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Bibliography

Keller, James M.

Year: 2011
Complete Citation:
Keller, James M. Chamber Music: A Listener’s Guide. New York, NY: Oxford University Press, 2011.
Source: Book
IV. Individual Studies by Genre
B. Chamber Works

Kellers, Wilfred

Year: 1964
Complete Citation:
Kellers, Wilfred. “Realism and Transcendentalism: Charles Ives as American Hero.” In Music in a New Found Land: Themes and Developments in the History of American Music, 38-64. London, United Kingdom: Barrie and Rockliff, 1964.
Source: Chapter in Book
VI. Topical Studies

Kelly, June

Year: 1949
Complete Citation:
Kelly, June. “American Music Comes of Age.” Music Journal (September 1949).
Source: Journal
VI. Topical Studies
L. Ives and America

Keough, James

Year: 2004
Complete Citation:
Keough, James. “Are My Ears on Wrong?” Strings, vol. 19, no. 3 (October 2004): 122.
Notes:

<a target="_blank" href="http://www.stringsmagazine.com/issues">A look at the Ives legacy, especially in “Decoration Day.” Available online at www.stringsmagazine.com/issues.</a&gt;

Source: Magazine
VI. Topical Studies
R. Performance Approaches

Kerman, Joseph and Gary Tomlinson

Year: 2015
Complete Citation:
Kerman, Joseph and Gary Tomlinson. “The First American Modernist: Ives.” In Listen. Boston, MA: Bedford/St. Martin's, 2015.
Source: Chapter/Section in Book
VI. Topical Studies
L. Ives and America

Kerr, Harrison

Year: 1934
Complete Citation:
Kerr, Harrison. “Contemporary Music in New York. I—The Pan-Ameri-cans.” Trend 2/3 (May-June 1934): 145.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Khittl, Christoph

Year: 1995
Complete Citation:
Khittl, Christoph. “‘Jenseits im Diesseits’: Ubungen zur Rezeptionsasthetik und Rezeptionsdidaktik.” Polyaisthesis 3 (1995): 98-106.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kirkpatrick, John

Year: 1942
Complete Citation:
Kirkpatrick, John. “Aaron Copland's Piano Sonata.” Modern Music 19/4 (May--June 1942): 246-248, 250.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1960
Complete Citation:
Kirkpatrick, John. “The Religious Perspective of a Musician.” Lecture, Anabel Taylor Hall, Cornell University, November 30, 1960.
Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1968
Complete Citation:
Kirkpatrick, John. “The Evolution of Carl Ruggles: A Chronicle Largely in His Own Words.” Perspectives of New Music (Spring-Summer, 1968): 146-166.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1976
Complete Citation:
Kirkpatrick, John. “Ives as Prophet.” In South Florida's Historic Ives Festival, 1974-1976, 59. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1982
Complete Citation:
Kirkpatrick, John. Liner notes for Charles Ives’ Five Violin Sonatas. MusicMasters 20056/57, 1982, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works

Kirkpatrick, John.

Year: 1975-76
Complete Citation:
Kirkpatrick, John. “Thoughts on the Ives Year.” Student Musicologists at Minnesota 6 (1975-1976): 218-224.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kirkpatrick, Ralph

Year: 2014
Complete Citation:
Kirkpatrick, Ralph. “John Kirkpatrick.” In Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar, edited by Meredith Kirkpatrick, 89-94. Eastman Studies in Music. Woodbridge, United Kingdom: Boydell & Brewer, 2014.
Source: Chapter in Book
VI. Topical Studies
P. Ives Collaborators and Colleagues
Year: 2014
Complete Citation:
Kirkpatrick, Ralph. “Elliott Carter.” In Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar, edited by Meredith Kirkpatrick, 120-122. Eastman Studies in Music. Woodbridge, United Kingdom: Boydell & Brewer, 2014.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kitto, Gloria de Feo

Year: 1982
Complete Citation:
Kitto, Gloria de Feo. “Abstract: Charles Ives, Robert Henri, and the Art Spirit.” The Sonneck Society for American Music Bulletin 8 (Fall 1982): 70-71.
Notes:

A paper read at the joint meeting of the Sonneck Society, Midcontinent American Studies Association, Midwest Chapter of the American Musicological Society, and the History Special Research Interest Group of the Music Educators National Conference (1982 April 3: Lawrence, KS; University of Kansas).

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Klemm, Eberhardt

Year: 1977
Complete Citation:
Klemm, Eberhardt. “Musikalischer Neuererund Demokrat: Der Komponist Charles Ives.” Musik und Gesellschaft 27/12 (1977): 731-735.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Knussen, Sue

Year: 1996
Complete Citation:
Knussen, Sue. “Elliott Carter in Interview.” Tempo 197 (July 1996): 3-4.
Notes:

Recounts Carter’s early acquaintance with Ives and his music (e.g., he knew the <i>Concord Sonata </i>in 1924). Also relates Ives’s influence.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Koch, Gerhard R.

Year: 1973
Complete Citation:
Koch, Gerhard R. “Charles Ives. Musik als reale Utopie.” HiFi-Stereophonie 12/7 (July 1973): 689-698.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1975
Complete Citation:
Koch, Gerhard R. “Das Pardies liegt hinter Danbury.” Frankfurter Allgemeine Zeitung für Deutschland, February 19, 1975, 23.
Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood