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Bibliography

Kuan, Flora Lu

Year: 1983
Complete Citation:
Kuan, Flora Lu. “The piano etudes of Debussy, Skryabin, and Ives.” D.M.A. diss., University of Colorado, 1983.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Kumlien, Wendell Clarke

Year: 1969
Complete Citation:
Kumlien, Wendell Clarke. “The Sacred Choral Music of Charles Ives: A Study in Style Development.” D.M.A. diss., University of Illinois, 1969.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lambert, J. Philip

Year: 1989
Complete Citation:
Lambert, J. Philip. “Ives’s “Piano-Drum” Chords.” Intégral Vol. 3 (1989): 1-36.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Lambert, Jay Philip

Year: 1987
Complete Citation:
Lambert, Jay Philip. “Compositional procedures in experimental works of Charles E. Ives.” Ph.D. diss., University of Rochester, 1987.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Laskowich, Lisa

Year: 2003
Complete Citation:
Laskowich, Lisa. “Charles Ives: a reference guide for college students in thirty-three sketches.” D.M.A. Thesis, Manhattan School of Music, 2003.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lee, Brian

Year: 2004
Complete Citation:
Lee, Brian. “Death, determination, and denouement : the musical diversity of Charles Ives's Piano trio.” D.M.A. Dissertation, The Juilliard School, 2004.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Liao, Hsiang-Chi

Year: 2006
Complete Citation:
Liao, Hsiang-Chi. “The evolving perception of Charles Ives and his music.” Ph.D. diss., West Virginia University, 2006.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lindley, Nancy Eagle

Year: 1993
Complete Citation:
Lindley, Nancy Eagle. “Singer Radiana Pazmor and American Music: The Performer as Advocate.” Ph.D. diss., University of Maryland. Col-lege Park, 1993.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Little, Francis E.

Year: 1971
Complete Citation:
Little, Francis E. “Humor and satire in selected songs of Charles Edward Ives.” D.Mus. thesis, 1971.
Source: D.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Liu, Francis M.

Year: 2011
Complete Citation:
Liu, Francis M. ““Vintage Modernism”: Early Experimentalist Music for Violin in the United States.” D.M.A. diss., University of Maryland, College Park, 2011.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lo, Chau-Yee

Year: 2004
Complete Citation:
Lo, Chau--Yee. “Endangered Species: The Harpsichord and Its New Repertoire since 1960.” Ph.D. diss., University of Leeds, 2004.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lotto, Albert

Year: 1978
Complete Citation:
Lotto, Albert. “Experimental aspects of the completed short piano pieces of Charles Ives: with an edition of the unpublished works.” D.M.A. Thesis, The Juilliard School, 1978.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lyle, Wilson

Year: 1985
Complete Citation:
Lyle, Wilson. Dictionary of Pianists, 140, 151, 183. New York, NY: Schirmer Books, 1985.
Notes:

p. 151: the first performance of Ives's Concord Sonata by John Kirkpatrick. p. 183 the first performance of Ives’s Sonata No. 1 by William Masselos.

Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Lyman, Zachary Taft

Year: 2007
Complete Citation:
Lyman, Zachary Taft. “Duality and process in "The greatest legend of American Music": a comparative study of realizations and completions of Charles Ives's Universe Symphony by Larry Austin, David Porter, and Johnny Reinhard.” Ph.D. diss., University of Iowa, 2007.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lynn, Debra J.

Year: 1999
Complete Citation:
Lynn, Debra J. “Learning sequences for the experimental choral psalm settings of Charles Ives.” D.A. in Music, diss., Ball State University, 1999.
Source: D.A. in Music Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mack, Dieter

Year: 1994
Complete Citation:
Mack, Dieter. “Auf der Suche nach einer amerikanischen Musik? Zur Musiksprache von Charles Ives anhand der Three-Page-Sonata.” In Visionen und Aufhruche: Zur Krise der modernen Musik 1908-1933, edited by Gunther Metz. Hochschuldokumentationen zu Musikwissenschaft und Musikpadagogik Musikhochschule Freiburg No. 5. Kassel, Germany: Bosse, 1994, 201-233.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Maltz, Richard Steven

Year: 1991
Complete Citation:
Maltz, Richard Steven. “Microtonal techniques in Charles Ives's 'Three quarter-tone pieces for two pianos, ' Harry Patch's 'And the seventh day petals fell in Petaluma', and Ben Johnston's 'Fourth string quartet’.” Ph.D. diss., University of South Carolina, 1991.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mandel, Alan

Year: 1975-76
Complete Citation:
Mandel, Alan. “Charles Ives’s Music for the Piano.” Student Musicologists at Minnesota 6 (1975-76): 201-217.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2003
Complete Citation:
Mandel, Alan. “Piano Music by Elie Siegmeister, Kenneth Boulton.” American Music 21, no. 4 (Winter 2003): 532.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Mandel, Alan R.

Year: 1969
Complete Citation:
Mandel, Alan R. “The Keyboard Works of Charles Ives.” Lecture, American Musicological Society, Saint Louis, Missouri, De-cember 27--29, 1969.
Notes:

Points out that there are several versions of many of Ives’s compositions. Summary available in the “Abstracts of Papers Read at the Thirty--Third Annual Meeting of the American Musicological Society” (62--64).

Source: Lecture
IV. Individual Studies by Genre
C. Keyboard Works