Image
Complete Citation:
Hinson, Maurice and Wesley Roberts. “I.” In Guide to the Pianist's Repertoire, Fourth Edition, 4th ed., 528-537. Bloomington, IN: Indiana University Press, 2014.
Bibliography
Genres
Hinson, Maurice and Wesley Roberts
Year: 2014
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Hunnicutt, Ellen
Year: 1987
Complete Citation:
Hunnicutt, Ellen. “The Practical Uses of Emerson: Charles Ives.” Soundings: An Interdisciplinary Journal, vol. 70, no. 1/2 (1987): 189-198.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Hwang, Mi Kyung
Year: 2010
Complete Citation:
Hwang, Mi Kyung. “Charles Ives’s Variations on “America”: A Musical Analysis Based upon Jazz Elements.” The Organ, Vol. 89 (2010): 26-35.Source: Magazine
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Ives, Charles; J. Bernlef, trans.
Year: 1969
Complete Citation:
Ives, Charles. “Epilogue from Essays Before a Sonata [Epiloog from Essays voorafgaand ann een sonate].” Translated to Dutch by J. Bernlef. In Charles Ives, 52-92. Amsterdam, Netherlands: De Bezige Bij, 1969.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Iverson, Jennifer
Year: 2011
Complete Citation:
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’ Collages.” Music Theory Online, Vol. 17 (2011).Source: Journal (online)
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Josephson, Nors S.
Year: 1978
Complete Citation:
Josephson, Nors S. “Charles Ives: Intervallische Permutationen im Spätwerk.” Zeitschrift für Musiktheorie 9/2 (1978): 27-33.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Kalish, Gilbert
Year: 1977
Complete Citation:
Kalish, Gilbert. Liner notes for “Charles Ives Piano Sonata No. 2.” Nonesuch Records H-71337, 1977, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Kirby, Frank E.
Year: 1966
Complete Citation:
Kirby, Frank E. A Short History of Keyboard Music, 445-447, 454, 459. New York, NY: Free Press, 1966.Source: Book
Reprints:
Kirby, Frank E. <i>A Short History of Keyboard Music</i>. Second Edition. <i>Music for Piano: A Short History</i>. Portland, OR: Amadeus Press, 1995.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Kirkpatrick, John
Year: 1968
Complete Citation:
Kirkpatrick, John. Liner notes for “The ‘Concord’ Sonata, by Charles Ives.” Columbia MS 7192, 1968, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1975
Complete Citation:
Kirkpatrick, John. “Editor’s Notes.” In Charles Ives, Study No. 21: Some South--Paw Pitching! for Piano, 7-12. Bryn Mawr, PA: Mercury Music Corporation, 1975.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1981
Complete Citation:
Kirkpatrick, John. “Notes.” In Charles E. Ives, Study No. 20 for Piano, edited by John Kirkpatrick, 12--18. Bryn Mawr, PA: Merion Music, 1981.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Kirkpatrick, John (editor)
Year: 1953
Complete Citation:
Kirkpatrick, John, editor. “American Piano Music: 1900-1950,” 35-41. In Proceedings of the Music Teachers National Association (1950), 35-41. Pittsburgh, PA: Music Teachers National Association, 1953.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Kramer, A. Walter
Year: 1921
Complete Citation:
Kramer, A. Walter. “A Pseudo-literary Sonata!!!” Musical America (April 2, 1921): 36.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Kramer, Jonathan Donald
Year: 2001
Complete Citation:
Kramer, Jonathan Donald. “Concetti postmoderni di tempo musicale.” Analisi 12 (May 2001): 5-21.Notes:
Regarding “Putnam's Camp.” Includes musi-cal examples, comments, and tables.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Krehm, Ida
Year: 1946
Complete Citation:
Krehm, Ida. “The Performing Artist Looks at American Music.” Pan Pipes 38/4 (April 1946): 260--262.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Kunze, Stefan
Year: 1974
Complete Citation:
Kunze, Stefan. “Raumvorstellungen in der Musik.” Archiv für Musikwissenschaft 31/1 (1974): 1-21.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Lambert, J. Philip
Year: 1989
Complete Citation:
Lambert, J. Philip. “Ives’s “Piano-Drum” Chords.” Intégral Vol. 3 (1989): 1-36.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1990
Complete Citation:
Lambert, J. Philip. “Interval Cycles as Compositional Resources in the Music of Charles Ives.” Music Theory Spectrum 12/1 (Spring 1990): 43-82.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1990
Complete Citation:
Lambert, J. Philip. “Aggregate Structures in Music of Charles Ives.” Journal of Music Theory 34 (1990): 29-55.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1991
Complete Citation:
Lambert, J. Philip. “Ives and Counterpoint.” American Music 9, No. 2 (Summer 1991).Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses