decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Seaton, Douglass

Year: 1991
Complete Citation:
Seaton, Douglass. “An American Original: Charles Ives.” In Ideas and styles in the Western musical tradition. Mountain View, CA: Mayfield Publishing Company, 1991.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Selch, Frederick R.

Year: 1989
Complete Citation:
Selch, Frederick R. “An American Sampler: The American Composers of the 20th Century, Part I: The Native New England School and the Beginnings of an American Style.” Ovation 10/1 (February 1989): 8-19.
Notes:

In this very brief description of music in America at the turn of the cen-tury and shortly thereafter, Ives is emphasized.

Source: Journal
VI. Topical Studies
L. Ives and America

Sessions, Roger

Year: 1956
Complete Citation:
Sessions, Roger. Reflections on the Music Life in the United States. New York, NY: Merlin Press, 1956.
Source: Book
VI. Topical Studies
L. Ives and America

Siegmeister, Elie

Year: 1976
Complete Citation:
Siegmeister, Elie. “Charles Ives: American Expressionist and Populist.” In South Florida's Historic Ives Festival, 1974-1976, 39-43. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Siepmann, Jeremy

Year: 2011
Complete Citation:
Siepmann, Jeremy. “Symposium: Piano Americana.” International Piano, (2011): 39-42.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Slominsky, Nicholas

Year: 1955
Complete Citation:
Nicolas Slonimsky. “Charles Ives—America’s Musical Prophet.” Musical America 74/4 (February 15, 1954): 18-19.
Source: Journal
Reprints:

Slominsky, Nicholas. “Charles Ives—America’s Musical Prophet.” <i>Pan Pipes </i>47: 20 (January 1955).

VI. Topical Studies
L. Ives and America

Slonimsky, Nicolas

Year: 1952
Complete Citation:
Slonimsky, Nicolas. “Sur la musique Americaine.” In L'Oeuvre du XXe siecle, 29. Paris, France: Congress for Cultural Freedom, 1952.
Source: Journal/Conference?
VI. Topical Studies
L. Ives and America
Year: 1986
Complete Citation:
Slonimsky, Nicolas. “My Adventures in American Music.” Keyboard Classics 6/4 (July-August 1986): 8-10.
Notes:

Mostly reminiscences of perfor-mances of Orchestral Set No. 1: Three Places in New England.

Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Stoddard, Hope

Year: 1951
Complete Citation:
Stoddard, Hope. “Music in Connecticut.” International Musician (March 1951).
Source: Journal
VI. Topical Studies
L. Ives and America

Strack, Sandra S.

Year: 2013
Complete Citation:
Strack, Sandra S. Die Klavieretude im 20. Jhd.: Virtuose ‘Fingerübung für den Interpreten oder den Komponisten? - Analysen ausgewählter Beispiele. Marburg, Germany: Tectum Verlag, 2020.
IV. Individual Studies by Genre
C. Keyboard Works

Stringham, Edward J.

Year: 1921
Complete Citation:
Stringham, Edward J. “Ives Puzzles Critics with His Cubistic Sonata and ‘Essays’.” Rocky Mountain News (Denver), July 31, 1921, sec. 2, 1, 17.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works

Sweet, Michael

Year: 2014
Complete Citation:
Sweet, Michael. “Charles Ives: Concord Sonata (1919).” In Writing Interactive Music for Video Games: A Composer’s Guide. Upper Saddle River, NJ: Addison-Wesley, 2014.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Sykes, James

Year: 1964
Complete Citation:
Sykes, James. “Program Notes on the Shorter Piano Pieces of Charles Ives.” Liner notes for The Short Piano Pieces of Charles Ives. Folkways FM 3348, 1964, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works

Taruskin, Richard

Year: 1975
Complete Citation:
Taruskin, Richard. “Letter in reply to Hans G. Helms’ ‘Ives—Ideal American or Social Critic?’” Current Musicology, no. 20 (1975): 33-40.
Source: Journal
VI. Topical Studies
L. Ives and America

Thurmaier, David

Year: 2004
Complete Citation:
Thurmaier, David. “A Connecticut Yankee Fifty Years Later.” Phi Kappa Phi Forum (September 22).
Notes:

<a target="_blank" href="http://www.phikappaphi.org/web/Pub">www.phikappaphi.org/web/Pub-licatio…. An online article.</a>

Source: Magazine
VI. Topical Studies
L. Ives and America

Tippett, Michael

Year: 1969
Complete Citation:
Tippett, Michael. “The American Tradition.” American Musical Digest 1 (October 1969): 21.
Notes:

Abridged from The Listener (England), June 5, 1969.

Source: Journal
VI. Topical Studies
L. Ives and America

Tischler, Barbara L.

Year: 1986
Complete Citation:
Tischler, Barbara L. An American Music: The Search for an American Musical Identity, 21, 38- 41,115. New York, NY: Oxford University Press, 1986.
Notes:

Discusses Symphony No. 3, Essays Before a Sonata, 114 Songs, and Majority.

Source: Book
VI. Topical Studies
L. Ives and America

Tommasini, Anthony

Year: 2004
Complete Citation:
Tommasini, Anthony. “What’s So Gay about American Music? [Comments]” The New York Times. October 24, 2004, sec. 2, 27.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Toncitch, Vonya

Year: 1972
Complete Citation:
Toncitch, Voya. “‘Three Page Sonata’ by Charles Ives.” Melos 5 (Septem-ber-October 1972): 277-279.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Tryon, Winthrop P.

Complete Citation:
Tryon, Winthrop P. “New Yorker Writing Music for Quarter-Tone Piano.” Christian Science Monitor, January 13, 1925, 10.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works