Hertz, David Michael
    Year: 1996
Complete Citation: 
Hertz, David Michael. “European Influences: Ives and the Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 43-46. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1997
Complete Citation: 
Hertz, David Michael. “Ives's Concord Sonata and the Texture of Music.” In Charles Ives and His World, edited by J. Peter Burkholder, 75-117. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Hinson, Maurice
    Year: 1974-1975
Complete Citation: 
Hinson, Maurice. “The Solo Piano Music of Charles Ives.” Piano Quarterly 88 (Winter 1974-1975): 32-35.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1983
Complete Citation: 
Hinson, Maurice. Music for More Than One Piano: An Annotated Guide, 96-91. Bloomington, IN: Indiana University Press, 1983.Notes: Discusses Three Quarter-Tone Pieces for two pianos and Calcium Light  Night.
 Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Hinson, Maurice and Wesley Roberts
    Year: 2014
Complete Citation: 
Hinson, Maurice and Wesley Roberts. “I.” In Guide to the Pianist's Repertoire, Fourth Edition, 4th ed., 528-537. Bloomington, IN: Indiana University Press, 2014.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Hunnicutt, Ellen
    Year: 1987
Complete Citation: 
Hunnicutt, Ellen. “The Practical Uses of Emerson: Charles Ives.” Soundings: An Interdisciplinary Journal, vol. 70, no. 1/2 (1987): 189-198.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Ives, Charles; J. Bernlef, trans.
    Year: 1969
Complete Citation: 
Ives, Charles. “Epilogue from Essays Before a Sonata [Epiloog from Essays voorafgaand ann een sonate].” Translated to Dutch by J. Bernlef. In Charles Ives, 52-92. Amsterdam, Netherlands: De Bezige Bij, 1969.IV. Individual Studies by Genre
C. Keyboard Works
Kalish, Gilbert
    Year: 1977
Complete Citation: 
Kalish, Gilbert. Liner notes for “Charles Ives Piano Sonata No. 2.”  Nonesuch Records H-71337, 1977, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works
Karr, Harrison
    Year: 1933
Complete Citation: 
Karr, Harrison. “The Pan Americans.” Trend 1, 4 (January-March 1933): 141-143.Source: Journal
VI. Topical Studies
P. Ives Collaborators and Colleagues
Kirby, Frank E.
    Year: 1966
Complete Citation: 
Kirby, Frank E. A Short History of Keyboard Music, 445-447, 454, 459. New York, NY: Free Press, 1966.Source: Book
Reprints: Kirby, Frank E. <i>A Short History of Keyboard Music</i>. Second Edition. <i>Music for Piano: A Short History</i>. Portland, OR: Amadeus Press, 1995.
 IV. Individual Studies by Genre
C. Keyboard Works
Kirkpatrick, John
    Year: 1968
Complete Citation: 
Kirkpatrick, John. Liner notes for “The ‘Concord’ Sonata, by Charles  Ives.” Columbia MS 7192, 1968, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1975
Complete Citation: 
Kirkpatrick, John. “Editor’s Notes.” In Charles Ives, Study No. 21: Some South--Paw Pitching! for Piano, 7-12. Bryn Mawr, PA: Mercury Music Corporation, 1975.IV. Individual Studies by Genre
C. Keyboard Works
Year: 1981
Complete Citation: 
Kirkpatrick, John. “Notes.” In Charles E. Ives, Study No. 20 for Piano, edited by John Kirkpatrick, 12--18. Bryn Mawr, PA: Merion Music, 1981.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Kirkpatrick, John (editor)
    Year: 1953
Complete Citation: 
Kirkpatrick, John, editor. “American Piano Music: 1900-1950,” 35-41. In Proceedings of the Music Teachers National Association (1950), 35-41. Pittsburgh, PA: Music Teachers National Association, 1953.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Kirkpatrick, Ralph
    Year: 2014
Complete Citation: 
Kirkpatrick, Ralph. “John Kirkpatrick.” In Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar, edited by Meredith Kirkpatrick, 89-94. Eastman Studies in Music. Woodbridge, United Kingdom: Boydell & Brewer, 2014.Source: Chapter in Book
VI. Topical Studies
P. Ives Collaborators and Colleagues
Kramer, A. Walter
    Year: 1921
Complete Citation: 
Kramer, A. Walter. “A Pseudo-literary Sonata!!!” Musical America (April 2, 1921): 36.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Krehm, Ida
    Year: 1946
Complete Citation: 
Krehm, Ida. “The Performing Artist Looks at American Music.” Pan Pipes 38/4 (April 1946): 260--262.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Lambert, J. Philip
    Year: 1989
Complete Citation: 
Lambert, J. Philip. “Ives’s “Piano-Drum” Chords.” Intégral Vol. 3 (1989): 1-36.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Lyle, Wilson
    Year: 1985
Complete Citation: 
Lyle, Wilson. Dictionary of Pianists, 140, 151, 183. New York, NY: Schirmer Books, 1985.Notes: p. 151: the first performance of Ives's Concord Sonata by John  Kirkpatrick. p. 183 the first performance of Ives’s Sonata No. 1 by  William Masselos.
 Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Mack, Dieter
    Year: 1994
Complete Citation: 
Mack, Dieter. “Auf der Suche nach einer amerikanischen Musik? Zur Musiksprache von Charles Ives anhand der Three-Page-Sonata.” In Visionen und Aufhruche: Zur Krise der modernen Musik 1908-1933, edited by Gunther Metz. Hochschuldokumentationen zu Musikwissenschaft und Musikpadagogik Musikhochschule Freiburg No. 5. Kassel, Germany: Bosse, 1994, 201-233.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works