Hommel, Friedrich
Year: 1985
Complete Citation:
Hommel, Friedrich. “Andere funfziger Jahre? Familienbild mit Ives, Cowell, Varese und Cage.” In Die Musik der funfziger Jahre, 39-47, edited by Carl Dahlhaus. Veroffentlichungen des Instituts fur Neue Musik und Musik-erziehung Darmstadt, Vol. 26. Mainz, Germany: Schott, 1985.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Horowitz, Joseph
Year: 1994
Complete Citation:
Horowitz, Joseph. “Introduction: The Transcendental Ives.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Horowitz, Joseph. “Introduction.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 2007
Complete Citation:
Horowitz, Joseph. “Antonin Dvorak and Charles Ives in search of America.” In Classical music in America: a history. New York, NY: W.W. Norton & Company, Inc., 2007.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2012
Complete Citation:
Horowitz, Joseph. “Charles Ives: Gentility and Rebellion.” In Moral Fire: Musical Portraits from America's Fin de Siècle. Berkeley: University of California Press, 2012.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2019
Complete Citation:
Horowitz, Joseph. “Mark Twain, Charles Ives, and the Uses of Vernacular Intelligence.” Raritan: A Quarterly Review, vol. 38, no. 3 (2019): 143-164.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Horowitz, Joseph, John Adams, <br>Thomas Blanding, Donald Moffat, Stuart Feder, Steven Mayer, and Kurt Oilman
Year: 1994
Complete Citation:
Horowitz, Joseph, John Adams,
Thomas Blanding, Donald Moffat, Stuart Feder, Steven Mayer, and Kurt Oilman. “Panel Discussion.” Paper presented at American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Howard, John
Year: 1995
Complete Citation:
Howard, John. “Hymn and a River.” In Performing and Responding. Cambridge Assignments in Music, edited by Roy Bennett, 22-25. Cambridge, United Kingdom: Cambridge University Press, 1995.Notes: The author refers to <i>Three Places in New England</i>: The Housatonic at Stockbridge as the model. An accompanying compact disc is available.
Source: Book
VI. Topical Studies
T. Ives in Music Education
Howard, John Tasker
Year: 1941
Complete Citation:
Howard, John Tasker. Our Contemporary Composers: American Music in the Twentieth-Century. New York, NY: Crowell, 1941.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1942
Complete Citation:
Howard, John Tasker. This Modern Music: A Guide for the Bewildered Listener, 131-133, 179, 194. New York, NY: Crowell, 1942.Notes: Ives is treated super-ficially in a chapter on polytonality, with Psalm 67 used as an example Howard comments on the polyrhythms of “Washington's Birthday” and Ives's use of tone clusters.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Howard, John Tasker and George Kent Bellows
Year: 1967
Complete Citation:
Howard, John Tasker and George Kent Bellows. “Experimental Composers: Charles Edward Ives; John Cage.” In A short history of music in America.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hubbs, Nadine
Year: 2004
Complete Citation:
Hubbs, Nadine. The Queer Composition of America's Sound: Gay Mod-ernists, American Music and National Identity. Berkeley, CA: University of California Press, 2004.Notes: In subchapter, "Ives, American Music and Mutating Manliness," the author points out Ives's desire for American composers to write strong music to define Americanism and for audiences to listen most intensely.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 2019
Complete Citation:
Hubbs, Nadine. “Being Musical: Gender, Sexuality, and Musical Identity in Twentieth-Century America.” In The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity. Berkeley, CA: University of California Press, 2004.Source: Newsletter
VI. Topical Studies
S. Reception Studies and Related Scholarship
Hughes, Allen
Year: 2001
Complete Citation:
Hughes, Allen. “Cover to Cover: Modern Thinking.” Chamber Music, Vol. 18, No. 3 (2001): 42-43.Source: Magazine
IV. Individual Studies by Genre
B. Chamber Works
Hüppe, Eberhard
Year: 2012
Complete Citation:
Hüppe, Eberhard. “Dvořák, Ives: Mahler: New York im Konnex europäischer Städte.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2012
Complete Citation:
Hüppe, Eberhard. “Charles Ives’ Entkoppelung von Europa.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
Hurley, Frank H.
Year: 1969
Complete Citation:
Hurley, Frank H. “Freedom: Enterprise and Charles Ives.” Lecture, Music and the American Heritage, Cleveland Institute of Music, Cleveland, Ohio, November 14, 1969.Notes: Musical illustrations were per-formed by Donald Payne, piano, Mary Michael Earl, soprano, and the Cleveland Quartet.
Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Hutton, Edna Rait
Year: 1955
Complete Citation:
Hutton, Edna Rait. “Charles Ives-America's Musical Prophet.” Pan Pipes 46/2 (January 1955): 20-21.Source: Journal
VI. Topical Studies
W. Obituaries
Year: 1963
Complete Citation:
Hutton, Edna Rait. “The Legacy of Charles Ives.” Pan Pipes 55/2 (January 1963): 13-14, 30.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
