, The Last Reader, Maple Leaves, The Side- Show, They Are There!,The Things Our Fathers Loved, Tom Sails Away, Two Little Flowers), 191 (“He was the first major thoroughly American composer”).
Source: Book
IV. Individual Studies by Genre
E. Songs
Meyer, Felix
Year: 2000
Complete Citation:
Meyer, Felix. “Transformation and adaptation: the evolution of Charles Ives's song “From ‘Paracelsus.’” In The Rosaleen Moldenhauer memorial: music history from primary sources: a guide to the Moldenhauer Archives. Washington, D.C.: Library of Congress, 2000.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. Adaptation - Transformation - Rekomposition: zu einigen Liedbearbeitungen von Charles Ives. Stuttgart, Germany: Franz Steiner Verlag, 2003.Source: Book
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. “Adaption - Transformation - Rekomposition. Zu Einigen Liedbearbeitungen Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 60, no. 2 (2003): 115-135.Source: Journal
IV. Individual Studies by Genre
E. Songs
Miller, Kenneth E.
Year: 1983
Complete Citation:
Miller, Kenneth E. Principles of Singing, 198. Englewood Cliffs, NJ: Pren-tice-Hall, 1983.Notes: Discusses When Stars Are in the Quiet Skies.
Source: Book
IV. Individual Studies by Genre
E. Songs
Milligan, Terry Gilbert
Year: 1982
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: A Survey of the Works for Chamber Ensemble Which Utilize Wind Instruments.” Journal of Band Research 18, no. 1 (Fall 1982): 60-68.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Mortenson, Gary Curtis and Robert Frederick Schmalz
Year: 1989
Complete Citation:
Mortenson, Gary Curtis and Robert Frederick Schmalz. “Perspectives on Charles Ives’s From the Steeples and the Mountains (1901).” Inter-national Trumpet Guild Journal 13/3 (1989): 25-27.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Mumelter, Martin
Year: 1993
Complete Citation:
Mumelter, Martin. “Zu den Violinsonaten von Charles Ives.” Osterreichische Musikzeitschrift 48/3-4 (March-April 1993): 147-151.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Murphy, Scott
Year: 2008
Complete Citation:
Murphy, Scott. “A Composite Approach to Ives’ ‘Cage.’” Twentieth Century Music 5.2 (September 2008): 179-193.Source: Journal
IV. Individual Studies by Genre
E. Songs
Murray, Lucy Miller
Year: 2015
Complete Citation:
Murray, Lucy Miller. “Charles Ives (1874-1954).” In Chamber music: an extensive guide for listeners. Lanham, MD: Rowman & Littlefield, 2015.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Nardolillo, Jo
Year: 2011
Complete Citation:
Nardolillo, Jo. “Sonata No. 4 “Children's Day at Camp.”” In The canon of violin literature: a performer's resource. Lanham, MD: Scarecrow Press, 2011.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 2011
Complete Citation:
Nardolillo, Jo. “Sonata No. 2 for Violin and Piano.” In The canon of violin literature: a performer's resource. Lanham, MD: Scarecrow Press, 2011.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Nathan, Hans
Year: 1960
Complete Citation:
Nathan, Hans. “The Modern Period—United States of America.” In A History of Song, edited by Denis Stevens, 431-437. New York, NY: W.W. Norton, 1960.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Newman, Philip Edward
Year: 1967
Complete Citation:
Newman, Philip Edward. “The Songs of Charles Ives,” Ph.D. diss., University of Iowa, 1967.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
E. Songs
Nicholls, David
Year: 1990
Complete Citation:
Nicholls, David. “In Re Con Moto Et Al: Experimentalism in the Works of Charles Ives (1874-1954).” In American Experimental Music: 1890-1940, 5-88. Cambridge, United Kingdom: Cambridge University Press, 1990.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Nixon, Marni
Year: 2006
Complete Citation:
Nixon, Marni. I Could Have Sung all Night, 53-54, 110, 253, and 257. New York, NY: Billboard Books, 2006.Notes: Discussion of her performances of the songs for “Evenings on the Roof” (p. 53-54)
Source: Book
IV. Individual Studies by Genre
E. Songs
Ober, William B.
Year: 1964
Complete Citation:
Ober, William B. Liner notes for Ives String Quartets. Kohon String Quartet. Vox STDL 501120, 1964, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works
Park, Fye-kyung
Year: 2013
Complete Citation:
Park, Hye-kyung. “음악에서의 해체: 아이브즈 (C Ives)의 General William Booth Enters into Heaven에 나타나는 이항대립, 유표성, 음양.” 연세음악연구, no. 20 (2013): 103.Source: Journal
IV. Individual Studies by Genre
E. Songs
Parr, Sean
Year: 2005
Complete Citation:
Parr, Sean. “Singing the Unsingable: Ives and His 114 Songs.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.Source: Conference paper
IV. Individual Studies by Genre
E. Songs