Image
Complete Citation:
Oja, Carol J. Making Music Modern: New York in the 1920s. Oxford, United Kingdom: Oxford University Press, 2001.
Bibliography
Genres
Oja, Carol J.
Year: 2001
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Osborne, William
Year: 1990
Complete Citation:
Osborne, William. “Charles Ives the Organist.” The American Organist (July 1990): 58-64.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Overmyer, Grace
Year: 1827
Complete Citation:
Overmyer, Grace. “Quarter -Tones and Less.” American Mercury- 12/46 (Octo-ber 1927): 207-210.Notes:
An article dealing with infinite tunings (1/4, 1/8, 1/16 tones); cites concert of 1925 February 14 for the Franco-American Musical Society (music by Hans Barth and Ives; Barth and Sigmund Klein, pianos). States that Ives is “a New York business man and an enthusiastic musical amateur.”
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Pappastavrou, George
Year: 1974
Complete Citation:
Pappastavrou, George. “Ives's Quarter-Tone Pieces.” Clavier 13/7, 1974, 31-32.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Parthun, Paul
Year: 1975-76
Complete Citation:
Parthun, Paul. “Concord, Charles Ives, and Henry Bellaman.” Student Musicologists at Minnesota 6 (1975-76): 66-86.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Perlis, Vivian
Year: 1996
Complete Citation:
Perlis, Vivian. “Ives Spirit Moves Brits.” Piano & Keyboard (1996): 12-14.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Peyser, Joan
Year: 1971
Complete Citation:
Joan Peyser. The New Music: The Sense behind the Sound. New York, NY: Delacorte, 1971.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Piekut, Benjamin
Year: 2019
Complete Citation:
Piekut, Benjamin. “Introduction: What Was Experimentalism?” In Experimentalism Otherwise. Berkeley, California: University of California Press, 2019.Source: Newsletter
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Pleasants, Henry
Year: 1955
Complete Citation:
Pleasants, Henry. The Agony of Modern Music. New York, NY: Simon and Schuster.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Porter, Cecelia
Year: 1998
Complete Citation:
Porter, Cecelia. “Classical Music: Organist Gregory D’Agostino.” The Washington Post (1998): C4.Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Porter, David H.
Complete Citation:
Porter, David H. “From Plato to piano strings: An ‘Outward Bound’ for the mind.” The Chronicle of Higher Education 42, no. 28 (March 22, 1996): A52.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Prendergast, Mark J.
Year: 2003
Complete Citation:
Prendergast, Mark J. “Charles Ives.” In The Ambient Century: from Mahler to Moby: the Evolution of Sound in the Electronic Age. New York, NY: Bloomsbury, 2003.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Rasmussen, Jane E.
Year: 1975-1976
Complete Citation:
Rasmussen, Jane E. “Charles Ives’s Music for the Piano.” Student Musicologists at Minnesota 6 (1975-1976): 201-217.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rathert, Wolfgang
Year: 1990
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives. Gibt es eine ‘geheime Zeitgenossenschaft’?” Nue Zeitschrift für Musik 151/10 (1990): 7-12.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rebner, Wolfgang Edward
Year: 1954
Complete Citation:
Rebner, Wolfgang Edward. “American Experimental Music.” Lecture at Internationale Ferienkurse für Neue Musik, Darm-stadt, Germany, 1954.Source: Lecture
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Reed, Alice S.
Year: 2005
Complete Citation:
Reed, Alice S. Charles Edward Ives and his Piano sonata no. 2 "Concord, Mass. 1840-1860.” Victoria, BC: Trafford Publishing, 2005.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Reti, Rudolph
Year: 1958
Complete Citation:
Reti, Rudolph. Tonality, Atonality, Pantonality: A Study of Some Trends in Twentieth Century Music, 43, 63-65, 89, 149-151. New York, NY: Macmillan, 1958.Notes:
Discusses Con-cord Sonata and Symphony No. 4.
Source: Book
Reprints:
Reti, Rudolph. <i>Tonality in Modern Music</i>, 61, 82-84, 107, 171, 173. New York, NY: Collier Books, 1962. * Reti, Rudolph. <i>Tonalidad, Atonalidad, Pantonalidad</i>. Translated to Spanish by Joaquín Homs. Madrid, Spain: Rialp, 1965.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Rexroth, Dieter
Year: 1979
Complete Citation:
Rexroth, Dieter. “Ein amerikanischer Denkstil in der Concord-Sonate. Zu einem Aspekt des Transzendentalisten Charles E. Ives.” In Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik, 54-61. Frankfurter Studien, Vol. 3. Mainz, Germany: Schott, 1979.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Ribakove, Seymour L.
Year: 1962
Complete Citation:
Ribakove, Seymour L.. “A Prophet without Honor.” Keyboard Jr. 20/7 (April 1962): 1, 4.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Roggenkamp, P.
Year: 1986
Complete Citation:
Roggenkamp, P. “Der Fluegel: gestreichelt, gezupft, geslagen: Studie fur ‘praepariertes’ Klavier—auch im paedagogischen Einsatz geeinget.” Neue Musikzeitung 135 (December 1986): 19.Notes:
Discusses the Concord Sonata.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works