Image
Complete Citation:
McGinness, John. “How Modernist Criticism Failed Charles Ives.” Music Theory Spectrum 28/1 (Spring 2006): 99-109.
Bibliography
Genres
McGinness, John
Year: 2006
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Meyer, Felix
Year: 1991
Complete Citation:
Source: Book
Reprints:
Meyer, Felix. <i>The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives</i>. Publikationen Der Schweizerischen Musikforschenden Gesellschaft, vol. 34. Bern, Switzerland: Haupt, 1991.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Mikhashoff, Yvar
Complete Citation:
Mikhashoff, Yvar. A thematic survey of the first movement (Emerson) of the Sonata no. 2, “Concord, Mass. 1840-1860” of Charles Ives. Unpublished manuscript. Yvar Mikhashoff Papers. Mss. 10, Folder 6. Music Library, University at Buffalo. 198?.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Nicholls, David
Year: 1994
Complete Citation:
Nicholls, David. “Unanswerable Questions/Questionable Answers.” Music and Utters 75/2 (May 1994): 246-252.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Nicholas, Jeremy
Year: 2012
Complete Citation:
Nicholas, Jeremy. “Music of My Life: Marc-André Hamelin.” International Piano (2012): 88.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Nishiyama, Keiko
Year: 1991
Complete Citation:
Nishiyama, Keiko. “Die Bedeutung der Zitate in Charles Ives’ zweiter Klaviersonate (Concord, Mass., 1840-60).” Diss., Hochschule für Musik und Theater, Hamburg, 1991.Source: Dissertation
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Osborne, William
Year: 1990
Complete Citation:
Osborne, William. “Charles Ives the Organist.” The American Organist (July 1990): 58-64.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Palisca, Claude V.
Year: 1975
Complete Citation:
Palisca, Claude V. “Report on the Musicological Year 1974 in the United States.” Acta Musicologica 47/2 (July-December 1975): 283-289.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Pappastavrou, George
Year: 1974
Complete Citation:
Pappastavrou, George. “Ives's Quarter-Tone Pieces.” Clavier 13/7, 1974, 31-32.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Parthun, Paul
Year: 1975-76
Complete Citation:
Parthun, Paul. “Concord, Charles Ives, and Henry Bellaman.” Student Musicologists at Minnesota 6 (1975-76): 66-86.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Paul, David C.
Year: 2005
Complete Citation:
Paul, David C. “Charles Ives, Autonomy, and Cold War Politics.” Paper presented at the American Musicological Society Annual Meeting. Washington, D.C., October 29, 2005.Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Perlis, Vivian
Year: 1970
Complete Citation:
Perlis, Vivian. “Recent Ives Research.” Seminar, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 24 1970.Source: Seminar
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1996
Complete Citation:
Perlis, Vivian. “Ives Spirit Moves Brits.” Piano & Keyboard (1996): 12-14.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Perkins. Francis D.
Year: 1948
Complete Citation:
Perkins. Francis D. “Letters: In Defense of Critics.” Harper’s 197 (Decem-ber 1948): 14.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Pleasants, Henry
Year: 1969
Complete Citation:
Pleasants, Henry. Serious Music: And All That Jazz: An Adventure in Music Criticism. New York, NY: Simon and Schuster, 1969.Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Porter, Cecelia
Year: 1998
Complete Citation:
Porter, Cecelia. “Classical Music: Organist Gregory D’Agostino.” The Washington Post (1998): C4.Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Porter, David H.
Complete Citation:
Porter, David H. “From Plato to piano strings: An ‘Outward Bound’ for the mind.” The Chronicle of Higher Education 42, no. 28 (March 22, 1996): A52.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Potter, Hugh
Year: 1970
Complete Citation:
Potter, Hugh. “Paul Rosenfeld: Criticism and Prophesy.” American Quarterly 22/1 (Spring 1970): 82-94.Notes:
Quotes from Rosenfeld's review of the Concord Sonata. Adds that “Rosenfeld's great enthusiasm for the music of Charles Ives was partly attributed to Ives’ interest in American subject matter and his use of native themes.”
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Rabinowitz, Peter J.
Year: 1981
Complete Citation:
Rabinowitz, Peter J. “Fictional Music: Toward a Theory of Listening.” In Theories of Reading, Looking, and Listening, edited by Harry R. Garvin, 193-208. Bucknell Review, vol. 26, no. 1. Lewisburg, PA: Bucknell University Press, 1981.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Rasmussen, Jane E.
Year: 1975-1976
Complete Citation:
Rasmussen, Jane E. “Charles Ives’s Music for the Piano.” Student Musicologists at Minnesota 6 (1975-1976): 201-217.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works