Keller, James M.
Year: 2001
Complete Citation:
Keller, James M. “Search for the Modern: Early 20th- Century Mavericks.” In American Mavericks: Musical Visionaries, Pioneers, Iconoclasts, edited by Susan Key and Larry Rothe, 21-22. Berkeley, CA: University of California Press, 2001.Notes: This book is a complement to the 2002 Festival of the same name presented by the San Francisco Symphony.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Kirby, Frank E.
Year: 1966
Complete Citation:
Kirby, Frank E. A Short History of Keyboard Music, 445-447, 454, 459. New York, NY: Free Press, 1966.Source: Book
Reprints: Kirby, Frank E. <i>A Short History of Keyboard Music</i>. Second Edition. <i>Music for Piano: A Short History</i>. Portland, OR: Amadeus Press, 1995.
IV. Individual Studies by Genre
C. Keyboard Works
Kirkpatrick, John
Year: 1968
Complete Citation:
Kirkpatrick, John. Liner notes for “The ‘Concord’ Sonata, by Charles Ives.” Columbia MS 7192, 1968, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1975
Complete Citation:
Kirkpatrick, John. “Editor’s Notes.” In Charles Ives, Study No. 21: Some South--Paw Pitching! for Piano, 7-12. Bryn Mawr, PA: Mercury Music Corporation, 1975.IV. Individual Studies by Genre
C. Keyboard Works
Year: 1981
Complete Citation:
Kirkpatrick, John. “Notes.” In Charles E. Ives, Study No. 20 for Piano, edited by John Kirkpatrick, 12--18. Bryn Mawr, PA: Merion Music, 1981.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Kirkpatrick, John (editor)
Year: 1953
Complete Citation:
Kirkpatrick, John, editor. “American Piano Music: 1900-1950,” 35-41. In Proceedings of the Music Teachers National Association (1950), 35-41. Pittsburgh, PA: Music Teachers National Association, 1953.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Kolodin, Irving
Year: 1967
Complete Citation:
Kolodin, Irving. “Are My Ears on Wrong?” Vogue 1967, p. 6-7, 23, 25.Source: Magazine
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Kostelanetz, Richard
Year: 1989
Complete Citation:
Kostelanetz, Richard. “Charles Ives (1967).” In On innovative music(Ian)s. New York, NY: Limelight Editions, 1989.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Kramer, A. Walter
Year: 1921
Complete Citation:
Kramer, A. Walter. “A Pseudo-literary Sonata!!!” Musical America (April 2, 1921): 36.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Kramer, Jonathan D.
Year: 1996
Complete Citation:
Kramer, Jonathan D. “Postmodern Concepts of Musical Time.” Indiana Theory Review 17, no. 2 (1996): 21-61.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Krehm, Ida
Year: 1946
Complete Citation:
Krehm, Ida. “The Performing Artist Looks at American Music.” Pan Pipes 38/4 (April 1946): 260--262.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Krull, Kathleen and Kathryn Hewitt
Year: 2012
Complete Citation:
Krull, Kathleen and Kathryn Hewitt. “He stretched our ears: Charles Ives.” In Lives of the musicians: good times, bad times (and what the neighbors thought). Boston, MA: Houghton Mifflin Harcourt, 2017.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Kühn, Clemens
Year: 2018
Complete Citation:
Kühn, Clemens. Abenteuer Musik. Kassel, Germany: Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG, 2018.VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Lambert, J. Philip
Year: 1989
Complete Citation:
Lambert, J. Philip. “Ives’s “Piano-Drum” Chords.” Intégral Vol. 3 (1989): 1-36.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Levin, Monroe
Year: 1992
Complete Citation:
Levin, Monroe. “The Years 1900-1929: A Rugged Genius and a Profusion of Pop: Finding a New Voice.” In Clues to American Music, 20-21. Washington D.C.: Starrhill Press, 1992.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Losh, Seibert
Year: 1979
Complete Citation:
Losh, Seibert. “Ivesiana: Department of Quarter-Tones and Sex.” Newsletter - Institute for Studies in American Music 9, no. 2 (Spring 1980): 8.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Lucier, Alvin
Year: 2012
Complete Citation:
Lucier, Alvin. “Music 109: notes on experimental music.” Middletown, Connecticut: Wesleyan University Press, 2012.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Lyle, Wilson
Year: 1985
Complete Citation:
Lyle, Wilson. Dictionary of Pianists, 140, 151, 183. New York, NY: Schirmer Books, 1985.Notes: p. 151: the first performance of Ives's Concord Sonata by John Kirkpatrick. p. 183 the first performance of Ives’s Sonata No. 1 by William Masselos.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Mack, Dieter
Year: 1994
Complete Citation:
Mack, Dieter. “Auf der Suche nach einer amerikanischen Musik? Zur Musiksprache von Charles Ives anhand der Three-Page-Sonata.” In Visionen und Aufhruche: Zur Krise der modernen Musik 1908-1933, edited by Gunther Metz. Hochschuldokumentationen zu Musikwissenschaft und Musikpadagogik Musikhochschule Freiburg No. 5. Kassel, Germany: Bosse, 1994, 201-233.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Mandel, Alan
Year: 1975-76
Complete Citation:
Mandel, Alan. “Charles Ives’s Music for the Piano.” Student Musicologists at Minnesota 6 (1975-76): 201-217.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
