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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

List, Kurt

Year: 1944
Complete Citation:
List, Kurt. “Ode to Napoleon (Schoenberg).” Modern Music 21/3 (March--April 1944): 144.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Losh, Seibert

Year: 1979
Complete Citation:
Losh, Seibert. “Ivesiana: Department of Quarter-Tones and Sex.” Newsletter - Institute for Studies in American Music 9, no. 2 (Spring 1980): 8.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Love, Andrew

Year: 2006
Complete Citation:
Andrew Love. “Improvising Their Future: Shamanic Hope in Ives, Schoenberg, Cage, Cardew, Rzewski and Messiaen.” Tempo, vol. 60, no. 237 (2006): 24-32.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Low, Ruth

Year: 1961
Complete Citation:
Low, Ruth. “Ives Not Appreciated Until End of His Life.” Danbury News-Times, April 15, 1961, 1.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1961
Complete Citation:
Low, Ruth. “Danbury Boyhood Marks Music of Charles Ives.” Danbury News-Times, April 14, 1961, 8.
Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood

Lucier, Alvin

Year: 2012
Complete Citation:
Lucier, Alvin. “Music 109: notes on experimental music.” Middletown, Connecticut: Wesleyan University Press, 2012.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Lück, Hartmut

Year: 1980
Complete Citation:
Luck, Hartmut. “Provokation und Utopie: ein Portrat des amerikanischen Komponisten Charles Edward Ives.” Neuland 1 (1980): 3-15.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Lyles, Jean Caffey

Year: 1976
Complete Citation:
Lyles, Jean Caffey. “Charles Ives’s America.” Christian Century 93 (June 23, 1976): 589-591.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Lyons, Len

Year: 1983
Complete Citation:
Lyons, Len. The Great Jazz Pianists: Speaking of Their Lives and Music, 298. New York, NY: William Morrow, 1983.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Mabry, Sharon

Year: 1989
Complete Citation:
Mabry, Sharon. “New Directions: Contemporary Chamber Works.” NATS Journal 45/3 (January-February 1989): 44.
Notes:

Discussion of Sunrise.

Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

MacClendon, James W.

Year: 2002
Complete Citation:
MacClendon, James W. “Expanding the Theory: Charles Edward Ives—Theologian in Music.” In Biography as theology: how life stories can remake today's theology. Eugene, OR: Wipf and Stock Publishers, 2002.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

MacDonald, Calum

Year: 1996
Complete Citation:
MacDonald, Calum. “Memos and Premonitions and Chronology.” The Unanswered Question Festival; January 19 to 21: London.
Source: Festival Lecture
VI. Topical Studies
C. Chronology

Mackerness, Eric

Year: 1949
Complete Citation:
Mackerness, Eric. “Aspects of American Life.” Music Survey (Autumn 1949) 2/2: 91-95.
Source: Journal
VI. Topical Studies
L. Ives and America

MacLeod, Lynne L.

Year: 1993
Complete Citation:
MacLeod, Lynne L. “Ragtime and Classical Keyboard.” Mississippi Rag 20 (October 1993): 10-11.
Notes:

Discusses works by Ives, Debussy, Gruen- berg, Hindemith, Satie, Sousa, and Stravinsky.

Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Magee, Gayle

Year: 2019
Complete Citation:
Magee, Gayle. “‘Every Man in New York’: Charles Ives and the First World War.” In Over Here, Over There: Transatlantic Conversations on the Music of World War I, edited by Gayle Sherwood Magee, et. al., 37-57. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Maisel, Edward M.

Year: 1943
Complete Citation:
Maisel, Edward M. Charles T. Griffes. New York, New York: Alfred A. Knopf Co., 1943.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Malone, Andrew Lindemann

Year: 2005
Complete Citation:
Malone, Andrew Lindemann. “Opening Chorus: Hearsay - Jamie Baum.” JazzTimes: America’s Jazz Magazine, Vol. 35, No. 1 (2005): 37.
Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing

Manenti, Francesco

Year: 2019
Complete Citation:
Manenti, Francesco. “Analisi Compositive - Stravinskij & Ives, guida pratica al viaggio nel tempo.” Academia. 2019. www.academia.edu/42361832/Analisi_Compositive_Stravinskij_and_Ives_guida_pratica_al_viaggio_nel_tempo.
Source: Online article
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Manfred, Frederick

Year: 1975-1976
Complete Citation:
Manfred, Frederick. “Ives and Faulkner.” Student Musicologists at Min-nesota 6 (1975-76): 1-4.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Manfried, Walter

Year: 1948
Complete Citation:
Manfried, Walter. “Composer Won a Pulitzer Prize, But He’s Still the Great Unheard: Charles Ives Has Written Strange Music for Horns, But Doesn’t Toot His Own.” Green Sheet - Milwaukee Journal. June 23, 1948.
Source: Newspaper
VI. Topical Studies
V. Awards