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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Thomas, Richard

Year: 2001
Complete Citation:
Thomas, Richard. “Who’s Who in Stamps: Charles Ives, Composer.” Linn’s Stamp News 74/3784 (May 7, 2001): 30.
Notes:

Short biography to acquaint collectors with Ives on the occasion of the issuing of commemorative postage stamp. Mentions several of Ives’s compositions.

Source: Magazine
XVI. Photographs and Artwork
C. Other
Year: 2001
Complete Citation:
Thomas, Richard. “Who’s Who in Stamps: Charles Ives, Composer.” Linn’s Stamp News 74/3784 (May 7, (2001): 30.
Source: Postage Stamp
Reprints:

Short biography mentioning several of Ives's compositions.

XVI. Photographs and Artwork
C. Other

Thompson, William Curt

Year: 2004
Complete Citation:
Thompson, William Curt. “The Fourth Sonata for Violin and Piano (“Children’s Day at the Camp Meeting”) by Charles Ives: Contextual, Structural, and Stylistic Considerations." D.M.A. dissertation. Rice University, 2004.
Source: D.M.A. Dissertation
IV. Individual Studies by Genre
B. Chamber Works

Verrall, John

Year: 1953
Complete Citation:
Verrall, John. “American Chamber Music: 1900-1950.” In Proceedings of the Music Teachers National Association (1950), 21-26. Pittsburgh, PA: Music Teachers National Association, 1953.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Voss, Egon

Year: 1970
Complete Citation:
Voss, Egon. “Bemerkungen zur Musik von Charles E. Ives (1874-1954).” Musik und Kirche 40 (1970): 145-148.
Source: Journal
V. General Music Studies
C. Other

Warburton, Thomas

Year: 1972
Complete Citation:
Warburton, Thomas. “Historical Perspective of the String Quartet in the United States.” American Music Teacher 21/3 (1972): 20-37.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Weaver, Michael Alan

Year: 2006
Complete Citation:
Weaver, Michael Alan. “Ives, Charles.” In Works for the viola by Pulitzer Prize winning composers: an annotated bibliography. Lewiston, NY: E. Mellen Press, 2006.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Yates, Frances A.

Year: 1966
Complete Citation:
Yates, Frances A. The Art of Memory. Chicago, Illinois: The University of Chicago Press, 1974.
Source: Chapter in Book
V. General Music Studies
C. Other

no author listed

Complete Citation:
“Exploring Ives’s Formal Vocabulary through His String Quartets.” Paper presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.
Notes:

Performers include Jennifer Sacher-Wiley and Denise Huizenga, violins; Renee Moore Skerik, viola; Jonathan Chenoweth, cello

IV. Individual Studies by Genre
B. Chamber Works
Complete Citation:
Moore, Douglas B. “For an Ives Stamp.” High Fidelity 24/2 (February 1974): 8.
Source: Postage Stamp
Reprints:

Letter to the Editor encouraging readers to write to United States Postal Service in support of issuing a commemorative Charles Ives stamp in the American Art Series. Announcements: Baadke, Michael. “Classical Musicians in ’97.” <i>Linn's Stamp News</i> (October 28, 1996): 8.

XVI. Photographs and Artwork
C. Other
Year: 1940
Complete Citation:
“Sharps and Flats.” Los Angeles Times, September 22, 1940, C5.
Source: Newspaper
V. General Music Studies
C. Other
Year: 1940, 1941
Complete Citation:
“Prologue.” Twice a Year (1940 Fall-Winter, 1941 Spring-Summer) Double Issue: 5-6: 344-348.
Notes:

Includes excerpt of Essays Before a Sonata. Gives date of <i>Essays </i>incor-rectly as “1916.”

Source: Journal
V. General Music Studies
C. Other
Year: 1946
Complete Citation:
“Neglected Works: A Symposium.” Modern Music XXIII, 1 (Winter 1946): 6-7.
Source: Journal
V. General Music Studies
C. Other
Year: 1955
Complete Citation:
“Notes of the Day.” Monthly Musical Record 85 (July-August 1955): 141-144.
Source: Journal
V. General Music Studies
C. Other
Year: 1969
Complete Citation:
“Letters to the Editor.” Instrumentalist 23/10 (May 1969): 18.
Notes:

Regarding the band arrangement by William E. Rhoads.

Source: Journal
V. General Music Studies
C. Other
Year: 1973
Complete Citation:
“A Charles Ives Commemorative Postage Stamp?” American String Teacher, Vol. 23, Issue 4 (November 1973): 37.
Source: Journal
XVI. Photographs and Artwork
C. Other
Year: 1974
Complete Citation:
“Overtones.” Music Educators Journal, vol. 61, no. 2 (1974): 5.
Source: Journal
V. General Music Studies
C. Other
Year: 1974
Complete Citation:
“Notes for NOTES.” Notes 30/3 (1974): 501-504.
Source: Journal
VI. Topical Studies
C. Other
Year: 1977
Complete Citation:
“Essays by Foreign Participants.” In An Ives Celebration: Papers and Panels of the Charles Ives, edited by H. Wiley Hitchcock and Vivian Perlis. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
V. General Music Studies
C. Other
Year: 1990
Complete Citation:
“Correspondence.” Perspectives of New Music, vol. 28, no. 2 (1990): 331-334.
Source: Journal
V. General Music Studies
C. Other