Manulkina, Olga
Year: 2017
Complete Citation:
Manulkina, Olga. “Leonard Bernstein’s 1959 Triumph in the Soviet Union.” In The Rite of Spring at 100, edited by Severine Neff et al., 219-236. Bloomington, IN: Indiana University Press, 2017.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Marcotte, Gilles
Year: 1997
Complete Citation:
Marcotte, Gilles. “Des Musiques Qui Parlent.” Liberté 39/3 (June 1997): 180-186.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Marshall, Bryan
Year: 2003
Complete Citation:
Marshall, Bryan. “Charles Ives and the absent presences of life and work.” Ph.D. diss., Cardiff University, 2003.Source: Ph.D. Dissertation
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Marshall, Dennis
Complete Citation:
Boatwright, Howard. “Charles Ives' Quotations: Manner or Substance?.” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone, 13-24. New York, NY: W.W. Norton, 1971.VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1971
Complete Citation:
Marshall, Dennis. “Charles Ives’ Quotations: Manner or Substance?” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone. New York, NY: W.W. Norton, 1971.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Marshall, Ingram
Year: 2006
Complete Citation:
Marshall, Ingram. “John Adams on conducting Ives.” In The John Adams reader: essential writings on an American composer, edited by Thomas May, 264-270. Pompton Plains, NJ: Amadeus, 2006.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Martin, Robert
Year: 1996
Complete Citation:
Martin, Robert. “American Musical Life: 1890-1914.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 28-29. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
L. Ives and America
Martin, William R. and Julius Drossin
Complete Citation:
Martin, William R. and Julius Drossin. Charles Ives, Edgard Varèse and Elliott Carter. Englewood Cliffs, NJ: Prentice-Hall, 1980.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Maske, Ulrich
Year: 1971
Complete Citation:
Maske, Ulrich. “Charles Ives in seiner Kammermusik für drei bis sechs Instrumente.” In Kölner Beiträge zur Musikforschung, Vol. 64. Regensburg, Germany: G. Bosse, 1971.Source: Book
IV. Individual Studies by Genre
B. Chamber Works
Masse, Thomas Gilmore
Year: 1997
Complete Citation:
Masse, Thomas Gilmore. “Revisions, Chronology and Redating of the Largo of Charles Ives.” Clarinet 24/3 (1997): 36--41.Notes: Regarding the Largo for violin, clarinet, and piano.
Source: Journal
VI. Topical Studies
C. Chronology
Mauceri, John, moderator
Year: 1977
Complete Citation:
Mauceri, John, moderator. “Conductors’ Experiences (Discussion with John Mauceri, Gunther Schuller, Lehman Engel, Nicolas Slonimsky, Arthur Weisberg, James Sinclair, Gregg Smith, Roque Cordero.” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 113-126.Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches
Mauk, David C.
Year: 1999
Complete Citation:
Mauk, David C. “New England Transcendentalism versus Virulent Nationalism: The Evolution of Charles Ives’ Patriotic March Music.” American Studies in Scandinavia 31/1 (1999): 24-33.Notes: Remarks about A Sym-phony: New England Holidays: “Washington'sBirthday"; Orchestral Set No. I: Three Places in New England: "Putnam's Camp”; Sonata No. 2, Concord, Mass., 1840- 1860," for piano: "Hawthorne"; Sym-phonies Nos. 2 and 3, and Symphony No. 4: second and third move-ments.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Maus, Fred Everett
Year: 1991
Complete Citation:
Maus, Fred Everett. 1991. “Music as Narrative.” Indiana Theory Review 12: 1-34.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Maynard, Solomon
Year: 1987
Complete Citation:
Maynard, Solomon. “Charles Ives: Some Questions of Veracity.” Journal of the American Musicological Society Vol. 40, No. 3 (Fall 1987): 443-470.Notes: Presented at Indiana University (October, 1987) and Brooklyn College (October, 1987).
Source: Journal
VI. Topical Studies
C. Chronology
McCalla, James
Complete Citation:
McCalla, James. “Time Present and Time Past: Two Sonatas for Violin and Piano by Charles Ives.” In Twentieth-Century Chamber Music. New York, NY: Routledge, 2003.IV. Individual Studies by Genre
B. Chamber Works
Complete Citation:
McCalla, James. “Before World War I: Ravel, Schoenberg, Webern, Stravinsky, and Ives.” In Twentieth-Century Chamber Music. New York, NY: Routledge, 2003.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
McCarrell, Stuart
Year: 1991
Complete Citation:
McCarrell, Stuart. “Charles Ives.” In New York: Visions, Struggles, Voices. Chicago, IL: Xenia, 1991.Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan
McClendon, James W.
Year: 1994
Complete Citation:
McClendon, James W. “Charles Edward Ives: Theologian in Music.” In Theomusicology, edited by Jon Michael Spencer. Durham, NC: Duke University Press, 1994.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
McClendon, Jr., James Wm.
Year: 1990
Complete Citation:
McClendon, Jr., James William. “Expanding the Theory: Charles Edward Ives — Theologian in Music.” In Biography as theology: how life stories can remake today’s theology. Eugene, OR: Wipf and Stock Publishers, 1990.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
McCorkle, Donald, ed.
Year: 1970
Complete Citation:
McCorkle, Donald, ed. “The Composer in Academia: Reflections on a Theme of Stravinsky.” College Music Symposium, Vol. 10 (Fall 1970): 57-58. Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers