Image
Complete Citation:
Slominsky, Nicolas. “Chamber Music in America.” In Nicolas Slominsky — Writings on Music. New York, NY: Routledge, 2005.
Bibliography
Genres
Slominsky, Nicolas
Year: 1963
Notes:
Descriptions of String Quartet No. 2; Tone Roads No. 3; [Piano] Trio; Sonata No. 4 for violin and piano ("Children's Day at the Camp Meeting").
Source: Encyclopedia
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Starr, Larry
Year: 1983
Complete Citation:
Starr, Larry. “The Early Styles of Charles Ives.” 19th-Century Music Vol. 7 (Summer 1983): 71-80.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Sterne, Colin
Year: 1971
Complete Citation:
Sterne, Colin. “The Quotations in Charles Ives’s Second Symphony.” Music and Letters 52 (1971): 39-45.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Streller, Friedbert
Year: 1997
Complete Citation:
Streller, Friedbert. “Besprechungen: “‘Jazz’ in der Kunstmusik. Studien zur Funktion afro-amerikansicher Muisk in Kompositionen des 20. Jahrhunderts,” von Peter W. Schatt.” Die Musikforschung, Vol. 50, No. 2 (1997): 256-257.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Szigeti, Joseph
Year: 1967
Complete Citation:
Szigeti, Joseph. With Strings Attached, 104, 134, 333. New York, NY: Alfred A. Knopf, 1967.Notes:
States that Ives expressed approval of Szigeti’s performance of Sonata No. 4.
Source: Book
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Thompson, William Curt
Year: 2004
Complete Citation:
Thompson, William Curt. “The Fourth Sonata for Violin and Piano (“Children’s Day at the Camp Meeting”) by Charles Ives: Contextual, Structural, and Stylistic Considerations." D.M.A. dissertation. Rice University, 2004.Source: D.M.A. Dissertation
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Thurmaier, David
Year: 2014
Complete Citation:
Thurmaier, David. “‘When Borne by the Red, White, and Blue’: Charles Ives and Patriotic Quotation.” American Music 32.1 (Spring 2014): 46-81.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Tick, Judith
Year: 1974
Complete Citation:
Tick, Judith. “Ragtime and the Music of Charles Ives.” Current Musicology 18 (1974): 105-13Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Tryon, Winthrop P.
Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folk Song and Hymn Tunes of America.” Christian Science Monitor, November 29, 1924, 18.Source: Newspaper
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Verrall, John
Year: 1953
Complete Citation:
Verrall, John. “American Chamber Music: 1900-1950.” In Proceedings of the Music Teachers National Association (1950), 21-26. Pittsburgh, PA: Music Teachers National Association, 1953.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Warburton, Thomas
Year: 1972
Complete Citation:
Warburton, Thomas. “Historical Perspective of the String Quartet in the United States.” American Music Teacher 21/3 (1972): 20-37.Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Year: 1982
Complete Citation:
Thomas, Warburton,. “Abstract: Ives’s Modular Rags and a Skit for Danbury Fair.” Sonneck Society for American Music Bulletin (Spring) 9: 18.Notes:
A paper read at the American Musicological Society meeting (November 7: Ann Arbor, MI).
Source: Conference Paper
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1999
Complete Citation:
Warburton, Thomas. “Charles Ives and the Ragtime.” Studi Musicali 27/1 (1999): 209-238.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Ward, Charles
Year: 1969
Complete Citation:
Ward, Charles. “The Use of Hymn Tunes as an Expression of ‘Substance’ and ‘Manner’ in the Music of Charles E. Ives.” Master’s Essay, University of Texas at Austin, 1969.Notes:
Unpublished Master’s Thesis
Source: Master’s Thesis
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Weaver, Michael Alan
Year: 2006
Complete Citation:
Weaver, Michael Alan. “Ives, Charles.” In Works for the viola by Pulitzer Prize winning composers: an annotated bibliography. Lewiston, NY: E. Mellen Press, 2006.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Zobel, Mark Alan
Year: 2005
Complete Citation:
Zobel, Mark Alan. ““Music close to the soil and deeply felt”: the use of American hymn tunes in Charles Ives's Third symphony.”Source: Ph.D. dissertation
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
no author listed
Complete Citation:
“Exploring Ives’s Formal Vocabulary through His String Quartets.” Paper presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.Notes:
Performers include Jennifer Sacher-Wiley and Denise Huizenga, violins; Renee Moore Skerik, viola; Jonathan Chenoweth, cello
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Year: 1996
Complete Citation:
“Between the Bandstand and the Concert Hall: Ives and His Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Notes:
Selections of marching band music, choral music, and solo songs from turn-of-the-century America (selected works of Ives drawn from these categories).
Source: [Chapter in] Festival Publication
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing