Smith, Moses
    Year: 1947
Complete Citation: 
Koussevitzky, Moses Smith. Koussevitzky. New York, NY: Allen, Towne & Heath, 1947.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Smith, William A.
    Year: 1983
Complete Citation: 
Smith, William A. “Leopold Stokowski: A Re-Evaluation.” American Music 1/3 (1983): 23-37.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Spackman, S. G. F.
    Year: 1986
Complete Citation: 
Spackman, S. G. F. “The American Musical Avant-Garde and Europe.” In European Contributions to American Studies 10 (1986): 189-202.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Spiker, John D.
    Year: 2012
Complete Citation: 
Spilker, John D. “The Curious Afterlife of Dissonant Counterpoint: Jeanette B. Holland's Class Notes from Henry Cowell’s 1951 Advanced Music Theory Course.” American Music, vol. 30, no. 4 (2012): 405-425.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Stambler, Bernard
    Year: 1955
Complete Citation: 
Stambler, Bernard. “Four American Composers.” Juilliard Review II (Winter 1955): 7-16.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Starr, Larry
    Year: 1994
Complete Citation: 
Starr, Larry. “Ives, Gershwin, and Copland: Reflections on the Strange History of American Art Music.” American Music, vol. 12, no. 2 (1994): 167-187.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation: 
Starr, Larry. “Ives, Gershwin, and Copland: Reflections on the Strange His- tory of American Art Music.” American Music 12 (Summer 1994): 167-187.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Steinberg, Michael
    Year: 2006
Complete Citation: 
Steinberg, Michael. “My father knew Charles Ives (2003).” The John Adams reader: essential writings on an American composer, edited by Thomas May, 205-208. Pompton Plains, NJ: Amadeus, 2006.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Stevenson, Robert
    Year: 1978
Complete Citation: 
Stevenson, Robert. “American Musical Scholarship: Parker to Thayer.” 19th- Century Music 1, no.3 (March 1978): 191--210.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Stout, Jesseca
    Year: 2016
Complete Citation: 
Stout, Jesseca. “‘Swinging Sound of Cymbals’: Symphonic Form in ‘A Winter Walk.’” The Thoreau Society Bulletin, no. 292 (2016): 1-2.Source: Bulletin
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Straus, Noel
    Year: 1940
Complete Citation: 
Straus, Noel. “Composers Unite: Contemporaries Join in Venture to Publish Their Own Scores.” The New York Times, September 22, 1940 sec. 9, 7.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Stravinsky, Igor and Craft, Robert
    Year: 1962
Complete Citation: 
Stravinsky, Igor, and Craft, Robert. Expositions and Developments, 92, 97-99, 104. Garden City, NY: Doubleday, 1962.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1966
Complete Citation: 
Stravinsky, Igor, and Craft, Robert. Themes and Episodes, 15-16, 48. 106, 154. New York, NY: Alfred A. Knopf, 1966.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1969
Complete Citation: 
Stravinsky, Igor, and Craft, Robert. Retrospectives and Conclusions, 30-32. New York, NY: Alfred A. Knopf, 1969.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Swafford, Jan
    Year: 2003
Complete Citation: 
Swafford, Jan. “Friday Review: Inventing America: In the Late 19th  Century, the United States was a Nation without a Musical Tradition -  Until Czech Composer Antonin Dvorak Suggested it Look to the ‘Negro  Melodies.’ Jan Swafford Chronicles the Quest for a Voice.” The  Guardian, September 26, 2003, 9.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Swanson, Alan
    Year: 2001-2002
Complete Citation: 
Swanson, Alan. “An Old Song Resung: A. O. Vinje, Edvard Grieg and Charles Ives.” Ars Lyrica (2001/2002): 71-90.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Swed, Mark
    Year: 1992
Complete Citation: 
Swed, Mark. “Henry Brant and His Space-Time Music.” The Wall Street Journal, 1992.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Szigeti, Joseph
    Year: 1967
Complete Citation: 
Szigeti, Joseph. With Strings Attached, 104, 134, 333. New York, NY: Alfred A. Knopf, 1967.Notes: States that Ives expressed approval of Szigeti’s performance of Sonata  No. 4.
 Source: Book
IV. Individual Studies by Genre
B. Chamber Works
Tangeman, Robert
    Year: 1945
Complete Citation: 
Tangeman, Robert. “The Songs of Theodore Chanler.” Modern Music (May-June 1945) 22/4: 227.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Tanner, Michael
    Year: 2019
Complete Citation: 
Tanner, Michael. “Classical: Lili and Nadia Boulanger/ Charles Ives.” The Spectator (2019).Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers