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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Round, Michael

Year: 2009
Complete Citation:
Round, Michael. “Making Waves: Three Fazes in New England.” Classical Piano, Vol. 17, No. 4 (2009): 36-37, 39, 41.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Rufener, Rudolf

Year: 1969
Complete Citation:
Rufener, Rudolf. “Charles Ives, ein amerikanischer Komponist.” Du- Kulturelle Monatsschrift 29 (November 1969): 360, 364, 366.
Source: Journal
VI. Topical Studies
L. Ives and America

Rummenhöller, Peter

Year: 2000
Complete Citation:
Rummenhöller, Peter. “Seismograf Der Moderne: Das Klavier Im Zwanzigsten Jahrhundert.” Neue Zeitschrift Für Musik 161/1 (2000): 12-17.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Ryan, Norris

Year: 1949
Complete Citation:
Ryan, Norris. “A Connecticut Yankee.” News [La Crosse, WI]. May 5, 1949.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Saal, Hubert

Year: 1974
Complete Citation:
Saal, Hubert. “Connecticut Yankee.” Newsweek 84, November 4, 1974: 71.
Source: Magazine
VI. Topical Studies
L. Ives and America

Scherer, Barrymore Laurence

Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. “New England Iconoclast: Charles Ives.” In A history of American classical music. Naxos Books, 2012.
Source: Book
VI. Topical Studies
L. Ives and America
Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. “New England Icono-clast: Charles Ives.” In A History of American Classical Music, 66-69. Naperville, IL: Sourcebooks, 2007.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Scholz, Gottfried

Year: 1994
Complete Citation:
Scholz, Gottfried, ed. “Charles Ives Three Improvisations for Piano.” In Pluralismus analytischer Methoden. Publikation des Institut fur Musikanalytik, Wien, 3. Frankfurt am Main, Germany/New York, NY: Peter Lang, 1996.
Notes:

Symposium held on November 1 at the Institut fur Musikanalytik, Wien. Session IV.

Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1996
Complete Citation:
Scholz, Gottfried. “IV. Session: Charles Ives, Three improvisations for piano / Claudia Maurer Zenck, Siegfried Mauser, Marie-Agnes Dittrich, Peter Revers.” In Pluralismus analytischer Methoden. Frankfurt am Main, Germany: P. Lang, 1996.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Schonberg, Harold C.

Year: 1958
Complete Citation:
Schonberg, Harold C. “America’s Great Composer.” Esquire (December 1958).
Source: Magazine
VI. Topical Studies
L. Ives and America
Year: 1961
Complete Citation:
Schonberg, Harold C. “Stubborn Yankee: Ives Iconoclasm and His Individuality Are Always American in Accent.” The New York Times, March 5, 1961, sec. 2, 9.
Source: Newspaper
VI. Topical Studies
L. Ives and America
Year: 1974
Complete Citation:
Schonberg, Harold C. “Natural American, Natural Rebel, Natural Avant- Gardist.” New York Times Magazine, April 21, 1974, 12-14, 71-73, 78, 82-83.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Schönlau, Stephan

Year: 2012
Complete Citation:
Schönlau, Stephan. Kompositionstechnik in den Studies für Klavier von Charles Ives. Hamburg, Germany: Diplomica Verlag, 2012.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Schubert, Giselher

Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonata von Charles Ives. Anmerkungen zur Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation. Sara Savoff zum 70. Geburtstag, Festschrift edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Verlag der Musikalienhandlung Karl Dieter Wagner, 1980.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Schubert, Giselher. “Die Concord-Sonate von Charles Ives. Anmerkungen zu Werkstruktur und Interpretation.” In Aspekte der musikalischen Interpretation, Festschrift S. Saroff zum 80. Geburtstag, edited by Hermann Danuser and Christoph Keller, 121-138. Hamburg, Germany: Karl Kieter Wagner, 1980.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1982
Complete Citation:
Schubert, Giselher. “Über einen amerikanischen Komponisten.” In Grenzgänge. Programmbuch der “Frankurter Feste” 1982. Frankfurt, Germany: 1982.
Source: Program Book for Festival
VI. Topical Studies
L. Ives and America
Year: 1986
Complete Citation:
Schubert, Giselher. “Le sonate Concord de Charles Ives.” Translated to French by Carlo Russi. Contrechamps 7 (1986): 110-128.
Source: Journal<br>
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Schubert, Giseller. “Die 1. Klaviersonate von Charles Ives.” Musik-Konzepte 123: Charles Ives (January 2004): 51-71.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Schubert, Giselher. “Die 1. Klaviersonate von Charles Ives.” Musik-Konzepte 123 (2004): 51-72.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Schulz, Dieter

Year: 2004
Complete Citation:
Schulz, Dieter. “Concord und der amerikanische Transzendentalismus in Ives Ästhetik.” Muzik-Konzepte 123 (2004): 109-121.
Source: Journal
VI. Topical Studies
C. Keyboard Works