Image
Complete Citation:
Borroff, Edith. “American Music since Charles Ives.” Sonneck Society for American Music Bulletin 14/1 (1988): 11-12.
Bibliography
Genres
Borroff, Edith
Year: 1988
Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 2003
Complete Citation:
Borroff, Edith. “Charles Ives.” In Music melting round: a history of music in the United States. Lanham, MD: Scarecrow Press, 2003.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Britton, Allen P.
Year: 1956
Complete Citation:
Britton, Allen P. “America’s Music.” Journal of Research in Music Education (April 1956).Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Broyles, Michael
Year: 2004
Complete Citation:
“We, the Rebels.” In Mavericks and Other Traditions in American Music, by Michael Broyles. Yale University Press (2004): 1-10.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 2004
Complete Citation:
Broyles, Michael. Mavericks and other traditions in American music. New Haven, CT: Yale University Press, 2004.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Bruhn, Christopher
Year: 2005
Complete Citation:
Bruhn, Christopher. “‘A Shamelessly Personal Batch of Choices’: The Kirkpatrick ‘Copy’ of Ives's Concord Sonata.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.Source: Conference paper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2011
Complete Citation:
Bruhn, Christopher. “The Transitive Multiverse of Charles Ives’s ‘Concord’ Sonata.” Journal of Musicology 28.2 (Spring 2011): 166-194.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Buechner, Alan Clark
Complete Citation:
Buechner, Alan Clark. “Die Welt des Charles Ives. Protaganist der amerikanischen Musik.” Österreichische Musikzeitschrift 34 (1979): 75-89.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Burge, David
Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Charles Ives’ First Sonata.” Keyboard Magazine 12/11 (November 1986): 116-118.Notes:
Reprinted in David Burge. <i>Twentieth-Century Piano Music</i>. New York, NY: Schirmer Books, 1990: 33-45. Chapter 3, “Charles Ives.”
Source: Magazine, Book
Reprints:
Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Unifying Ele-ments in Ives’ Piano Sonatas.” Keyboard Magazine 12/12 (December 1986): 102-103.Notes:
Comments about Sonatas Nos. 1 and 2.
Source: Magazine
Reprints:
Burge, Daivd. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: The Early Years of Charles Ives.” Keyboard Magazine 12/10 (October 1986): 101.Source: Journal
Reprints:
Burge, Daivd. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1987
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Skeletal Motifs in the Emerson Movement of Ives’ Concord Sonata.” Keyboard Maga-zine 13/1 (January 1987): 92.Source: Magazine
Reprints:
Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 1990
Complete Citation:
Burge, David. “From 1900 to the end of World War I.” In Twentieth-century piano music. New York, NY: Schirmer Books, 1990.Source: Chapter in Book
Reprints:
Burge, David. “From 1900 to the end of World War I.” In <i>Twentieth-century piano music</i>. Lanham, MD: Scarecrow Press, 2004.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2018
Complete Citation:
Burge, David. “Skeletal motifs in the ‘Emerson’ movement of Ives’ ‘Concord sonata.’” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2018
Complete Citation:
Burge, David. “Unifying elements in Ives’ piano sonatas.” In Timeless relevance: the Keyboard Magazine Columns, 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2018
Complete Citation:
Burge, David. “Charles Ives’ ‘First Sonata.’” Timeless relevance: the Keyboard Magazine Columns 1975-1989, edited by Elon Burge. Chelsea, Québec: Chelsea Books, 2018.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Burk, James M.
Year: 1974
Complete Citation:
Burk, James M. “Ives Innovations in Piano Music.” Clavier 13 (October, 1974): 14-16.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Burkholder, J. Peter
Year: 2002
Complete Citation:
Burkholder, J. Peter. “The Organist in Ives.” Journal of the American Musicological Society 55/2 (2002): 255-310.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Burkholder, J. Peter, Jan Swafford, Judith Tick
Year: 1996
Complete Citation:
Burkholder, J. Peter, Jan Swafford, Judith Tick. “Panel: Musical Life in America Then and Now.” Panel presented at Charles Ives and His World Festival, Bard College, Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
L. Ives and America
L. Ives and America
Burpee, Charles Winslow
Year: 1939
Complete Citation:
Winslow, Charles Burpee. The Story of Connecticut, 80-81. New York, NY: American History Co., 1939.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America