decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Ahn, Eun G. [안은지]

Complete Citation:
Ahn, Eun G. “논문 : 아이브스의 바이올린 소나타 2번과 4번에 나타난 음악적 특징.” 음악과 민족, vol. 49 (2015): 201.
Notes:

Translates to “Thesis: Musical Characteristics of Ives’ Violin Sonata Nos. 2 and 4”<br>

IV. Individual Studies by Genre
B. Chamber Works

Ahn, Eunji

Year: 2015
Complete Citation:
Ahn, Eunji. “아이브스의 바이올린 소나타 2번과 4번에 나타난 음악적 특징.” 음악과 민족, no. 49 (2015): 201-225.
Notes:

Translates to “Distinctive Features in the Second and Fourth Violin Sonatas of Charles Ives”

Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Bader, Yvette

Year: 1972
Complete Citation:
Bader, Yvette. The Music Review 33, Vol. 1, No. 4. (November 1972): 292-299.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Baldwin, Philip

Year: 1996
Complete Citation:
Baldwin, Philip. “An Analysis of three violin sonatas by William Bolcom.” Ph.D. diss., Ohio State University, 1996.
Source: Ph.D. Dissertation
IV. Individual Studies by Genre
B. Chamber Works

Baron, Carol K.

Year: 1991
Complete Citation:
Baron, Carol K. “Ives and the Concord Transcendentalists.” Paper presented at Charles Ives: A Yankee Genius or Musical Fraud. Charles Ives Center, Danbury, Connecticut, October 1991.
Source: Conference paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Becker, Dr. John H.

Year: 1933
Complete Citation:
Becker, John H. “Charles E. Ives: Musical Philosopher.” Northwest Musical Herald (January 1933): 5-6.
Notes:

Available at the Yale University Music Library Archival Collection. “Charles Ives Papers” Mss. 14/41; 14/56/2; 41/112.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Berger, Melvin

Year: 1991
Complete Citation:
Berger, Melvin. Ives, Charles: Piano sonatas; violin sonatas. In Guide to sonatas: music for one or two instruments. New York, NY: Anchor Books, 1991.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
Year: 2001
Complete Citation:
Berger, Melvin. “Ives, Charles.” In Guide to chamber music. Mineola, New York: Dover Publications, 2001.
Source: Book
IV. Individual Studies by Genre
B. Chamber Works

Blanding, Thomas

Year: 1994
Complete Citation:
Blanding, Thomas. “Music of the Higher Spheres: The Philoso-phy and Influence of New England Transcendentalists.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
A. Transcendentalism or Philosophy

Blasch, Robert

Year: 1991
Complete Citation:
Blasch, Robert. “Charles Ives: Study No. 20.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
IV. Individual Studies by Genre
B. Chamber Works

Blitzstein, Marc

Year: 1932
Complete Citation:
Blitzstein, Marc. “Premieres and Experiments-1932: Chamber Music.” Modern Music IX, 3 (March-April 1932): 124.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Bloom, Harold

Complete Citation:
Bloom, Harold. A Map of Misreading. New York: Oxford University Press, 1975: 162.
Notes:

Only one reference to Ives: "The war of American poets against influence is part of our Emersonian heritage, manifested first in the great triad of 'The Divinity School Address,' 'The American Schol-ar,' and ‘Self--Reliance.' This heritage can be traced in Thoreau, Whit-man, Dickinson and quite directly again in Robinson and Frost, in the architectural writings of Sullivan and Wright, in the Essays Before a Sonata of Charles Ives. The less direct heritage is more relevant to any brooding on the negative aspects of poetic influence, centering partly on Pound and Williams (where it is refracted through Whitman) and partly on Stevens, who disliked the very idea of influence."

Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Bohlman, Philip V.

Year: 2005
Complete Citation:
Bohlman, Philip V. “Introduction.” In Music in American Religious Experience, edited by Bohlman, Philip V., Edith L. Blumhofer, and Maria M. Chow. Oxford, United Kingdom: Oxford University Press, 2005.
Source: Newsletter
VI. Topical Studies
A. Transcendentalism or Philosophy

Broyles, Michael

Year: 2004
Complete Citation:
Broyles, Michael. “Looking Back: Puritanism, Geography, and the Myth of American Individualism.” In Mavericks and Other Traditions in American Music, 271-296. New Haven, CT: Yale University Press, 2004.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Broyles, Michael and Denise Von Glahn

Year: 1999
Complete Citation:
Broyles, Michael, and Denise Von Glahn. 1999. “Later Manifestations of Concord: Charles Ives and the Transcendentalist Tradition.” In Transient and Permanent: The Transcendentalist Movement and its Contexts, edited by Charles Capper and Conrad Edick Wright, 574-604. Studies in American History and Culture, No. 5. Boston, MA: Massachusetts Historical Society.
Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Bruhn, Christopher

Year: 2004
Complete Citation:
Bruhn, Christopher. “Refracting History: Ives and Emerson and the German Romantic Tradition in American Music.” Paper presented at A Century of Composing in America: 1820-1920. The City University of New York, The Graduate Center, New York, New York, October, 2004.
Source: Conference Paper
VI. Topical Studies
A. Transcendentalism or Philosophy

Budde, Elmar

Year: 1971
Complete Citation:
Budde, Elmar. “Anmerkungen zum Streichquartett Nr. 2 von Charles E. Ives.” “Bericht über den internationalen Kongreß” Bonn 1970, edited by Carl Dahlhaus, 303-307. Stuttgart, Germany: Bärenreiter, 1971.
Source: Book
IV. Individual Studies by Genre
B. Chamber Works

Buk, False

Year: 2007
Complete Citation:
Buk, False. “A outra América (do Norte): Ives, Cage e os transcendentalistas 1.” Claves, no. 4 (November 2007): 91-96.
VI. Topical Studies
A. Transcendentalism or Philosophy

Cavell, Stanley, Barbara Packer, Thomas Dumm, Elizabeth Johns, James Conant, and Ann Lauterbach [participants]

Year: 1996
Complete Citation:
Cavell, Stanley, Barbara Packer, Thomas Dumm, Elizabeth Johns, James Conant, and Ann Lauterbach [participants]. “Transcendentalism and American Culture.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 38-39. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: Chapter in Festival Publication
VI. Topical Studies
A. Transcendentalism or Philosophy

Charles, Daniel

Year: 1992
Complete Citation:
Charles, Daniel. “Emerson Selon Charles Ives.” Critique: Revue Générale Des Publications Françaises Et Étrangères (1992): 513.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy