Abott, Reverend Jacob
    Year: 1834-1858
Complete Citation: 
Reverend Abbott, Jacob. Rollo at Play, Rollo at School; Rollo at  Work', Rollo Learning to Read; Rollo Learning to Talk; Rollo's  Correspondence; Rollo's Experiments', Rollo's  Museums', Rollo's Philosophy, Rollo's Vacations', and  Rollo's Travels. Another group was devoted to Rollo's tours of  Europe: Rollo on the Atlantic, Rollo in Holland', Rollo in  London', Rollo in Naples; Rollo in Paris', Rollo in  Scot-land', Rollo in Switzerland', Rollo on the Rhine',  and Rollo in Genoa.Source: Literary References
Reprints: "Rollo," the name Ives called musicians unwilling to listen  to advanced dissonances and other techniques found in modern music,  was derived from a character in books (1834--1858) by Reverend Jacob  Abbott. Rollo could understand only the simplest of situations that  had been taught or had been explained to him in great detail. Original  publishers include Boston, MA: Weeks, Jordan, and Company;  Philadelphia, PA: Hogan & Thompson; Boston, MA: Gould, Kendall  & Lincoln.
 XIII. Ives in Literature
B. Fiction
Addiego, J.
    Year: 1982
Complete Citation: 
Addiego, J. “Charles Ives.” Epoch 31/2 (1982): 127.Source: Journal
XIII. Ives in Literature
A. Poetry
Addiego, John
    Year: 1982
Complete Citation: 
Addiego, John. “Charles Ives.” Epoch 31/2 (Spring 1982): 127.Source: Poem
XIII. Ives in Literature
A. Poetry
Ahn, Eun G. [안은지]
    Complete Citation: 
Ahn, Eun G. “논문 : 아이브스의  바이올린  소나타 2번과 4번에  나타난  음악적  특징.” 음악과  민족, vol. 49 (2015): 201.Notes: Translates to “Thesis: Musical Characteristics of Ives’ Violin Sonata  Nos. 2 and 4”<br>
 IV. Individual Studies by Genre
B. Chamber Works
Ahn, Eunji
    Year: 2015
Complete Citation: 
Ahn, Eunji. “아이브스의 바이올린 소나타 2번과 4번에 나타난 음악적  특징.” 음악과 민족, no. 49 (2015): 201-225.Notes: Translates to “Distinctive Features in the Second and Fourth Violin  Sonatas of Charles Ives”
 Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Axelrod, Alan
    Year: 1976
Complete Citation: 
Axelrod, Alan. “A Song by Charles Ives.” Brilliant Corners 5 (Spring 1977): 20--25.Notes: An essay with a poetic tone. Dated 1976.
 Source: Poem
XIII. Ives in Literature
A. Poetry
Bader, Yvette
    Year: 1972
Complete Citation: 
Bader, Yvette. The Music Review 33, Vol. 1, No. 4. (November 1972): 292-299.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Baldwin, Philip
    Year: 1996
Complete Citation: 
Baldwin, Philip. “An Analysis of three violin sonatas by William  Bolcom.” Ph.D. diss., Ohio State University, 1996.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
B. Chamber Works
Bellamann, Henry
    Year: 1923
Complete Citation: 
Bellamann, Henry. “Notes on the New Aesthetic of Poetry and Music.” Musical Quar-terly 9, no.2 (April 1923): 260-270.Source: Journal
XIII. Ives in Literature
A. Poetry
Bemlef, J.
    Year: 1977
Complete Citation: 
Bemlef, J. “On Charles Ives and Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 232-238. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
XIII. Ives in Literature
A. Poetry
Berger, Melvin
    Year: 1991
Complete Citation: 
Berger, Melvin. Ives, Charles: Piano sonatas; violin sonatas. In Guide to sonatas: music for one or two instruments. New York, NY: Anchor Books, 1991.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 2001
Complete Citation: 
Berger, Melvin. “Ives, Charles.” In Guide to chamber music. Mineola, New York: Dover Publications, 2001.Source: Book
IV. Individual Studies by Genre
B. Chamber Works
Bernlef, Jan
    Year: 1966
Complete Citation: 
Bernlef, Jan. “Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 233-238. Urbana, IL: University of Illinois Press, 1977.Source: Poem in Book
XIII. Ives in Literature
A. Poetry
Blasch, Robert
    Year: 1991
Complete Citation: 
Blasch, Robert. “Charles Ives: Study No. 20.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
IV. Individual Studies by Genre
B. Chamber Works
Blitzstein, Marc
    Year: 1932
Complete Citation: 
Blitzstein, Marc. “Premieres and Experiments-1932: Chamber Music.” Modern Music IX, 3 (March-April 1932): 124.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Bond, Bruce
    Year: 1989
Complete Citation: 
Bond, Bruce. “Ives.” In The Ivory Hours. Amherst, MA: Heatherstone Press, 1989.
Source: Poem
Reprints: Bond, Bruce. “Ives.” <i>Sonneck Society for American Music Bul-letin</i> 15/3 (1989): 111.
 XIII. Ives in Literature
A. Poetry
Budde, Elmar
    Year: 1971
Complete Citation: 
Budde, Elmar. “Anmerkungen zum Streichquartett Nr. 2 von Charles E. Ives.” “Bericht über den internationalen Kongreß” Bonn 1970, edited by Carl Dahlhaus, 303-307. Stuttgart, Germany: Bärenreiter, 1971.Source: Book
IV. Individual Studies by Genre
B. Chamber Works
Copland, Aaron
    Year: 1975
Complete Citation: 
Copland, Aaron. “A Garland for Charles Ives.” Poetry in Review,  Spring/Summer 1975, 293-393.Notes: Includes Copland's Night Thoughts for piano and essays by Elliott  Carter, Lou Harrison and others.
 Source: Magazine
XIII. Ives in Literature
A. Poetry
Year: 1975
Complete Citation: 
Copland, Aaron. “Night Thoughts (Homage to Ives).” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 295-299.Source: Journal
XIII. Ives in Literature
A. Poetry
Cramer, Alice
    Year: 1979
Complete Citation: 
Cramer, Alice Carver. “Charles Ives in the Tulip Poplars.” Poet Lore 74, no. 1 (Spring 1979): 18.Source: Magazine
XIII. Ives in Literature
A. Poetry