Image
Complete Citation:
Gligo, Niksa. “Prostornost i pokret u imanenciji glazbe.” [Space and Movement in the Immanence of Music.] Zvuk — Jugoslovenska Ruzicka Revija 111-112 (1971): 1-20.
Bibliography
Genres
Gligo, Niksa
Year: 1971
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Glinsky, Albert
Year: 2001
Complete Citation:
Glinsky, Albert. Theremin: Ether Music and Espionage. Urbana, IL: University of Illinois Press, 2001.Notes:
Mentions Ives's financial support for the Rhythmicon (140-141) and of Pan American Association of Com- posers (158).
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Goldberg, Jeff
Year: 1974
Complete Citation:
Jeff Goldberg. “John Cage Interview.” Soho Weekly News (September 12, 1974).Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Goldstein, Malcolm
Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Golemba, Henry
Year: 1976
Complete Citation:
Golemba, Henry. “Charles Ives’ Whitman.” American Transcendental Quarterly, vol. 29, no. 1, 1976: 36.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Goosens, Eugene
Year: 1943
Complete Citation:
Goosens, Eugene. “The Public:- Has It Changed?” Modern Music 20/2 (Jan-uary-February 1943): 72--73.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1951
Complete Citation:
Goosens, Eugene. Overtures and Beginners: A Musical Autobiography. London, United Kingdom: Metheun Publishing, 1951.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Gordon, Philip
Year: 1947
Complete Citation:
Gordon, Philip. “America in American Music.” Common Ground (Spring 1947).Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1950
Complete Citation:
Gordon, Philip. “Rehearsing Contemporary Music.” Music Educators Journal, vol. 37, no. 2 (November-December 1950): 32-38.Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Gorge, Emmanuel
Year: 2003
Complete Citation:
Gorge, Emmanuel. L’imaginaire amérindien et le modernisme. Paris, France: Éditions L’Harmattan, 2003.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Goss, Glenda Dawn
Year: 1993
Complete Citation:
Goss, Glenda Dawn. Music and the Moderns: The Life and Works of Carol Robinson. Metuchen, NJ: Scarecrow Press, 1993.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Goss, Madeleine
Year: 1970
Complete Citation:
Goss, Madeleine. Modern music-makers: contemporary American composers. Westport, CT: Greenwood Press, 1970.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Gratovich, Eugene
Year: 1974
Complete Citation:
Gratovich, Eugene. “The Violin Sonatas.” Music Educator’s Journal 61, no. 2 (October 1974): 58-63.Source: Journal
Reprints:
Gratovich, Eugene. “The Violin Sonatas of Charles E. Ives.” <i>The Strad</i> 85 (December 1974): 471.
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Year: 1975
Complete Citation:
Gratovich, Eugene. “Performing the Violin Sonatas of Charles Ives.” American String Teacher, Vol. 25, Issue 1 (February 1975): 24-25.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Year: 1979
Complete Citation:
Gratovich, Eugene. “Ives Second Violin Sonata: Performance Alternatives.” American String Teacher 29/2 (Spring 1979): 46-49. Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Gray, Pat
Year: 1975
Complete Citation:
Gray, Pat. “Interview with Bernard Herrmann.” In Knowing the Score: Notes on Film Music. Edited by Irwin Bazelon. New York, NY: Van Nostrand Reinhold, 1975: 232-235.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Green, Andrew
Year: 2005
Complete Citation:
Green, Andrew. Books: Review of Charles Ives and Aaron Copland: A Listener’s Guide, by Daniel Felsenfeld. Classical Music (2005): 55.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Greenfield, Edward
Year: 1959
Complete Citation:
Greenfield, Edward. “Charles Ives and Aaron Copland.” The Guardian, September 5, 1959, 5.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Gresser, Clemens
Year: 2009
Complete Citation:
Gresser, Clemens. “Besprechungen: Gregor Herzfeld “Zeit als Prozess und Epiphanie in der experimentellen amerikanischen Musik: Charles Ives bis La Monte Young.”” Musiktheorie, Vol. 24, No. 4 (2009): 375-379.Source: Journal (article review/response)
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Grimes, Ev, and Nicolas Slonimsky
Year: 1986
Complete Citation:
Grimes, Ev, and Nicolas Slonimsky. “Conversations with American Composers: Ev Grimes Interviews Nicolas Slonimsky.” Music Educators Journal, vol. 72, no. 7 (1986): 40-43.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers