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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Goudie, Andrea

Year: 1972
Complete Citation:
Goudie, Andrea. “Exploring the Broad Margins: Charles Ives’s Interpretation of Thoreau.” The Midwest Quarterly 13 (1972): 309-317.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Grunfeld, Frederic

Year: 1954
Complete Citation:
Grunfeld, Frederic. “Charles Ives: Yankee Rebel.” High Fidelity 4, no. 9 (November 1954): 34-36, 103, 105, 107-108.
Source: Journal
VI. Topical Studies
L. Ives and America

Hansen, Chadwick

Year: 1975-1976
Complete Citation:
Hansen, Chadwick. “One Place in New England: The Fifty-Fourth Massachusetts Volunteer Infantry as a Subject for American Artists.” Student Musicologists at Minnesota 6 (1975-1976).
Source: Journal
VI. Topical Studies
L. Ives and America

Hanson, Howard

Year: 1942
Complete Citation:
Hanson, Howard. “Twenty Years’ Growth in America.” Modern Music XX, 1 (November-December 1942): 101.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1951
Complete Citation:
Hanson, Howard. Music in Contemporary American Civilization. Montgomery Lectures on Contemporary Civilization. Lincoln, NE: University of Nebraska, 1951.
Source: Book
VI. Topical Studies
L. Ives and America

Harman, Alec, Anthony Milner and Wilfrid Mellers

Year: 1962
Complete Citation:
Harman, Alec, Anthony Milner and Wilfrid Mellers. Man and His Music: The Story of Musical Experience in the West. New York, NY: Ox-ford University Press, 1962.
Source: Book
VI. Topical Studies
L. Ives and America

Harris, Roy

Year: 1934
Complete Citation:
Harris, Roy “American Music Enters a New Phase.” Scribner's Magazine 96, October 1934, 218-221.
Source: Magazine
VI. Topical Studies
L. Ives and America

Harrison, Lou

Year: 1954
Complete Citation:
Harrison, Lou. “On Ives's First Piano Sonata.” In Charles E. Ives First Sonata For Piano. New York, NY: Peer International Corporation, 1954.
Source: Score
Reprints:

Harrison, Lou. “On Ives's First Piano Sonata.” In <i>Charles E. Ives First Sonata For Piano</i>, ii. Revised edition. New York, NY: Peer International Corporation, 1954.

IV. Individual Studies by Genre
C. Keyboard Works

Hartman, James B.

Year: 2004
Complete Citation:
Hartman, James B. “Alternative Organists.” The Diapason, Vol. 95, No. 7 (2004): 20-22.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Haskell, Harry

Year: 1996
Complete Citation:
Haskell, Harry. “Paul Rosenfeld, ‘Ives’s Concord Sonata’.” In The attentive listener: three centuries of music criticism. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Helms, Hans G.

Year: 1975
Complete Citation:
Helms, Hans G. “Charles Edward Ives—Ideal American or Social Critic?” Current Musicology, No. 19 (1975): 37-44.
Source: Journal
VI. Topical Studies
L. Ives and America

Henck, Herbert

Year: 1980
Complete Citation:
Henck, Herbert. ““Waltz-Rondo” und andere Klavierstücke von Charles Ives.” Neuland - Ansätze zur Musik der Gegenwart 1 (1980): 44-46.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1980
Complete Citation:
Henk, Herbert. “Randbemerkung. Zu Ives’ ‘Gesamtem Klavierwerk.’” In Neuland: Ansatze zur Musik der Gegenwart, 43. Vol. 1. Cologne, Germany: Neuland Musikverlag Herbert Henck, 1980.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1982
Complete Citation:
Henck, Herbert. “Versehen - Versehren. 2. Lanze. Zur Neuausgabe von Charles E. Ives’ Erster Klaviersonate.” Neuland - Ansätze zur Musik der Gegenwart 2 (1982): 206-207.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1983
Complete Citation:
Henck, Herbert. “Aus zweiter Hand: Charles E. Ives’ “Study No. 20.”” In Neuland: Ansätze zur Musik der Gegenwart: Jahrbuch. Band 3. Cologne, Germany: Neuland Musikverlag, 1983.
Source: Chapter in Book
Reprints:

Henck, Herbert. "Aus zweiter Hand: Charles E. Ives' 'Study No. 20.' Review of Study No. 20 by Charles Ives.]"Neuland 3 (1982-83): 242.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1988
Complete Citation:
Henck, Herbert. “Charles Ives Piano Sonata No. 2: ‘Concord, Mass., 1840-1960’.” In Charles Ives und die amerikanische Musik. International Symposium, February 24-27, 1988. Cologne, Germany.
Source: Festival Booklet
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1992
Complete Citation:
Henck, Herbert. “Klavierwerke von Charles Ives: Werkkommentare.” In Experimentelle Pianistik: Improvisation, Interpreta-tion, Komposition: Schriften zur Klaviermusik (1982 bis 1992), 167-183. Mainz, Germany: Schott, 1992.
Notes:

Contents: Einfuhrung (167-168), Biographisches (168-169), Piano Sonata No. 1 (170-172), Piano Sonata No. 2: "Concord, Mass., 1840- 1860" (172-177), Ausgewählte Klavierstucke (177-183).

Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2004
Complete Citation:
Henck, Herbert. “‘Do whatever seems natural or best to you’: Noten- text und Interpretation von Charles Ives’ Concord Sonata.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 116-122. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Hertz, David Michael

Year: 1996
Complete Citation:
Hertz, David Michael. “European Influences: Ives and the Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 43-46. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1997
Complete Citation:
Hertz, David Michael. “Ives's Concord Sonata and the Texture of Music.” In Charles Ives and His World, edited by J. Peter Burkholder, 75-117. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works