Lambert, J. Philip
Year: 1996
Complete Citation:
Lambert, J. Philip. “Ives and Berg: “Normative” Procedures and Post-Tonal Alternatives.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. New Haven, CT: Yale University Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lambourn, David
Year: 1986
Complete Citation:
Lambourn, David. “Grainger and Ives.” Studies in Music 20 (1986): 46-61.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lapsley, James N.
Year: 2007
Complete Citation:
Lapsley, James N. “Charles Ives and the Reformed Tradition: A Musical Pilgrimage.” Theology Today, vol. 64, no. 3 (2007): 305-321.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Largess, John
Year: 2009
Complete Citation:
Largess, John. “Personal Bests: Charles Ives - String Quartet No. 1 (1896).” Chamber Music, Vol. 26, No. 5 (2009): 98-99.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
LaRocca, David
Year: 2013
Complete Citation:
LaRocca, David. Estimating Emerson: an anthology of criticism from Carlyle to Cavell. New York, NY: Bloomsbury Academic, 2013.Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Larson, Gary O.
Year: 1975-76
Complete Citation:
Larson, Gary O. “Charles Ives and American Studies.” Student Musicologists at Minnesota 6 (1975-76): 237-249.Source: Journal
VI. Topical Studies
L. Ives and America
Larson, Thomas
Year: 1981-1982
Complete Citation:
Larson, Thomas. “Unanswering the Question.” Perspectives of New Music 20/1-2 (1981-1982): 363-405.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lash, Dominic
Year: 2018
Complete Citation:
Lash, Dominic. “Druids fielding questions: Eva-Maria Houben, Emily Dickinson and Charles Ives.” In Writing the field recording: sound, word, environment. Edinburgh, Scotland: Edinburgh University Press, 2018.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lea, Henry
Year: 1985
Complete Citation:
Lea, Henry. Gustav Mahler: Man on the Margin, 75-78. Modern German Studies, Vol. 15. Bonn, Germany: Bouvier, 1985.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lederman, Minna
Year: 1947
Complete Citation:
Lederman, Minna, “Some American Composers.” Vogue. February 1, 1947.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1983
Complete Citation:
Lederman, Minna. The Life and Death of a Small Magazine (Modern Music, 1924-46). No. 18. I.S.A.M. Monographs. Brooklyn: Institute for Studies in American Music, 1983.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Leeuw, Reinbert de
Year: 1968
Complete Citation:
Leeuw, Reinbert de. “Charles Ives Society Founded in Holland.” Sonorum Speculum no. 35 (Summer 1968): 13-16.Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
Lefebure, Leo D.
Year: 2013
Complete Citation:
Lefebure, Leo D. “A Christian Commentary on the “Dhammapada.”” Buddhist-Christian Studies 33, no. 1, (2013): 181-189.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Levene, Donna B.
Year: 2004
Complete Citation:
Levene, Donna B. “Charles Ives, 1874- 1954.” In American Musicians Making History, 172-179. Portsmouth, NH: Teacher Ideas Press, 2004.Notes: Provides outlines listings materials for study by middle--school and high--school students.
Source: Chapter in Book
VI. Topical Studies
T. Ives in Music Education
Levy, Alan Howard
Year: 1983
Complete Citation:
Levy, Alan Howard. Musical Nationalism: American Composers’ Search for Identity. Westport, CT: Greenwood Press, 1983.Source: Book
VI. Topical Studies
L. Ives and America
Levine, Lawrence W.
Year: 1988
Complete Citation:
Levine, Lawrence W. Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America, 141, 143 and passim. Cambridge, MA: Harvard University Press, 1988.Source: Book
VI. Topical Studies
L. Ives and America
Levin, Monroe
Year: 1992
Complete Citation:
Levin, Monroe. “The Years 1900-1929: A Rugged Genius and a Profusion of Pop: Finding a New Voice.” In Clues to American Music, 20-21. Washington D.C.: Starrhill Press, 1992.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Liebenau, Horst
Year: 1993
Complete Citation:
Liebenau, Horst. “Bernhard Herrmanns Filmmusik fur Psycho.” Musikpädagogische Forschungsherichte 1993: 356-369.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Lieberson, Goddard
Year: 1939
Complete Citation:
Lieberson, Goddard. “An American Innovator, Charles Ives.” Musical America 59/3 (February 10, 1939): 22, 322-323Source: Journal
Reprints: Lieberson, Goddard. “An American Innovator, Charles Ives.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 377-389. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
L. Ives and America
Lipkis, Laurence Alan
Year: 1984
Complete Citation:
Lipkis, Laurence Alan. “Aspects of temporality in Debussy's Jeux and Ive's Symphony no. 4, fourth movement.” Ph.D. Diss., University of California, Santa Barbara, 1984.Source: Ph.D. Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
