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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kolodin, Irving

Year: 1932
Complete Citation:
Kolodin, Irving. “American Music.” Sun (New York, NY). November 5, 1932, 7.
Source: Newspaper
VI. Topical Studies
L. Ives and America
Year: 1967
Complete Citation:
Kolodin, Irving. “Are My Ears on Wrong?” Vogue 1967, p. 6-7, 23, 25.
Source: Magazine
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1972
Complete Citation:
Kolodin, Irving. “Ives by His Prophet. Bernard Herrmann.” The Saturday Review 55, no. 37 (September 9, 1972): 57-58.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kolter, Horst

Year: 1972
Complete Citation:
Koller, Horst. “Zur Kompositionstechnik von Charles Edward Ives.” Neue Zeitschrift für Musik 133 (1972): 559-567.
Source: Journal
VI. Topical Studies
I. Compositional Process

Konold, Wulf

Year: 1972
Complete Citation:
Konold, Wulf. “Neue Music in der Neuen Welt: Der Komponist Charles Ives.” Musica 26/3 (May-June 1972): 239-244.
Source: Journal
VI. Topical Studies
L. Ives and America

Koppenhaver, Allen J.

Year: 1975
Complete Citation:
Koppenhaver, Allen J. “Charles Ives, Winslow Homer, and Thomas Eakins: Variations on America.” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 381-393.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kosman, Joshua

Year: 2006
Complete Citation:
Kosman, Joshua. “Symphony premieres Adams’s splendid Ives.” In The John Adams reader: essential writings on an American composer, edited by Thomas May, 376-378. Pompton Plains, NJ: Amadeus, 2006.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kostelanetz, Richard

Year: 1983
Complete Citation:
Kostelanetz, Richard. American imaginations: Charles Ives, Gertrude Stein, John Cage, Merce Cunningham, Robert Wilson. Series-Internationaler Merve-Diskurs, 111. Berlin, Germany: Merve-Verlag, 1983.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1989
Complete Citation:
Kostelanetz, Richard. “Charles Ives (1967).” In On innovative music(Ian)s. New York, NY: Limelight Editions, 1989.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1996
Complete Citation:
Kostelanetz, Richard. John Cage (ex)plain(ed), 8. New York, NY: Schirmer Books, 1996.
Notes:

Traces lineage from Varèse to Ives to Cage), 26 <i>(The Unan-swered Question</i>), 52, 93, 104 (compares Cage's HPSCHD to Ives's Symphony No. 4 and <i>Universe Symphony), </i>143.

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Copland, Aaron. Aaron Copland: A Reader, edited by Richard Kos-telanetz, 151-157. New York, NY: Routledge, 2004.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kostelanetz, Richard, ed.

Complete Citation:
“Interju med John Cage.” Translated by Joel Eric Suben. Nutida Musik (1987-1988) 21/1.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1970
Complete Citation:
Kostelanetz, Richard, ed. John Cage, 12, 25, 100-102, 130, 162-165, 167, 177, 202, 204. New York, NY: Praeger Publishers, 1970.
Source: Book
Reprints:

Kostelanetz, Richard, ed. <i>John Cage</i>. London, United Kingdom: Allen Lane, 1971. * Kostelanetz, Richard, ed. <i>John Cage</i>. Cologne, Germany: Dumont Schauberg, 1973.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1988
Complete Citation:
Kostelanetz, Richard, ed. “Conversing with Cage.” New York, NY: Limelight, 1988, 39-40, 47 and passim.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kozinn, Allan

Year: 1998
Complete Citation:
Kozinn, Allan. “Composer Wins Freedom, but It's Temporary.” The New York Times, January 15 1998.
Source: Newspaper
VI. Topical Studies
V. Awards
Year: 2000
Complete Citation:
Kozinn, Allan. “Chinese-Born Composer Wins $225,000 Ives Prize.” The New York Times, December 21, 2000, sec. E, 11.
Source: Newspaper
VI. Topical Studies
V. Awards
Year: 2010
Complete Citation:
Kozinn, Allan. “Chronicle: December 10 - [Music of John Adams].” 21st Century Music, Vol. 17, No. 2 (2010): 5.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Kramer, Jonathan D.

Year: 1996
Complete Citation:
Kramer, Jonathan D. “Postmodern Concepts of Musical Time.” Indiana Theory Review 17, no. 2 (1996): 21-61.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kramer, Jonathan Donald

Year: 2001
Complete Citation:
Kramer, Jonathan Donald. “Concetti postmoderni di tempo musicale.” Analisi 12 (May 2001): 5-21.
Notes:

Regarding “Putnam's Camp.” Includes musi-cal examples, comments, and tables.

Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Kramer, Lawrence

Year: 1978
Complete Citation:
Kramer, Lawrence. “‘A Completely New Set of Objects’: Wallace Stevens and Charles Ives.” The Wallace Stevens Journal, vol. 2, no. 3/4 (1978): 3-15.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers