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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Hinson, Maurice

Year: 1974-1975
Complete Citation:
Hinson, Maurice. “The Solo Piano Music of Charles Ives.” Piano Quarterly 88 (Winter 1974-1975): 32-35.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1983
Complete Citation:
Hinson, Maurice. Music for More Than One Piano: An Annotated Guide, 96-91. Bloomington, IN: Indiana University Press, 1983.
Notes:

Discusses Three Quarter-Tone Pieces for two pianos and Calcium Light Night.

Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Hinson, Maurice and Wesley Roberts

Year: 2014
Complete Citation:
Hinson, Maurice and Wesley Roberts. “I.” In Guide to the Pianist's Repertoire, Fourth Edition, 4th ed., 528-537. Bloomington, IN: Indiana University Press, 2014.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Hubbs, Nadine

Year: 2004
Complete Citation:
Hubbs, Nadine. The Queer Composition of America's Sound: Gay Mod-ernists, American Music and National Identity. Berkeley, CA: University of California Press, 2004.
Notes:

In subchapter, "Ives, American Music and Mutating Manliness," the author points out Ives's desire for American composers to write strong music to define Americanism and for audiences to listen most intensely.

Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Hunnicutt, Ellen

Year: 1987
Complete Citation:
Hunnicutt, Ellen. “The Practical Uses of Emerson: Charles Ives.” Soundings: An Interdisciplinary Journal, vol. 70, no. 1/2 (1987): 189-198.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Ives, Charles

Year: 1968
Complete Citation:
Ives, Charles. “Charles Ives.” In The bitch-goddess success: variations on an American theme by… (Katz, Leslie George, editor). New York, NY: Eakins Press, 1968.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Ives, Charles; J. Bernlef, trans.

Year: 1969
Complete Citation:
Ives, Charles. “Epilogue from Essays Before a Sonata [Epiloog from Essays voorafgaand ann een sonate].” Translated to Dutch by J. Bernlef. In Charles Ives, 52-92. Amsterdam, Netherlands: De Bezige Bij, 1969.
IV. Individual Studies by Genre
C. Keyboard Works

Kager, Reinhard

Year: 2001
Complete Citation:
Kager, Reinhard. “Stille Einkehr: Tirol auf den Spuren eines “besseren Amerika.”” Österreichische Musikzeitschrift, Vol. 56, No. 6 (2001): 66-67.
Source: Journal
VI. Topical Studies
L. Ives and America

Kalish, Gilbert

Year: 1977
Complete Citation:
Kalish, Gilbert. Liner notes for “Charles Ives Piano Sonata No. 2.” Nonesuch Records H-71337, 1977, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works

Kelly, June

Year: 1949
Complete Citation:
Kelly, June. “American Music Comes of Age.” Music Journal (September 1949).
Source: Journal
VI. Topical Studies
L. Ives and America

Kerman, Joseph and Gary Tomlinson

Year: 2015
Complete Citation:
Kerman, Joseph and Gary Tomlinson. “The First American Modernist: Ives.” In Listen. Boston, MA: Bedford/St. Martin's, 2015.
Source: Chapter/Section in Book
VI. Topical Studies
L. Ives and America

Kirby, Frank E.

Year: 1966
Complete Citation:
Kirby, Frank E. A Short History of Keyboard Music, 445-447, 454, 459. New York, NY: Free Press, 1966.
Source: Book
Reprints:

Kirby, Frank E. <i>A Short History of Keyboard Music</i>. Second Edition. <i>Music for Piano: A Short History</i>. Portland, OR: Amadeus Press, 1995.

IV. Individual Studies by Genre
C. Keyboard Works

Kirkpatrick, John

Year: 1968
Complete Citation:
Kirkpatrick, John. Liner notes for “The ‘Concord’ Sonata, by Charles Ives.” Columbia MS 7192, 1968, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1975
Complete Citation:
Kirkpatrick, John. “Editor’s Notes.” In Charles Ives, Study No. 21: Some South--Paw Pitching! for Piano, 7-12. Bryn Mawr, PA: Mercury Music Corporation, 1975.
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1981
Complete Citation:
Kirkpatrick, John. “Notes.” In Charles E. Ives, Study No. 20 for Piano, edited by John Kirkpatrick, 12--18. Bryn Mawr, PA: Merion Music, 1981.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Kirkpatrick, John (editor)

Year: 1953
Complete Citation:
Kirkpatrick, John, editor. “American Piano Music: 1900-1950,” 35-41. In Proceedings of the Music Teachers National Association (1950), 35-41. Pittsburgh, PA: Music Teachers National Association, 1953.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Kolodin, Irving

Year: 1932
Complete Citation:
Kolodin, Irving. “American Music.” Sun (New York, NY). November 5, 1932, 7.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Konold, Wulf

Year: 1972
Complete Citation:
Konold, Wulf. “Neue Music in der Neuen Welt: Der Komponist Charles Ives.” Musica 26/3 (May-June 1972): 239-244.
Source: Journal
VI. Topical Studies
L. Ives and America

Kramer, A. Walter

Year: 1921
Complete Citation:
Kramer, A. Walter. “A Pseudo-literary Sonata!!!” Musical America (April 2, 1921): 36.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Krehm, Ida

Year: 1946
Complete Citation:
Krehm, Ida. “The Performing Artist Looks at American Music.” Pan Pipes 38/4 (April 1946): 260--262.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works